The Fighting Newfoundlander is a vivid history of the Royal Newfoundland Regiment - the "Blue Puttees" - and its heroic contributions to the war effort. Gerald Nicholson details the harrowing experiences of the Newfoundland Regiment (the only Canadian unit) at Gallipoli and later at Beaumont Hamel where 710 of the 801 officers and men who took part in the assault were casualties. He also follows them to the Third Battle of Ypres and Cambrai, for which they were granted the title "Royal" - the only army unit to receive such a distinction during World War I.

The true story, drawn from official documents and hours of personal interviews, of how Newfoundland and Labrador joined Confederation and became Canada's tenth province in 1949. A rich cast of characters--hailing from Britain, America, Canada and Newfoundland--battle it out for the prize of the resource-rich, financially solvent, militarily strategic island. The twists and turns are as dramatic as any spy novel and extremely surprising, since the "official" version of Newfoundland history has held for over fifty years almost without question. Don't Tell the Newfoundlanders will change all that.

The story of the origins of the Veterans Charter, a program that shaped the future of a generation of Canadians.

Vice Admiral Sir Humphrey Thomas Walwyn (1879–1957) was the British-appointed governor of Newfoundland from 1936 to 1946 – a period of remarkable change that would culminate in Newfoundland’s union with Canada in 1949. Assembling records from the British national archives and the provincial archives in Newfoundland and Labrador, Out Here presents readers with Walwyn’s quarterly reports to the secretary of state for dominion affairs in London throughout his tenure as governor. Walwyn’s position offered him a unique vantage point on the political and economic situation in Newfoundland throughout this tumultuous period. His reports bear witness to profound change, chronicling the economic downturn experienced in the final years of the Great Depression, followed by the unprecedented prosperity sparked by the Second World War that set the stage for debates over governance and for significant constitutional advance. The detailed accounts of Walwyn’s daily life in Newfoundland feature rich descriptions of capital city, company town, and outport mores; they paint a picture of coastal life in the mid-twentieth century and introduce the wide array of characters the governor encountered. Throughout, the candid insider accounts of Governor Walwyn are augmented by expert historical context and illustrated with a generous selection of contemporary photographs. As a whole, Out Here stands as an invaluable primary-source record and an important trove of information on wartime experiences in Atlantic Canada.

The Canadian province of Newfoundland and Labrador is a mythologized place that resonates with tragic adventure, polar expeditions and Grand Banks fishing; a real and imagined geography with an incredible artistic output that calls for critical discussion. This book examines the diversity of this province’s literature and culture, taking into consideration the expertise of scholars and writers who have first-hand knowledge of its unique context. Chapters on history, travel, fiction, autobiography, poetry, theatre, storytelling, filmmaking, and the visual arts provide an up-to-date survey across a broad range of artistic endeavours, as well as close readings of selected texts. The questions that fill the pages of Pathways of Creativity in Contemporary Newfoundland and Labrador arise from the awareness its contributors have of historically shared experiences, but also of shared delusions, and their essays provoke contemplation beyond the labels local/global, Newfoundlander/Come-From-Away. Aboriginal histories and writing come to the foreground in this panoramic view that balances descriptions of mainstream, vernacular and Indigenous cultural productions. The final chapter is organized as a multi-voiced interview which serves as a supplement to the academic essays. Here, themes are revisited and personalized as several writers express their feelings about what it means to be a Newfoundlander and an artist. As such, this book will encourage dialogue about Newfoundland and Labrador’s literary and artistic achievements within the international community of readers and researchers.

Official history is a misunderstood genre of historical writing, which attracts much negative comment from (non-official) historians but about which very little detail is actually known. This book examines the development of official history programs in Canada, South Africa, Australia, and New Zealand over the course of the twentieth century, looking at the ways in which they developed and the contributions each made to their respective national historiography. The second part of the work develops some themes from the first and takes the official histories of the Second World War as case studies. Drawing on programs in Australia, Britain, and the United States, these essays examine the relationship between the histories, the historians, and their sponsoring institutions. They assess the impact of the histories on historical understanding of the Second World War. They also consider the impact that contemporary events during the Cold War had on the writing of the official history.