The Somerset sisters, three beautiful, headstrong debutantes in Regency London, are discovering that a bit of scandal is a delightful thing . . . For the sake of propriety, and her younger sisters’ reputations, Iris Somerset has kept her rebellious streak locked away. But though she receives a proposal from Phineas Knight, Lord of Huntington, Iris can’t marry a man she knows isn’t truly enamored with her. In fact, Iris no longer wants to be chosen—she wants to choose. Under the clandestine tutelage of “wicked widow” Lady Annabel Tallant, she’ll learn how to steer her own marriage prospects—and discover her secret appetites . . . What kind of debutante refuses a marquess? Finn is surprised, a little chastened—and thoroughly intrigued. This new, independent version of Iris is far more alluring than the polished socialite she used to be. Finn believed he needed a safe, quiet wife to curb his wilder impulses. But the more Iris surprises him, the more impossible it becomes to resist their deepest desires . . .

First in the series featuring the Somerset sisters, three beautiful, headstrong debutantes, in Regency London. “An unconventionally irresistible romance.” —RT Book Reviews For the sake of propriety, and her younger sisters’ reputations, Iris Somerset has kept her rebellious streak locked away. But though she receives a proposal from Phineas Knight, Lord of Huntington, Iris can’t marry a man she knows isn’t truly enamored with her. In fact, Iris no longer wants to be chosen—she wants to choose. Under the clandestine tutelage of “wicked widow” Lady Annabel Tallant, she’ll learn how to steer her own marriage prospects—and discover her secret appetites . . . What kind of debutante refuses a marquess? Finn is surprised, a little chastened—and thoroughly intrigued. This new, independent version of Iris is far more alluring than the polished socialite she used to be. Finn believed he needed a safe, quiet wife to curb his wilder impulses. But the more Iris surprises him, the more impossible it becomes to resist their deepest desires . . . Praise for the Somerset Sisters series “An enthralling and deeply compelling Regency romance. I was hooked from start to finish.” — Ella Quinn, USA Today bestselling author “A slow burn with more implication and anticipation, but the teasing build-up is delightful.” —RT Book Reviews (4 Stars)

“An enthralling and deeply compelling Regency romance” featuring the Somerset sisters, three beautiful London debutantes (Ella Quinn, USA Today bestselling author). Violet Somerset has always preferred a library to a ballroom, but to please her grandmother she agreed to one London season. With nothing to show for it but heartbreak, she’s reconciled to spinsterhood. Until a notorious rogue known as the Devil of Dare requests an introduction to her timid, gentle youngest sister, Hyacinth. Violet will do anything to stop the match—even if it means posing as Hyacinth herself . . . Nicholas Balfour, the Earl of Dare, is enjoying the life of a rake far too much to take a wife. But he must keep his promise to his grandmother. He’ll simply choose the meekest bride he can find, install her at his estate, then carry on as before. Hyacinth sounds perfect—until he discovers that her sweet demeanor hides the tongue of a viper and the mind of a bluestocking . . . As Violet’s ruse threatens to unravel, however, she may find the tables turned. Soon she may have no choice but to tolerate her handsome fiancé—or fall in love with him . . . Praise for the Somerset Sisters series “A slow burn with more implication and anticipation, but the teasing build-up is delightful.” —RT Book Reviews (4 Stars) “Sharp, witty writing . . . her romances continue to be unusual and charming.” —All About Romance

A beautiful debutante in Regency London seems destined to make a good match. But the Somerset sisters have made courtship and matrimony a deliciously scandalous affair . . . Hyacinth Somerset’s debut is the most anticipated event of the season, as it will be the reclusive young lady’s first public appearance. But within moments of being asked to dance by a dashing stranger, Hyacinth calls him a murderer, then faints dead away! Now all the ton is a aflutter over Hyacinth’s baffling shun of their most intriguing newcomer—the wildly handsome Lachlan Ramsey . . . Recently arrived from Scotland, Lachlan only wishes to claim his place in society to secure his sister’s future. When that is threatened by the accusations of a hapless slip of a girl, he will do anything protect his family. Yet it appears Hyacinth has only damaged her own hopes, inspiring the label of hysteric—and ultimately inspiring Lachlan to shelter her from harm. Now if only there were a defense for the surge of feeling he has every time Hyacinth turns her gaze his way. If only there were a way to make her his—while keeping the true secret in his past from destroying everything—and everyone—he cares about . . .

The author describes this book as 'a picture of a nice simple, sweet prosaic soul who arrives at a good fortune almost comic because it is in a way so incongruous. Its heroine is a sort of Cinderella with big feet instead of little ones.'.

This carefully crafted ebook: "The Making of a Marchioness + The Shuttle (2 Unabridged Classic Romances)" contains 2 books in one volume and is formatted for your eReader with a functional and detailed table of contents. Frances Hodgson Burnett worked on two books simultaneously: The Shuttle, a longer and more complicated book; and The Making of a Marchioness, which she wrote in a few weeks and published to good reviews. it is about the rejuvenating effects of Americans and American money on a somewhat decadent English aristocracy. The Making of a Marchioness (1901) It was originally published in two parts: the first tells the fairy tale-like story of how our heroine, Emily Fox-Seton, became the Marchioness of Walderhurst. The second, originally titled The Methods of Lady Walderhurst, is a down-to-earth portrayal of the realities of Victorian marriage, with a bit of a Victorian sensation vibe to it. The Shuttle (1907) It was begun in 1900 but frequently abandoned while its author, Frances Hodgson Burnett, wrote several other books, including, most famously, The Making of a Marchioness. The Shuttle is about American heiresses marrying English aristocrats; by extension it is about the effect of American energy and dynamism rejuvenating a somewhat decadent English aristocracy: Rosalie Vanderpoel, the daughter of an American multimillionaire marries an impoverished English baronet and goes to live in England. She all but loses contact with her family in America. Years later her younger sister Bettina, beautiful, intelligent and extremely rich, goes to England to find what has happened to her sister. She finds Rosalie shabby and dispirited, cowed by her husband's ill treatment. Bettina sets about to rectify matters... Frances Eliza Hodgson Burnett (1849 – 1924) was an English-American playwright and author. She is best known for her children's stories, in particular Little Lord Fauntleroy , A Little Princess, and The Secret Garden.

When a rake beyond redemption… A walking scandal surviving on little more than wits, whisky, and wicked skills in the bedchamber, Benedict Chatham, the new Marquess of Rutherford, is at the end of his rope. Deeply in debt and down to his last farthing, he must marry nothing short of an absolute fortune, or risk utter ruin. Must marry for money… Enter Miss Charlotte Lancaster, unfashionably tall heiress to just such a fortune and a clumsy, redheaded disaster in her five London seasons. While she dreams of leaving England for a life of trade in America, her father schemes to trade her dowry for a title—and Marchioness of Rutherford will do nicely. Charlotte wants her independence, not a husband, and certainly not a disreputable devil who renders her weak and wobbly with a single scorching glance. But she’s a practical sort, and a year with the devil might buy her freedom … provided she can resist his seductive charms. That shouldn’t prove a problem, for he could not possibly want someone like her, and the feeling is mutual. Really. It is. Love grows in the most unexpected places… When her father demands a startling price for his daughter’s hand—one year of fidelity and sobriety—Chatham must change his libertine ways … at least temporarily. And when he does, Charlotte begins to see him in a new light—not as the scandalous charmer she married, but as the husband she just might adore.