Details the unsolved murder of successful attorney Charles Bravo, a cruel man who tormented his wife Florence, in a mystery that paints a portrait of Victorian culture and one woman's fight to exist in this repressive society.

The New York Times bestselling "epic feminist fantasy perfect for fans of Game of Thrones" (Bustle). NAMED A BEST BOOK OF THE YEAR BY: AMAZON (Top 100 Editors Picks and Science Fiction and Fantasy) * CHICAGO PUBLIC LIBRARY * BOOKPAGE * AUTOSTRADDLE A world divided. A queendom without an heir. An ancient enemy awakens. The House of Berethnet has ruled Inys for a thousand years. Still unwed, Queen Sabran the Ninth must conceive a daughter to protect her realm from destruction--but assassins are getting closer to her door. Ead Duryan is an outsider at court. Though she has risen to the position of lady-in-waiting, she is loyal to a hidden society of mages. Ead keeps a watchful eye on Sabran, secretly protecting her with forbidden magic. Across the dark sea, Tané has trained all her life to be a dragonrider, but is forced to make a choice that could see her life unravel. Meanwhile, the divided East and West refuse to parley, and forces of chaos are rising from their sleep.

Christmas is murder-- when you're stranded in East Sussex with a killer. When guests at a secluded Victorian hotel start dying, all hopes for a jolly holiday are dashed.

"The notorious death of Charles Bravo"--Cover.

1154, Oseney Priory, Oxford. When the first performance of The Play of Adamends in tragedy, the author is compelled to pen a grim warning for the generations that follow: 'BEWARE THE SINS OF ENVY AND VAINGLORY, ELSE FOUL MURDER ENDS YOUR STORY' But his words are not heeded, and as the play is performed in many guises throughout the ages, bad luck seems to follow after those involved in its production. When a snow storm diverts two disparate parties of travellers to the busy market town of Carmarthen in the winter of 1199, an enigmatic stranger appears and requests to stage the play to alleviate tensions, but on the eve of the performance the actor chosen to play Cain is found dead. When the play is performed in the city of Ely in 1361, the townspeople fear the play has unleashed a demon upon the town after a gruesome discovery is made in the Cathedral. And from Shakespeare's London to war-time Surrey, no matter the time or the place, each production always seems to end in disaster. Perhaps it is simply the curse of thespian rivalry that is to blame. Or does the story of man's first murder somehow infect all who re-enact it?