The home of Martin Luther for thirty six years and seat of the German Reformation, Wittenberg, Germany is now a UNESCO World Heritage site. Wittenberg has long been Protestant sacred space, but since the fall of the Berlin Wall in 1989, the city and surrounding region have been developing their considerable cultural capital. Today, Wittenberg is host to two large-scale annual Luther-themed festivals, and is becoming a center for pilgrimage and heritage tourism. In a recent study, Charles Taylor notes that festivity is experiencing a renaissance as "one of the new forms of religion in our world." Festivals and pilgrimage routes are an integral part of contemporary religion and spirituality, and important cultural institutions in a globalized world. In Performing the Reformation, Stephenson offers a field-based case study of contemporary festivity and pilgrimage in the City of Luther. Welcome to Lutherland, where atheists dress up as monks and nuns for Luther's Wedding; conservative Lutherans work to sacralize the secular, carnival-like festivities; and medieval players, American Gospel singers, and Peruvian pan flute bands compete for the attention of the bustling crowds. Festivals and tourism in Wittenberg include a range of performative genres (parades and processions, liturgies and concerts, music and dance), cut across multiple cultural domains (religion, politics, economics), and effect connections and shifts among identities (religious, secular, American, German, traditional, postmodern). Incorporating visual methodologies and grounded in historical and social contexts, Stephenson provides an on-the-ground account of the annual Luther's Wedding Festival, the Reformation Day Festival, and Lutheran pilgrimage. He also brings his case study into dialogue with important methodological and theoretical issues informing the fields of ritual studies and performance studies. A model of interdisciplinary research, the book includes a DVD with over 2.5 hours of material, extending and animating textual accounts and interpretations.

Kyle J. Dieleman focuses on the doctrinal and practical importance of Sunday observance in the early modern Reformed communities in the Low Countries. My project investigates the theological import of the Sabbath and its practical applications. The first step is to focus on how Dutch Reformed theologians conceived of the Sabbath. The theology of the Sabbath, I argue, moves over time from an emphasis on spiritual rest to participating in the ministries of the church to a strict rest from all work and recreation. The next step is to explore congregants' actual Sunday practices. By attending to church governance records at the national, regional, and local levels the importance of proper Sabbath observance quickly becomes clear. The provincial synod records, classes' records, and consistory records indicate that church authorities were adamant that church members faithfully attend sermon and catechism services, refrain from sinful practices, and abstain from recreational activities. Equally as telling as the observance demanded of church members is how church authorities responded. The church records portray these authorities as fretting over the disordered and unregulated nature of improper Sabbath observance. Having established the importance of the Sabbath in Dutch Reformed theology and lived piety, I argue the emphasis on Sunday observance is best understood as resulting from two main factors. First, the emphasis on proper Sunday observance is a result of the Reformed church authorities attempting to maintain the pious reputation of the Reformed faith and establish the identity of the Reformed Church amid multiple other confessional identities. Second, proper observance of the Sabbath was important because it ensured order within the church and society more broadly.

Church History, Volume Two chronicles the events, the triumphs, and the struggles of the Christian movement from the years leading up to the Reformation through the next five centuries to the present-day. Looking closely at the integral link between the history of the world and that of the church, Church History paints a portrait of God's people within the context of the times, cultures, and developments that both influenced and were influenced by the church. FEATURES: Maps, charts, and illustrations spanning the time from the thirteenth century to today. Explanations of all the major denominational movements, traditions, and schisms during and after the Reformation. Overviews of the Christian movement in Africa, eastern Europe, Asia, and Latin America to cover the scope of the ecumenical environment of the twenty-first century. Insights into the role and influence of politics, culture and societal norms, and technology on the Western church. Unbiased details on the major theological controversies and issues of each period. AUTHORS' PERSPECTIVE: Authors John D. Woodbridge and Frank A. James III wrote this history of the church from the perspective that such a history is the story of the greatest movement and community the world has known—as imperfect as it still is. It's a human story of a divinely called people who want to live by a divine revelation. It's a story of how they succeeded and how they failed and of how they are still trying to live out their calling. From the Reformation theologians in Europe to the revivalists, apologists, and Christian thinkers all over the world, the historical figures detailed are people who have struggled with the meaning of the greatest event in history—the coming of the Son of God—and with their role in that event and in the lives of God's people.

The Whole Booke of Psalmes was one of the most published and widely read books of early modern England, running to over 1000 editions between the 1570s and the early eighteenth century. It offered all of the Psalms paraphrased in verse with appropriate tunes, together with an assortment of other scriptural and non-scriptual hymns, and prose prayers for domestic use. Because the Elizabethan Church rapidly and pervasively (if unofficially) adopted this metrical psalter for congregational singing, and because it had in practical terms no rivals for church use until the end of the seventeenth century, essentially the entire conforming population of early modern England after 1570 would have been familiar with its psalms and hymns as elements of both public worship and private devotion. Yet, despite the significant impact of The Whole Booke of Psalmes upon English culture and literature, this is the first book-length study of it, and the first sustained critical examination of the texts of which it comprises. In large part this neglect is due to the reputation it gained after the mid-seventeenth century as a work of poor poetry mainly valued by vulgar and/or sectarian audiences. This later reception, however, was the product of not only changing literary tastes but an ideological desire to reshape the history of the Reformation. This study focuses on the actual aims of its authors and editors over the course of its gradual composition during the tumultuous religious changes of the mid-sixteenth century, and recovers its significant influence on the English church and literary practice. By tracing the ways in which historical contingency, religious fervor and the print marketplace together created and were changed by one of the most successful books of English verse ever printed, this study opens a new window through which to view the intellectual and ecclesiastical culture of Tudor England. It also shows how, in metrical psalmody, Protestant reformers discovered what turned out to be a uniquely flexible and effective instrument for advancing their vision of a godly society.