Sanskrit text with English translation.

Winner of the 2019 Outstanding Academic Titles award in Choice, a publishing unit of the Association of College & Research Libraries (ACRL) Why Look at Plants? proposes a thought-provoking and fascinating look into the emerging cultural politics of plant-presence in contemporary art. Through the original contributions of artists, scholars, and curators who have creatively engaged with the ultimate otherness of plants in their work, this volume maps and problematizes new intra-active, agential interconnectedness involving human-non-human biosystems central to artistic and philosophical discourses of the Anthropocene. Plant’s fixity, perceived passivity, and resilient silence have relegated the vegetal world to the cultural background of human civilization. However, the recent emergence of plants in the gallery space constitutes a wake-up-call to reappraise this relationship at a time of deep ecological and ontological crisis. Why Look at Plants? challenges readers’ pre-established notions through a diverse gathering of insights, stories, experiences, perspectives, and arguments encompassing multiple disciplines, media, and methodologies.

Dr. Arya Krish is a brilliant physician and philanthropist, and the head of Beacon Medical Institute. The ground breaking technology developed there, through the Panacea Project, will usher in the new age of genetics that will change the world we live in. Krish’s vast ambition at home and abroad leads to entangled alliances with industry juggernaut Alpha Corp, as well as the US government. He is forced to confront cut-throat corporate corruption, government encroachment, and a haunting family history. The ends must justify the means, which give rise to the bad blood within. Arya Krish has to make peace with it, to become a true knower of the field.

Forests being the lungs of planet Earth are the most important ecosystems. They act as carbon sinks and sustain a huge amount of carbon in them. They play an extremely important role for the survival of the living beings on this earth. From human beings to the flora and fauna of the earth’s ecosystem depend on the forests in some way or the other. Forests are the repositories of enormous biodiversity on this planet. They are an adobe to millions of species of animals including human beings, plants and microorganisms. They also give massive ecosystem services to mankind and to all the living beings thriving on this earth. They regulate climate, water cycles and carbon sequestering on this planet. They even provide a livelihood to human beings all over the world. They check global warming on this earth. The parameter of sustainable development is that forest and biodiversity is conserved for the coming generations also. Forests are the most important repositories of terrestrial biological diversity. The diversity of life amongst the living beings and their distinct habitats, the interactions between the various components of the biodiversity makes this planet a habitable place for various life forms. Forest conservation is extremely important for intergenerational equity and the principle of sustainable development paves the way. The forests especially in the domains of forestry and agriculture provide 40% of the world’s economy. This is due to the biological diversity in the forest ecosystems. 70% of the world’s poor populace who live in rural areas is directly dependent on biodiversity for their livelihood. A rough estimate of 60 million indigenous folks are somehow reliant on forests for their daily needs. The Supreme Court of India in Rural Litigation and Entitlement Kendra v. State of Uttar Pradesh elucidated the importance of ecosystem services as provided by the forests.

Elizabeth Gwillim (1763–1807) and her sister Mary Symonds (1772–1854) produced over two hundred watercolours depicting birds, fish, flowers, people, and landscapes around Madras (now Chennai). The sisters’ detailed letters fill four large volumes in the British Library; their artwork is in the Blacker Wood Natural History Collection of McGill University Library in Canada and in the South Asia Collection in Britain. The first book about their work and lives, Women, Environment, and Networks of Empire asks what these materials reveal about nature, society, and environment in early nineteenth-century South India. Gwillim and Symonds left for India in 1801, following the appointment of Elizabeth’s husband, Henry Gwillim, to the Supreme Court of Madras. Their paintings document, on one hand, the rapidly expanding colonial city of Madras and its population and, on the other, the natural environment and wildlife of the city. Gwillim’s paintings of birds are remarkable for their detail, naturalism, and accuracy. In their studies of natural history, Gwillim and Symonds relied on the expertise of Indian bird-catchers, fishermen, physicians, artists, and translators, contributing to a unique intersection of European and Asian natural knowledge. The sisters’ extensive correspondence demonstrates how women shaped networks of trade and scholarship through exchanges of plants, books, textiles, and foods. In Women, Environment, and Networks of Empire an interdisciplinary group of scholars use the paintings and writings of Elizabeth Gwillim and Mary Symonds to explore natural history, the changing environment, colonialism, and women’s lives at the turn of the nineteenth century.

This new edition includes numerous printed Sanskrit texts and works and three Indian journeys the author had undertaken. All the words are arranged etymologically and philologically with special reference to cognate Indo-European languages.