Classical literature is full of humans, gods, and animals in impressive motion. The specific features of this motion are expressive; it is closely intertwined with decisions, emotions, and character. However, although the importance of space has recently been realized with the advent of the 'spatial turn' in the humanities, motion has yet to receive such attention, for all its prominence in literature and its interest to ancient philosophy. This volume begins with an exploration of motion in particular works of visual art, and continues by examining the characteristics of literary depiction. Seven works are then used as case-studies: Homer's Iliad, Ovid's Metamorphoses, Tacitus' Annals, Sophocles' Philoctetes and Oedipus at Colonus, Parmenides' On Nature, and Seneca's Natural Questions. The two narrative poems diverge rewardingly, as do the philosophical poetry and prose. Important in the philosophical poem and the prose history are metaphorical motion and the absence of motion; the dramas scrutinize motion verbally and visually. Each study first pursues the general roles of motion in the particular work and provides detail on its language of motion. It then engages in close analysis of particular passages, to show how much emerges when motion is scrutinized. Among the aspects which emerge as important are speed, scale, and shape of movement; motion and fixity; the movement of one person and a group; motion willed and imposed; motion in images and in unrealized possibilities. The conclusion looks at these aspects across the works, and at differences of genre and period. This new and stimulating approach opens up extensive areas for interpretation; it can also be productively applied to the literature of successive eras.

Classical literature is full of humans, gods, and animals in impressive motion, though motion has yet to receive significant attention in scholarship and criticism. The case-studies in this volume explore how motion is treated in Greek and Latin visual art and literature, offering a new and stimulating approach to these well-known works.

This book examines the birth of the scientific understanding of motion. It investigates which logical tools and methodological principles had to be in place to give a consistent account of motion, and which mathematical notions were introduced to gain control over conceptual problems of motion. It shows how the idea of motion raised two fundamental problems in the 5th and 4th century BCE: bringing together being and non-being, and bringing together time and space. The first problem leads to the exclusion of motion from the realm of rational investigation in Parmenides, the second to Zeno's paradoxes of motion. Methodological and logical developments reacting to these puzzles are shown to be present implicitly in the atomists, and explicitly in Plato who also employs mathematical structures to make motion intelligible. With Aristotle we finally see the first outline of the fundamental framework with which we conceptualise motion today.

During the first half of the 20th century, Japan was the dominant military & political force in East Asia. This study explores the transculturations of Japanese literature amongst the Chinese, Koreans, Taiwanese & Manchurians whose lives had come within the sphere of the Japanese Empire.

On dance and culture

Applications not usually taught in physics courses include theory of space-charge limited currents, atmospheric drag, motion of meteoritic dust, variational principles in rocket motion, transfer functions, much more. 1960 edition.

Yale Classics - Roman Classical Literature represents a formidable assembly of some of the most pivotal figures and texts that have shaped the Western literary tradition. This anthology traverses an expansive terrain of themes - from the philosophical musings and stoic reflections in Senecas works to the epic narratives of Virgil, and the keen satirical voices of Juvenal and Persius. The collection highlights a stunning array of literary styles, from the eloquent orations of Cicero to the intricate verse of Catullus and the potent histories penned by Tacitus and Sallust. Such diversity not only underscores the richness of Roman literature but also provides readers with a comprehensive insight into the ancient world's complexities and contradictions. The anthology encapsulates the evolution of Roman thought, presenting works that reflect upon love, power, ethics, and the human condition, making it an indispensable resource for scholars and enthusiasts alike. The contributing authors, ranging from poets and philosophers to historians and statesmen, bring with them not just their literary talents but also a mosaic of backgrounds that illuminate the socio-political and cultural tapestry of ancient Rome. These figures were instrumental in heralding significant literary and intellectual movements, offering insights into everything from the decadence of the late Roman Republic to the philosophical inquiries of the Empires twilight. The anthology effectively captures the zeitgeist of an era that is at once ancient and remarkably resonant with contemporary themes, bridging millennia through the enduring relevance of its subjects. Together, these works and authors exemplify the height of Roman literary achievement and its lasting influence on subsequent generations. Yale Classics - Roman Classical Literature is essential reading for anyone seeking a deep and varied exploration of Roman intellectual and cultural life. This anthology is not just a testament to the historical importance of Roman literature but also an invitation to engage with the timeless questions and narratives that continue to captivate the modern imagination. Offering both breadth and depth, it promises to enrich ones understanding of not only the Roman world but also the enduring human themes that connect us across time. Scholars, students, and general readers alike will find in this collection a rare opportunity to immerse themselves in the rich tapestry of Roman thought, brought to life by some of historys most influential voices.