In Riyadh, against the events of the second Gulf War and Saddam's invasion of Kuwait, we learn the story of Munira--with the gorgeous eyes--and the unspeakable tragedy she suffers as her male nemesis wreaks revenge for an insult to his character and manhood. It is also the tale of many other women of Saudi Arabia who pass through the remand center where Munira works, victims and perpetrators of crimes, characters pained and tormented, trapped in cocoons of silence and fear. Munira records their stories on pieces of paper that she folds up and places in the mysterious bottle given to her long ago by her grandmother, a repository for the stories of the dead, that they might live again. This controversial novel looks at many of the issues that characterize the lives of women in modern Saudi society, including magic and envy, honor and revenge, and the strict moral code that dictates male-female interaction. "Yousef al-Mohaimeed is a rising star in international literature. Munira's Bottle is a rich and skillfully crafted story of a dysfunctional Saudi Arabian family. One of its strengths lies in its edgy characters: Munira, a sultry, self-centered, sexually repressed woman; Ibn al-Dahhal, the bold imposter who deceives and betrays her; and Muhammad, her perpetually angry and righteous brother, a catalyst who forces the events. Western readers will welcome it for its opening door into Arab lives and minds."--Annie Proulx "Mohaimeed writes in a lush style that evokes a writer he cites as an influence, Gabriel Garcia Marquez. [He] takes on some of the most divisive subjects in the Arab world."--Washington Post

“The definitive African book of the twentieth century” (Moses Isegawa, from the Introduction) by the Nobel Prize–nominated Kenyan writer The puzzling murder of three African directors of a foreign-owned brewery sets the scene for this fervent, hard-hitting novel about disillusionment in independent Kenya. A deceptively simple tale, Petals of Blood is on the surface a suspenseful investigation of a spectacular triple murder in upcountry Kenya. Yet as the intertwined stories of the four suspects unfold, a devastating picture emerges of a modern third-world nation whose frustrated people feel their leaders have failed them time after time. First published in 1977, this novel was so explosive that its author was imprisoned without charges by the Kenyan government. His incarceration was so shocking that newspapers around the world called attention to the case, and protests were raised by human-rights groups, scholars, and writers, including James Baldwin, Toni Morrison, Donald Barthelme, Harold Pinter, and Margaret Drabble.

A multigenerational family story of modern Iraq

A MASTERPIECE FROM THE BEST-SELLING AUTHOR OF THE DARK SIDE OF LOVE -- A murder in Damascus, a love with the power to save a young man’s life… In his latest novel, Rafik Schami ventures to the land of his childhood, where he is now unable to safely return: Syria. As a young girl, Sophia falls deeply in love with Karim, but weds a rich goldsmith instead. A few years later, Karim is accused of an assassination he did not commit and Sophia saves his life. He promises that she will forever have his loyalty, no matter the risk to himself. Long after the incident is buried in memory, Sophia's only son, Salman, returns to Damascus after forty years of exile in Italy; when his photo appears in the newspaper, he is forced into hiding and fears for his life. Remembering Karim’s promise, Sophia decides to call on him for help in spite of the many years that have passed, and the lost opportunity of their once-consuming passion. Set during the tumultuous years leading up to the Arab Spring, Sophia delivers the intricate plotting and lyrical prose that Schami’s readers expect, and reveals the power of love to overcome all barriers of time and circumstance.

Study conducted chiefly in Uttar Pradesh.

For Tamara Chalabi, Iraq is more than a country of war and controversy; it is a place of poignant memory. For much of the twentieth century, the Chalabis were among the most influential families in Iraq. In the 1920s they were at the forefront of their country's awakening to modernity, and they played an integral part in the establishment of its monarchy. As courtiers, politicians, businessmen, rebels, merchants, and scholars, the Chalabis enjoyed vast privilege until the end of the 1950s, when they were forced to flee to the land of exile, myth, and imagination, where their beloved homeland took on the quality of a phantom country. In between came rebellions, foreign interventions, and the transformative development of oil wealth. But in 2003, after a lifetime of exile, Tamara arrived in Baghdad just ten days after the city's fall, in the company of her father, Ahmad Chalabi, a leading opposition figure against the Saddam regime. Late for Tea at the Deer Palace chronicles a daughter's return to a homeland she'd known only through stories and her own imagination. As she investigates four generations of her family's history, Tamara offers a rich portrait of Middle Eastern family life and a provocative look at a lost Iraq. The story is populated by an array of unforgettable characters, among them Tamara's great-grandfather Abdul Hussein Chalabi, who as a member of the Ottoman parliament witnessed the end of the empire in Baghdad and the birth of the modern Iraqi state at the hands of the British; her grandfather Abdul Hadi Chalabi, who became one of the wealthiest men in Iraq and had strong ties with the British during World War II; and her grandmother Bibi, a grande dame who presided over Iraq's social and political life during Baghdad's 1920s and '30s heyday as the Paris of the Middle East. At once intimate and magisterial, Late for Tea at the Deer Palace vividly captures the rich, overlooked history of a country that has been uprooted by war and a family that has persevered by never forgetting its dreams or its past.