This book explores the moving qualities of mountains by utilising theories, ideas and processes which contribute to a larger understanding of these geological forms. In highlighting the fluid attributes of mountains the authors offer an alternative to the traditional approach of the sciences and the humanities, which address mountains as static geological or geographical features. The essays in this collection posit that movement impacts the relationship between society and mountains – travelling landscape objects, constructing design and artistic translations, climbing and experiencing changing atmospheres and the different ways of seeing from mountain peaks – and that physical, intellectual and spiritual motion is integral to their understanding. This innovative collection will be of great interest to scholars of geography, art, architecture, history, theology and philosophy.

Launching the landmark Performing Landscapes series, Performing Mountains brings together for the first time Mountain Studies and Performance Studies in order to examine an international selection of dramatic responses to mountain landscapes. Moving between different registers of writing, the book offers a critical assessment of how the cultural turn in landscape studies interacts with the practices of environmental theatre and performance. Conceived in three main parts, it begins by unpicking the layers of disciplinary complexity in both fields, before surveying the rich history and practice of rituals, playtexts and site specific works inspired by mountains. The last section moves to a unique analysis of mountains themselves using key concepts from performance: training, scenography, acting and spectatorship. Threaded throughout is a very personal tale of mountain research, offering a handrail or alternative guide through the book.

This book examines the relationship between mobility, lived religiosities, and conceptions of divine personhood as they are preserved in textual corpora and material culture from Israel, Judah, Egypt, and Mesopotamia. By integrating evidence of the form and function of religiosities in contexts of mobility and migration, this volume reconstructs mobility-informed aspects of civic and household religiosities in Israel and its world. Readers will find a robust theoretical framework for studying cultures of mobility and religiosities in the ancient past, as well as a fresh understanding of the scope and texture of mobility-informed religious identities that composed broader Yahwistic religious heritage. Cultures of Mobility, Migration, and Religion in Ancient Israel and Its World will be of use to both specialists and informed readers interested in the history of mobilities and migrations in the ancient Near East, as well as those interested in the development of Yahwism in its biblical and extra-biblical forms.

​ This collection of essays in Archaeologies of Mobility and Movement draws inspiration from current archaeological interest in the movement of individuals, things, and ideas in the recent past. Movement is fundamentally concerned with the relationship(s) among time, object, person, and space. The volume argues that understanding movement in the past requires a shift away from traditional, fieldwork-based archaeological ontologies towards fluid, trajectory-based studies. Archaeology, by its very nature, locates objects frozen in space (literally in their three-dimensional matrices) at sites that are often stripped of people. An archaeology of movement must break away from this stasis and cut new pathways that trace the boundary-crossing contextuality inherent in object/person mobility. Essays in this volume build on these new approaches, confronting issues of movement from a variety of perspectives. They are divided into four sections, based on how the act of moving is framed. The groups into which these chapters are placed are not meant to be unyielding or definitive. The first section, "Objects in Motion," includes case studies that follow the paths of material culture and its interactions with groups of people. The second section of this volume, "People in Motion," features chapters that explore the shifting material traces of human mobility. Chapters in the third section of this book, "Movement through Spaces," illustrate the effects that particular spaces have on the people and objects who pass through them. Finally, there is an afterward that cohesively addresses the issue of studying movement in the recent past. At the heart of Archaeologies of Mobility and Movement is a concern with the hybridity of people and things, affordances of objects and spaces, contemporary heritage issues, and the effects of movement on archaeological subjects in the recent and contemporary past.

Moving the Mountain tells the story of the struggles and triumphs of thousands of activists who achieved "half a revolution" between 1960 and 1990. In this award-winning book, the most complete history of the women's movement to date, Flora Davis presents a grass-roots view of the small steps and giant leaps that have changed laws and institutions as well as the prejudices and unspoken rules governing a woman's place in American society. Looking at every major feminist issue from the point of view of the participants in the struggle, Moving the Mountain conveys the excitement, the frustration, and the creative chaos of feminism's Second Wave. A new afterword assesses the movement's progress in the 1990s and prospects for the new century.

Mountains contain a rich and diverse set of remnants left by human societies. They have been inhabited since prehistory and have been transformed by human activity during prehistorical and historical times, and that history defines mountain landscapes as we know them today. Archaeology of Mountain Landscapes contains twenty contributions by forty-one specialists currently researching mountain areas in the Americas, Asia, and Europe. The different case studies address the subject diachronically, ranging from prehistory to modern times, and employ a variety of methodological strategies, including archaeological surveys and excavation, paleoenvironmental studies, and historical and ethnographical research. This volume demonstrates how multidisciplinary archaeological fieldwork is radically changing our vision of mountain landscapes. Viewing mountain landscapes as archaeological documents contributes to our understanding of the history of mountain environments and offers new archaeological datasets to use in the interpretation of human societies. Taken together, the essays collected here offer a comprehensive view of current research and suggest new directions for future study.

This book delves into the everyday spaces, diverse mobilities and affective potency of weather. It presents cutting-edge research into the multiplicity of weather phenomena and analyses the lived experiences of humans in conjunction with contemporary issues, notably climate change. The book considers how everyday experiences of weather in the mundane lives of people are linked to broader changes in weather patterns and climate change. Heat, dust, ice, snow, precipitation, sunlight, clouds, tides and fog are states of weather that impact on the ways in which humans become intertwined with landscapes. Our experiences with weather are diverse and ever-changing, and engaging with weather entangles humans with mobilities, materials and landscapes. This book thus explores affective and sensory resonances, drawing upon a variety of theoretical, empirical and creative material to investigate how weather is perceived in different social and cultural contexts. Key themes focus on the mobilities generated by weather, the affective and sensual potency of weather, and the diverse cultural forms and practices that exemplify how weather is historically, geographically and artistically represented. Offering a social and cultural understanding of weather events, this book contributes to a growing literature on weather across various disciplines, including human geography and cultural geography, and will thus appeal to students and scholars of geography, sociology, humanities, cultural studies and the arts.