Fanny knew Longfellow as no other human being ever knew him. In her pages we see him and his work as they have never appeared before. Through Longfellow, moreover, and through her own family connections as well, she knew many other distinguished men and women-New Englanders best of all, of course, yet by no means exclusively. In these pages, we catch vivid glimpses of Emerson, Hawthorne, and Whittier which we should not otherwise possess.

Fanny knew Longfellow as no other human being ever knew him. In her pages we see him and his work as they have never appeared before. Through Longfellow, moreover, and through her own family connections as well, she knew many other distinguished men and women-New Englanders best of all, of course, yet by no means exclusively. In these pages, we catch vivid glimpses of Emerson, Hawthorne, and Whittier which we should not otherwise possess.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

If you were attending school in the late-nineteenth century, it's very likely that your teacher would have taught you to memorize lines from "The Village Blacksmith" by renowned poet Henry Wadsworth Longfellow. And on the classroom wall you'd probably see his portrait looking down benignly on you and your classmates. Longfellow was so famous and beloved by youth in this era that he was known as "the children's poet." Students not only memorized his poetry but sent him hundreds of letters. In this charming biography, storyteller and author Sydelle Pearl recounts the life of Henry Wadsworth Longfellow by drawing upon the letters he received from his young admirers. In their letters, children from yesteryear reveal details about their lives that reach across the years to young people today. The letters also highlight the unique, close relationship that children shared with Longfellow. A girl from West Virginia writes, "Thank you so much for writing for children…. It makes us feel that we are not forgotten." Others ask him about what he did as a boy or a young man. In one extraordinary gesture of friendship, the schoolchildren of Cambridge celebrated his birthday by presenting him with a chair created from the wood of the "spreading chestnut tree" made famous in his poem "The Village Blacksmith." Longfellow dedicated his poem "From My Arm-Chair" to these thoughtful children. Complete with selected poems and photographs of the poet and his family, Dear Mr. Longfellow brings to life a famous figure of American literature and a distant, simpler age in the history of our country.

In the first biography of Longfellow in almost fifty years, Charles C. Calhoun seeks to solve a mystery: Why has one of America's most famous writers fallen into oblivion? His answer to this question takes us through a life story that reads like a Victorian family saga and reveals the man who introduced Americans to the literatures of other countries while creating a gallery of American icons - among them Paul Revere, John and Priscilla Alden, Miles Standish, the Village Blacksmith, Hiawatha, and Evangeline.

No American writer of the nineteenth century was more universally enjoyed and admired than Henry Wadsworth Longfellow. His works were extraordinary bestsellers for their era, achieving fame both here and abroad. Now, for the first time in over twenty-five years, The Library of America offers a full-scale literary portrait of America’s greatest popular poet. Here are the poems that created an American mythology: Evangeline in the forest primeval, Hiawatha by the shores of Gitche Gumee, the midnight ride of Paul Revere, the wreck of the Hesperus, the village blacksmith under the spreading chestnut tree, the strange courtship of Miles Standish, the maiden Priscilla and the hesitant John Alden; verses like “A Psalm of Life” and “The Children’s Hour,” whose phrases and characters have become part of the culture. Here as well, along with the public antislavery poems, are the sparer, darker lyrics—"The Fire of Drift-Wood," “Mezzo Cammin,” “Snow-Flakes,” and many others—that show a more austere aspect of Longfellow’s poetic gift. Erudite and fluent in many languages, Longfellow was endlessly fascinated with the byways of history and the curiosities of legend. As a verse storyteller he had no peer, whether in the great book-length narratives such as Evangeline and The Song of Hiawatha (both included in full) or the stories collected in Tales of a Wayside Inn (reprinted here in a generous selection). His many poems on literary themes, such as his moving homages to Dante and Chaucer, his verse translations from Lope de Vega, Heinrich Heine, and Michelangelo, and his ambitious verse dramas, notably The New England Tragedies (also complete), are remarkable in their range and ambition. As a special feature, this volume restores to print Longfellow’s novel Kavanagh, a study of small-town life and literary ambition that was praised by Emerson as an important contribution to the development of American fiction. A selection of essays rounds out of the volume and provides testimony of Longfellow’s concern with creating an American national literature. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.