Motherhood has been used as a political, social and cultural symbol in Ireland. In fact, the role of mother was institutionalised in the 1937 Irish Constitution. This book brings together creative and critical writings on motherhood in Ireland in an attempt to understand its complexity.

"Mother Ireland" includes seven essays seamlessly woven into an autobiographical tapestry. In her lyrical, sensuous voice, O'Brien describes growing up in rural County Clare, from her days in a convent school to her first kiss to her eventual migration to England. Weaving her own personal history with the history of Ireland, she effortlessly melds local customs and ancient lore with the fascinating people and events that shaped he young life. The result is a colorful and timeless narrative that perfectly captures the heart and soul of this harshly beautiful country.

According to recent surveys, approximately 40% of American women between the ages of 18 and 44 do not have children. Yet these women are virtually missing from accounts of women's lives. In this important new work, Mardy Ireland defines a place for women outside the parameters of motherhood and gives voice to the significant number of women who are not mothers. She draws extensively from interviews with over 100 childless women from various ethnic and educational backgrounds, demonstrating the myriad ways they came to view themselves as complete adults without recourse to the traditional defining criteria of motherhood. Her work offers all women--mothers and nonmothers alike--a vision of self-defined adulthood and a recognition that every woman is the subject of her own life. Challenging the assumption of deprivation or deviance that is traditionally applied to childless women in psychological theory and popular culture, Dr. Ireland reframes childlessness as a concept and lays a groundwork for an expanded view of women's identity and psychic development. Using contemporary psychoanalytic theory, she reexamines female identity development and presents a positive interpretation of women who--for whatever reason--are not mothers. To contrast and compare the experiences of her interview subjects, she places them within the changing psychosocial context of the last few decades and categorizes them according to their reasons for childlessness. Included are: 'traditional' women, who are childless by reasons of infertility or health complications; 'transitional' women, who are not mothers because of delaying circumstances; and 'transformative' women, who have actively chosen not to bear children in order to develop lives beyond the field of motherhood. The legend of Lilith, a creation story of the first woman, described in the last chapter, places both female desire and female power in a longstanding historical and mythic context. Animated by excerpts, quotes, and stories from the many interviews, RECONCEIVING WOMEN: SEPARATING MOTHERHOOD FROM FEMALE IDENTITY is illuminating for general readers and professionals alike. It provides valuable insights for anyone interested in women's studies and the psychology of women, and serves as an excellent textbook for courses in these fields.

MAY 2014. The Irish public woke to the horrific discovery of a mass grave containing the remains of most 800 babies in the ‘Angels’ Plot’ of Tuam’s Mother and Baby Home. What followed would rock the last vestiges of Catholic Ireland, enrage an increasingly secularised nation, and lead to a Commission of Inquiry. In The Adoption Machine, Paul Jude Redmond, Chairperson of the Coalition of Mother and Baby Homes Survivors, who himself was born in the Castlepollard Home, candidly reveals the shocking history of one of the worst abuses of Church power since the foundation of the Irish State. From Bessboro, Castlepollard, and Sean Ross Abbey to St. Patrick’s and Tuam, a dark shadow was cast by the collusion between Church and State in the systematic repression of women and the wilful neglect of illegitimate babies, resulting in the deaths of thousands. It was Paul’s exhaustive research that widened the global media’s attention to all the homes and revealed Tuam as just the tip of the iceberg of the horrors that lay beneath. He further reveals the vast profits generated by selling babies to wealthy adoptive parents, and details how infants were volunteered to a pharmaceutical company for drug trials without the consent of their natural mothers. Interwoven throughout is Paul’s poignant and deeply personal journey of discovery as he attempts to find his own natural mother. The Adoption Machine exposes this dark history of Ireland’s shameful and secret past, and the efforts to bring it into the light. It is a history from which there is no turning away.

'She said she was in the family way' examines the subject of pregnancy and infancy in Ireland from the seventeenth to the twentieth century. It draws on exciting and innovative research by early-career and established academics, and considers topics that have been largely ignored by historians in Ireland. The book will make an important contribution to Irish women's history, family history, childhood history, social history, crime history and medical history, and will provide a reference point for academics interested in themes of sexuality, childbirth, infanthood and parenthood.

A simple argument guides this book: motherhood is the place in our culture where we lodge, or rather bury, the reality of our own conflicts. By making mothers the objects of both licensed idealization and cruelty, we blind ourselves to the world’s iniquities and shut down the portals of the heart. Mothers are the ultimate scapegoat for our personal and political failings, for everything that is wrong with the world, which becomes their task (unrealizable, of course) to repair. Moving commandingly between pop cultural references such as Roald Dahl’s Matilda to insights on motherhood in the ancient world and the contemporary stigmatization of single mothers, Jacqueline Rose delivers a groundbreaking report into something so prevalent we hardly notice. Mothers is an incisive, rousing call to action from one of our most important contemporary thinkers.

Ireland Is Changing Mother is the latest collection from Rita Ann Higgins: provocative and heart-warming poems of high jinx, jittery grief and telling social comment by a gutsy, anarchic chronicler of the lives of the Irish dispossessed, before as well as since the demise of the Celtic tiger.