Greider believes that those who produce accounts of their struggle with "madness" or mental illness--whether in themselves or someone they love--assert that there is sometimes "divinest sense" in madness, and that divinest sense is something of ultimate value.

Much Madness is divinest Sense --To a discerning Eye --Much Sense -- the starkest Madness --'Tis the Majority Invoking us to question and challenge the boundaries between sanity and madness, the poem that gives title to this book was written by Emily Dickinson some 150 years ago. There is perhaps no resolution to the challenge, and may never be full clarity of the boundaries. Yet we must listen to reach the divine; and we might do well to question the majority. It is time to shed some light on the dark halls and windowless rooms where women's mental health has been hidden from view. Where are the stories? Where are their voices? In historical and psychiatric records, women's mental health is reduced to verifiable symptoms and causes, devoid of the subjective, absent of the lived experience. When confronted with their protestations and self-representations, our medical system and our societal institutions further pathologize, retrauamtize or silence women. Much Madness, Divinest Sense is a collection of women's stories and essays about mental health and health care. These women--physicians, psychotherapists, social workers, community activists, health researchers, Indigenous women, transgender women, our neighbors, daughters, sisters, mothers and grandmothers who are the recipients, providers and critics of care--break the silence to talk about the polluted, heart-wrenching, stigmatized, messy subject that is mental illness today. As with their first collection, Women Who Care: Women's stories of health care and caring, the stories, essays and poems of women receiving, accompanying, critiquing or giving mental health care are again in this compilation as raw as they are real.

'It's coming - the postponeless Creature' Electrifying poems of isolation, beauty, death and eternity from a reclusive genius and one of America's greatest writers. One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

Searingly honest, beautiful, and full of fragile urgency, The Myth of You and Me is a celebration and portrait of a friendship that will appeal to anyone who still feels the absence of that first true friend. When Cameron was fifteen, Sonia was her best friend—no one could come between them. Now Cameron is a twenty-nine-year-old research assistant with no meaningful ties to anyone except her aging boss, noted historian Oliver Doucet. When an unexpected letter arrives from Sonia ten years after the incident that ended their friendship, Cameron doesn’t reply, despite Oliver’s urging. But then he passes away, and Cameron discovers that he has left her with one final task: to track down Sonia and hand-deliver a mysterious package to her. Now without a job, a home, and a purpose, Cameron decides to honor his request, setting off on the road to find this stranger who was once her inseparable other half. The Myth of You and Me, the story of Cameron and Sonia’s friendship—as intense as any love affair—and its dramatic demise, captures the universal sense of loss and nostalgia that often lingers after the end of an important relationship.

Emily Dickinson said: “Tell all the truth, but tell it slant.” Artist Rosanna Bruno does just as the poet asked in a series of several dozen witty, hand-drawn cartoons inspired by what we know--and don’t know--about Dickinson’s life and work. The Slanted Life of Emily Dickinson explores--often hilariously, and always respectfully--the myth surrounding the reclusive poet using her own words to skew, or slant, a story that is already somewhat fuzzy in detail. Beginning with a line or two from Dickinson’s poems or letters, Rosanna Bruno presents an image of a real or imagined event. For example, she imagines Dickinson’s Facebook page (“Relationship Status: It’s Complicated”), her OkCupid dating profile (“I am small, like the wren; and my hair is bold, like the chestnut burr…”), her senior yearbook page (“Girl Most Likely to Talk to Birds”), and several other hilarious scenes and fictional artifacts. The result is a wickedly funny portrait of one of the most beloved (and mythologized) poets in the American canon.

"Raw, intimate, and true . . . A Better Man cracked me wide open, and it's a template for the conversation we need to be having with our boys." --Peggy Orenstein, bestselling author of Boys & Sex A poignant look at boyhood, in the form of a heartfelt letter from comedian Michael Ian Black to his teenage son before he leaves for college, and a radical plea for rethinking masculinity and teaching young men to give and receive love. In a world in which the word masculinity now often goes hand in hand with toxic, comedian, actor, and father Michael Ian Black offers up a way forward for boys, men, and anyone who loves them. Part memoir, part advice book, and written as a heartfelt letter to his college-bound son, A Better Man reveals Black's own complicated relationship with his father, explores the damage and rising violence caused by the expectations placed on boys to "man up," and searches for the best way to help young men be part of the solution, not the problem. "If we cannot allow ourselves vulnerability," he writes, "how are we supposed to experience wonder, fear, tenderness?" Honest, funny, and hopeful, Black skillfully navigates the complex gender issues of our time and delivers a poignant answer to an urgent question: How can we be, and raise, better men?