One of the great poetic masterpieces of the past century, exquisitely translated from the Swedish. Winner of the 2006 Nordic Council’s Literature Prize, Swedish writer Göran Sonnevi is undoubtedly one of the most important poets working today. In Mozart’s Third Brain, his thirteenth book of verse, he attempts “a commentary on everything” – politics, current events, mathematics, love, ethics, music, philosophy, nature. Through the impeccable skill of award-winning translator Rika Lesser, Sonnevi’s long-form poem comes to life in English with the full force of its loose, fractured, and radiating intensity. A poetic tour de force that darts about dynamically and imaginatively, Mozart’s Third Brain weaves an elaborate web of associations as the poet tries to integrate his private consciousness with the world around him. Through Lesser’s translation and preface, and an enlightening foreword by Rosanna Warren, readers of English will finally gain access to this masterpiece.

The demand for math and science skills in our technology-driven world is at a premium, and yet U.S. students continue to lag behind many other industrialized countries in these areas. This book, based on studies conducted on 8000 elementary school-aged children, proposes that not only is there a relationship between music and math comprehension, but that music can be utilized to heighten higher brain function and improve math skills. The enclosed CD-Rom includes (1) a recording of Allegro con spirito from Sonata for Two Pianos in D Major (K. 448), by Wolfgang Amadeus Mozart, performed by Murray Perahia and Radu Lupu, courtesy of Sony ClassicalTM, and (2) a descriptive interactive version of S.T.A.R.TM (Spatial-Temporal Animation Reasoning) software program. While this book's discussion of the breakthroughs in understanding of spatial-temporal reasoning abilities will be of particular interest to neuroscientists and cognitive researchers, the book is also accessible to parents and educators. Presents the theory that music exercises higher brain function and can enhance math comprehension Details how music training coupled with special-temporal reasoning (thinking in pictures) can dramatically impact a child's ability to understand and master math Includes an interactive CD-ROM with math games

In Mozart’s Brain and the Fighter Pilot, eminent neuropsychiatrist and bestselling author Richard Restak, M.D., combines the latest research in neurology and psychology to show us how to get our brain up to speed for managing every aspect of our busy lives. Everything we think and everything we choose to do alters our brain and fundamentally changes who we are, a process that continues until the end of our lives. Few people think of the brain as being susceptible to change in its actual structure, but in fact we can preselect the kind of brain we will have by continually exposing ourselves to rich and varied life experiences. Unlike other organs that eventually wear out with repeated and sustained use, the brain actually improves the more we challenge it. Most of us incorporate some kind of physical exercise into our daily lives. We do this to improve our bodies and health and generally make us feel better. Why not do the same for the brain? The more we exercise it, the better it performs and the better we feel. Think of Restak as a personal trainer for your brain—he will help you assess your mental strengths and weaknesses, and his entertaining book will set you to thinking about the world and the people around you in a new light, providing you with improved and varied skills and capabilities. From interacting with colleagues to recognizing your own psychological makeup, from understanding the way you see something to why you’re looking at it in the first place, from explaining the cause of panic attacks to warding off performance anxiety, this book will tell you the whys and hows of the brain’s workings. Packed with practical advice and fascinating examples drawn from history, literature, and science, Mozart’s Brain and the Fighter Pilot provides twenty-eight informative and realistic steps that we can all take to improve our brainpower.

The literature of Scandinavia is amazingly rich and varied, consisting of the works produced by the countries of Denmark, Norway, Sweden, Finland and Iceland, and stretching from the ancient Norse Sagas to the present day. While much of it is unknown outside of the region, some has gained worldwide popularity, including the fairy tales of Hans Christian Andersen, the stories of Isak Dinesen, and the plays of Henrik Ibsen and August Strindberg. While obviously including the area's most famous works, the Historical Dictionary of Scandinavian Literature and Theater also provides information on lesser known authors and currents trends, literary circles and journals, and historical background. This is accomplished through a list of acronyms, a chronology, an introductory essay, a bibliography, and several hundred cross-referenced dictionary entries, which together make this reference the most comprehensive and up to date work of its kind related to Scandinavian literature and theater available anywhere.

The Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities. The category of 'the literary' has always been contentious. What is clear, however, is how increasingly it is dismissed or is unrecognised as a way of thinking or an arena for thought. It is sceptically challenged from within, for example, by the sometimes rival claims of cultural history, contextualized explanation, or media studies. It is shaken from without by even greater pressures: by economic exigency and the severe social attitudes that can follow from it; by technological change that may leave the traditional forms of serious human communication looking merely antiquated. For just these reasons this is the right time for renewal, to start reinvigorated work into the meaning and value of literary reading. Being Literate in the 21st Century wrestles with critical, timely questions for 21st-century society. How does literacy change the human brain? What does it mean to be a literate or a non-literate person in the present digital culture: for example, what will be lost in the present reading brain, and what will be gained with different mediums than print? What are the consequences of a digital reading brain for the literary mind and for writing itself ? Can knowledge about the reading brain and advances in technology offer new forms of literacy and new forms of knowledge to the peoples in remote regions of the world who would never otherwise become literate? By using both research from cognitive neuroscience, psycholinguistics, child development, and education, and considering literary examples from world literature, Maryanne Wolf plots a course that seeks to preserve the deepest forms of reading from the past, while developing the cognitive skills necessary for this century's next generation.

Dennis Brain is recognized as perhaps the greatest horn player the world has known. He helped rescue the horn from the obscurity in which it had languished for over a century, and revived the public's faith in it as a major solo instrument. Brain restored to the concert platform concertos by Mozart and Haydn, and inspired contemporary composers to write for the horn, most notably the Serenade for Tenor, Horn and Strings by Benjamin Britten, composed during World War II, a piece which is now central to the repertoire of tenors and horn players. Brain died at the tragically young age of thirty-six in a car crash. The beauty of his playing and his untimely death captured the public imagination like no horn player before or since. This biography was reissued thirty years after his death, and includes a discography. The book also contains an appreciation by Benjamin Britten. 'A clear account of Dennis Brain's brilliant career ...' Times Literary Supplement '...an absorbing and extremely well-written account of the orchestral scene in England.'

Maria Anna Walburga Ignatia Mozart, affectionately called Nannerl by her family, could play the piano with an otherworldly skill from the time she was a child, when her tiny hands seemed too small to encompass a fifth. At the tender age of five, she gave her first public performance, amazing the assembled gentlemen and ladies with the beautiful music she created. But her moment of glory was cut short, for even as her father carried her around to receive their praise, her mother began laboring to bring a second child into the world. After hours of her mother’s pained cries and agonized shouts, which rang in Nannerl’s ears like a terrifying symphony, the child was born. They named him Wolfgang. Nannerl loved him instantly. As they grew, Wolfgang and his sister became inseparable, creating a fantasy world together and playing music the likes of which no one had ever heard. They were two sides of a single person, opposite in temperament—he lighthearted and charismatic, she shy and retiring—but equal in talent. Yet it was Wolfgang who carried their father’s dreams of glory. And as the siblings matured, Nannerl’s prodigious talent was brushed aside by her father. Instead of playing alongside her brother in the world’s great cities, she was forced to stop performing and become a provincial piano teacher to support Wolfgang’s career. Nannerl might have accepted this life in her brother’s shadow but for the appearance of a potential suitor who reawakened her passion for life, for love, for music—and who threatened to upset the delicate balance that kept the Mozart family in harmony. Mozart’s Sister draws you into the lush palaces and salons of eighteenth-century Europe and into the fascinating life of a woman who ultimately found a way to express her own genius.