“If Jane Austen had been allowed to write about sex, I'd like to think this is how she would have done it.”—Rebecca Makkai, author of The Hundred-Year House An audaciously entertaining look at love, marriage, and the beloved Bennet family from Pride and Prejudice, as you’ve never seen them before . . . It is a truth universally acknowledged that every man in possession of a wife must be in want of a son. 1785 was to be the most marvelous year of Marianne’s life, until an unfortunate turn of events left her in a compromised state and desperate for a husband to care—or rather cover—for her. Now, she is stuck in an undesirable marriage to Mr. Edward Bennet, a man desperate in his own way for a male heir. But as she is still carrying a smoldering desire for the handsome Colonel Miller, Mrs. Bennet must constantly find new, clever ways to avoid her husband’s lascivious advances until she is once again reunited with her dashing Colonel. Except that the best-laid plans of a woman in good standing can so often go awry, especially when her contrary husband has plans and desires of his own . . .

“If Jane Austen had been allowed to write about sex, I'd like to think this is how she would have done it.”—Rebecca Makkai, author of The Hundred-Year House An audaciously entertaining look at love, marriage, and the beloved Bennet family from Pride and Prejudice, as you’ve never seen them before . . . It is a truth universally acknowledged that every man in possession of a wife must be in want of a son. 1785 was to be the most marvelous year of Marianne’s life, until an unfortunate turn of events left her in a compromised state and desperate for a husband to care—or rather cover—for her. Now, she is stuck in an undesirable marriage to Mr. Edward Bennet, a man desperate in his own way for a male heir. But as she is still carrying a smoldering desire for the handsome Colonel Miller, Mrs. Bennet must constantly find new, clever ways to avoid her husband’s lascivious advances until she is once again reunited with her dashing Colonel. Except that the best-laid plans of a woman in good standing can so often go awry, especially when her contrary husband has plans and desires of his own . . .

Jane Austen's Mrs. Bennet, mother of five difficult teenage daughters, is silent no more. Tired of having her ungrateful girls roll their their eyes at her and watching her husband return to his man cave, Mrs. Bennet finally tells her side of the story.

Picking up where Jane Austen's Pride and Prejudice left off, The Bad Miss Bennet takes readers on a wild Regency romp with Lydia Wickham, née Bennet, who finds herself in dire need of a new husband. Lydia was never the most upstanding of the Bennet sisters, but who ever said that moral rectitude was fun? Mr Wickham turned out to be a disappointing husband in many aspects, the most notable of which being his early demise on the battlefields of Waterloo. And so Lydia Wickham, née Bennet, not yet twenty and full of enterprising spirit, is in urgent need of a wealthy replacement. A lesser woman, without Lydia’s natural ability to flirt uproariously on the dance floor and cheat seamlessly at the card table, would swoon in the wake of a dashing highwayman, a corrupt banker, and even an amorous Prince Regent. But on the hunt for a marriage that will make her rich, there’s nothing that Lydia won’t turn her hand to. While Mrs Wickham rattles around the continent from Paris to Venice and to the home of the disgraced Princess of Wales in Italy, you, dear reader, will be greatly diverted.

Pride and Prejudice's Mary Bennet gets her own story... The third of five daughters, Miss Mary Bennet is a rather unremarkable girl. With her countenance being somewhere between plain and pretty and in possession of no great accomplishments, few expect the third Bennet daughter to attract a respectable man. But although she is shy and would much prefer to keep her nose stuck in a book, Mary is uncertain she wants to meekly follow the path to spinsterhood set before her. Determined that Mary should have a chance at happiness, the elder Bennet sisters concoct a plan. Lizzy invites Mary to visit at Pemberley, hoping to give her sister a place to grow and make new acquaintances. But it is only when Mary strikes out independently that she can attempt to become accomplished in her own right. And in a family renowned for its remarkable Misses, Mary Bennet may turn out to be the most wholly unexpected of them all...

The acclaimed author of The Borrower returns with a dazzlingly original, mordantly witty novel about the secrets of an old-money family and their turn-of-the-century estate, Laurelfield. “Rebecca Makkai is a writer to watch, as sneakily ambitious as she is unpretentious." –Richard Russo Meet the Devohrs: Zee, a Marxist literary scholar who detests her parents’ wealth but nevertheless finds herself living in their carriage house; Gracie, her mother, who claims she can tell your lot in life by looking at your teeth; and Bruce, her step-father, stockpiling supplies for the Y2K apocalypse and perpetually late for his tee time. Then there’s Violet Devohr, Zee’s great-grandmother, who they say took her own life somewhere in the vast house, and whose massive oil portrait still hangs in the dining room. Violet’s portrait was known to terrify the artists who resided at the house from the 1920s to the 1950s, when it served as the Laurelfield Arts Colony—and this is exactly the period Zee’s husband, Doug, is interested in. An out-of-work academic whose only hope of a future position is securing a book deal, Doug is stalled on his biography of the poet Edwin Parfitt, once in residence at the colony. All he needs to get the book back on track—besides some motivation and self-esteem—is access to the colony records, rotting away in the attic for decades. But when Doug begins to poke around where he shouldn’t, he finds Gracie guards the files with a strange ferocity, raising questions about what she might be hiding. The secrets of the hundred-year house would turn everything Doug and Zee think they know about her family on its head—that is, if they were to ever uncover them. In this brilliantly conceived, ambitious, and deeply rewarding novel, Rebecca Makkai unfolds a generational saga in reverse, leading the reader back in time on a literary scavenger hunt as we seek to uncover the truth about these strange people and this mysterious house. With intelligence and humor, a daring narrative approach, and a lovingly satirical voice, Rebecca Makkai has crafted an unforgettable novel about family, fate and the incredible surprises life can offer. For readers of Dodie Smith's I Capture the Castle

"Nobody turned my head with compliments. Nobody asked me to dance." An elegant accompaniment to Jane Austen's Pride and Prejudice, Jennifer Paynter's The Forgotten Sister plucks the neglected Mary from obscurity and reveals her hopes and fears. Mary Bennet spends much of her time apart from her family, closeted in her room reading or playing her music, studying hard for accomplishments. As her four sisters become absorbed in their own romantic dramas, Mary stands apart, believing herself "not pretty enough" to dance with. She watches while Mr. Darcy and Mr. Bingley--and Mr. Wickham--waltz into her sisters' lives, judging all three gentlemen quite dispassionately (and as it turns out, accurately). But Mary may not be quite so clear-sighted when she finally falls in love herself. She will first have to overcome her own brand of "pride and prejudice."