Now back in print, Mrs. Caliban is “totally unforgettable” (The New York Times Book Review) and “something of a miracle” (The New Yorker) In the quiet suburbs, while Dorothy is doing chores and waiting for her husband to come home from work, not in the least anticipating romance, she hears a strange radio announcement about a monster who has just escaped from the Institute for Oceanographic Research… Reviewers have compared Rachel Ingalls’s Mrs. Caliban to King Kong, Edgar Allan Poe’s stories, the films of David Lynch, Beauty and the Beast, The Wizard of Oz, E.T., Richard Yates’s domestic realism, B-horror movies, and the fairy tales of Angela Carter—how such a short novel could contain all of these disparate elements is a testament to its startling and singular charm.

Academic anthropologist Stan Binstead is headed off to East Africa on sabbatical. Adulterous by nature, he's irked when his wife Millie asks to accompany him. But as the couple pass through London the balance of power in their marriage begins, strangely, to shift - a transformation that becomes yet more pronounced on safari.

The fiction of Rachel Ingalls has haunted me for years. The plots are dramatic, even exaggerated, but the books are quiet and short. The language is plain but curious. I’ve gathered here three works of hers. Two of these are frightening and one less so, although I sometimes change my mind about which one that is. —from the Introduction by Daniel Handler Daniel Handler assembled this collection from Rachel Ingalls’ wide selection of novellas as a perfect introduction to her beguiling talent. I See a Long Journey and On Ice, novellas Mr. Handler considers basically perfect, originally appeared with a third, Blessed Art Thou, a story he considers to be in an entirely different tone. He felt that Friends in the Country from Ms. Ingalls’ later collection, The End of Tragedy, was a more natural companion to the two earlier works. The author happily agreed.

His wasn't a world war. It was one of the smaller wars, but just as deadly as any other. "Wars are like snakes," his first commanding officer said to him. "Some of the little ones can be even worse than the monsters." --from "Veterans" Franklin fears his family is in danger from a fellow veteran he saved during the war. A young boy entranced by opera despite being born into the rock-and-roll generation finds himself playing the lead role in a present-day tragedy. Travel agents happily lost in the paperwork of other people's adventures break away for an impromptu trip without -- to their horror -- a destination. Pitch-perfect and unpredictable, these stories cover a wide terrain of voices, plot, and imagery. Rachel Ingalls's richly drawn characters slip from the ordinary into the surreal with an elegance that can only come from a master of the form. Mostly set in the United States, the stories in Times Like These are available for the first time to American readers.

Combat medic and biochemist Rebecca Chambers, the sole survivor of Bravo Team, joins a new S.T.A.R.S. strike force when rumor comes of another Umbrella experiment: hidden beneath the rocky cliffs of Caliban Cove, Maine, someone is building an army of the undead. Now the S.T.A.R.S. must battle more unspeakable horrors and stop a madman from unleashing the biohazard upon the world.

During the 1967 school year, on Wednesday afternoons when all his classmates go to either Catechism or Hebrew school, seventh-grader Holling Hoodhood stays in Mrs. Baker's classroom where they read the plays of William Shakespeare and Holling learns muchof value about the world he lives in.

In paperback at last: Rivka Galchen’s beloved baby bible—slyly hilarious, surprising, and absolutely essential reading for anyone who has ever had, held, or been a baby In this enchanting miscellany, Galchen notes that literature has more dogs than babies (and also more abortions), that the tally of children for many great women writers—Jane Bowles, Elizabeth Bishop, Virginia Woolf, Janet Frame, Willa Cather, Patricia Highsmith, Iris Murdoch, Djuna Barnes, Mavis Gallant—is zero, that orange is the new baby pink, that The Tale of Genji has no plot but plenty of drama about paternity, that babies exude an intoxicating black magic, and that a baby is a goldmine.