Stories and poems about the culture and way of life in India of a community on the verge of extinction - the Anglo-Indians

The Verandah Poems is both a departure and a return for Jean 'Binta' Breeze, who left her village in Jamaica to become an internationally renowned Dub poet and storyteller. This is a book of coming home and coming to terms, of contemplation rather than contention - of mellow, musing, edgy poems drawn from the life and lives around her. It is Breeze's first new collection since Third World Girl: Selected Poems (2011), and is published on her 60th birthday. 'The third world girl, at home for a while, sets these attractive poems in rural Jamaica. Her verandah looks out on the sea, and she goes for a swim most mornings. The collection takes us well beyond the village, the bar across the road, and the men who proposition her. The easy-going voice talks of personal development, celebrates friends and family, comments on mortality, freedom, gender and class. The poet is examining, subtly, a more or less contented return to where her life began.' - Mervyn Morris

Anglo-Indians are a mixed-race, Christian and Anglophone minority community which arose in South Asia during the long period of European colonialism. An often neglected part of the British Raj, their presence complicates the traditional binary through which British imperialism is viewed – of ruler and ruled, coloniser and colonised. The book analyses the processes of ethnic group formation and political organisation, beginning with petitions to the East India Company state, through the Raj’s constitutional communalism, to constitution-making for the new India. It details how Anglo-Indians sought to preserve protected areas of state and railway employment amidst the growing demands of Indian nationalism. Anglo-Indians both suffered and benefitted from colonial British prejudices, being expected to loyally serve the colonial state as a result of their ties of kinship and culture to the colonial power, whilst being the victims of racial and social discrimination. This mixed experience was embodied in their intermediate position in the Raj’s evolving socio-racial employment hierarchy. The question of why and how a numerically small group, who were privileged relative to the great majority of people in South Asia, were granted nominated representatives and reserved employment in the new Indian Constitution, amidst a general curtailment of minority group rights, is tackled directly. Based on a wide range of source materials from Indian and British archives, including the Anglo-Indian Review and the debates of the Constituent Assembly of India, the book illuminatingly foregrounds the issues facing the smaller minorities during the drawn out process of decolonisation in South Asia. It will be of interest to students and researchers of South Asia, Imperial and Global History, Politics, and Mixed Race Studies.

Complete Vocal Fitness: A Singer’s Guide to Physical Training, Anatomy, and Biomechanics is a primer on sport-specific training for vocal athletes. Elite athletes apply cutting-edge research in movement and physiology to customize fitness regimens that ensure peak performance. The principles of sports science that enable them to fine-tune strength, flexibility and dynamic stabilization to meet the requirements of a given sport are invaluable for preparing the body to meet the physical demands of singing. This book will teach you to: Optimize alignment by identifying and resolving postural distortions Balance strength and flexibility throughout your torso to facilitate full breathing and promote coordinated breath management Improve oxygen consumption to enhance your stamina and ability to sustain long phrases Stabilize your spine and major joints in order to continue performing with solid technique while meeting the demands of stage movement Musicians of all kinds benefit from understanding the basics of how their instruments work. This book is also a guide to how the vocal instrument functions. You will find accessible descriptions of the fundamental components of vocal anatomy – laryngeal function, articulation and resonance – explaining their movements, their interaction with one another, their integration with the anatomy of breathing and alignment, and relating them to common non-anatomical terminology often used in the voice studio.