From Sean Connery to Roy Rogers, from comedy to political satire, films that include espionage as a plot device run the gamut of actors and styles. More than just "spy movies," espionage films have evolved over the history of cinema and American culture, from stereotypical foreign spy themes, to patriotic star features, to the Cold War plotlines of the sixties, and most recently to the sexy, slick films of the nineties. This filmography comprehensively catalogs movies involving elements of espionage. Each entry includes release date, running time, alternate titles, cast and crew, a brief synopsis, and commentary. An introduction analyzes the development of these films and their reflection of the changing culture that spawned them.

As stage and screen artists explore new means to enhance their craft, a new wave of interest in expressive movement and physical improvisation has developed. And in order to bring authenticity and believability to a character, it has become increasingly vital for actors to be aware of movement and physical acting. Stage and screen artists must now call upon physical presence, movement on stage, non-verbal interactions, and gestures to fully convey themselves. In Bringing the Body to the Stage and Screen, Annette Lust provides stage and screen artists with a program of physical and related expressive exercises that can empower their art with more creativity. In this book, Lust provides a general introduction to movement, including definitions and differences between movement on the stage and screen, how to conduct a class or learn on one's own, and choosing a movement style. Throughout the book and in the appendixes, Lust incorporates learning programs that cover the use of basic physical and expressive exercises for the entire body. In addition, she provides original solo and group pantomimes; improvisational exercises; examples of plays, fiction, poetry, and songs that may be interpreted with movement; a list of training centers in America and Europe; and an extensive bibliography and videography. With 15 interviews and essays by prominent stage and screen actors, mimes, clowns, dancers, and puppeteers who describe the importance of movement in their art and illustrated with dozens of photos of renowned world companies and artists, Bringing the Body to the Stage and Screen will be a valuable resource for theater teachers and students, as well as anyone engaged in the performing arts.

“A fiendishly sharp, intelligent examination of modern human life that is as funny as hell.” —The Times (London) The end is nigh and the Prince of Darkness has just been offered one hell of a deal: reentry into Heaven for eternity—if he can live out a well-behaved life in a human body on earth. It’s the ultimate case of trying without buying and, despite the limitations of the human body in question (previous owner one suicidally unsuccessful writer, Declan Gunn), Luce seizes the opportunity to run riot through the realm of the senses. This is his chance to straighten the biblical record (Adam, it’s hinted, was a misguided variation on the Eve design), to celebrate his favorite achievements (everything from the Inquisition to Elton John), and, most important, to get Julia Roberts attached to his screenplay. But the experience of walking among us isn’t what His Majesty expected: instead of teaching us what it’s like to be him, Lucifer finds himself understanding what it’s like to be us. By an author hailed by the Times Literary Supplement as one of Britain’s top twenty young novelists, I, Lucifer is “a masterpiece . . . startlingly witty, original and beautifully written” (Good Book Guide). “Duncan’s witty and perverse, yet somehow life-affirming, Lucifer is powerful indeed.” —Booklist

A guy walks into a bar car and... From here the story could take many turns. When this guy is David Sedaris, the possibilities are endless, but the result is always the same: he will both delight you with twists of humor and intelligence and leave you deeply moved. Sedaris remembers his father's dinnertime attire (shirtsleeves and underpants), his first colonoscopy (remarkably pleasant), and the time he considered buying the skeleton of a murdered Pygmy. With Let's Explore Diabetes with Owls, David Sedaris shows once again why his work has been called "hilarious, elegant, and surprisingly moving" (Washington Post).

Extensive reading is essential for improving fluency and there is a real need in the ELT classroom for contemporary, low-level reading material for younger learners. The Mr Bean character is popular with children around the world for his eccentric and hilarious behaviour. Mr Bean: Royal Bean is based on an episode from the popular animated television series and is presented in an accessible comic-strip format. This title comes with a CD recording of the story.