The shocking true crime story of child murderers Ian Brady and Myra Hindley, Great Britain’s most horrific serial killers. During the early 1960s, just as Beatlemania was exploding throughout the United Kingdom, a pair of psychopathic British killers began preying on the very young, innocent, and helpless of Greater Manchester. Between 1963 and 1965, Ian Brady and his lover and partner, Myra Hindley, were responsible for the abduction, rape, torture, and murder of five young victims, ranging in age from ten to seventeen years old. The English press dubbed the grisly series of homicides “the Moors Murders,” named for the desolate landscape where three of the corpses were eventually discovered. Based in part on the author’s face-to-face prison interviews with the killers, Fred Harrison’s fascinating and disturbing true crime masterwork digs deeply into Brady and Hindley’s personal histories to examine the factors that led to their mutual attraction and their evolution into the UK’s most notorious pair of human monsters. It was during these interviews that new details about the killers’ terrible crimes surfaced, compelling the police to reopen what was arguably the most shocking and sensational homicide case in the annuls of twentieth-century British crime. With a new introduction by the author, meticulously researched and compellingly written, Brady and Hindley is the definitive account of Britain’s most hated serial killers.

Since May 1966 when Ian Brady and Myra Hindley were sentenced to life imprisonment at Chester Assizes the British public has been absorbed and horrified by the Moors Murders. Ian Brady has often been aptly described as ‘the most evil man alive’ or ‘the Daddy of the Devils’, while Myra Hindley, Britain’s first female serial killer, became the most hated woman in Britain. Here is the definitive account, drawing on exclusive, never-before-seen material. It changes forever our understanding of the Moors couple and their heinous crimes. Why did they do it? What actually happened? Unlikely as it may appear to those detectives, psychiatrists, authors, criminologists, journalists and the victims’ families, who have all sought in their own ways for decades to discover it, this book is possibly as near as we shall ever get to understanding how the victims died. It proves beyond question that the parents of the victims were right all along in their claims about Hindley’s part in the murders. Did Brady give an account to anyone of his life, Myra Hindley and their crimes before he died? Yes, he did - here it is.

Despite standing as chief prosecution witness in the Moors Murders trial, David Smith was vilified by the public due to the accusations thrown at him by Myra Hindley and Ian Brady about his involvement in their crimes.

This book examines the media and cultural responses to the awful crimes of Brady and Hindley, whose murders provided a template for future media reporting on serial killers. It explores a wide variety of topics relating to the Moors Murders case including: the historical and geographical context of the murders, the reporting of the case and the unique features which have become standard for other murder cases e.g. nicknames for the serial killers, and it discusses the nature of evil and psychopaths and how they are represented in film, drama, novels and art. It also questions the ethics of the “serial killing industry” and how the modern cultural fixation on celebrity has extended to serial killers, and it explores the impact on the journalists and police officers from being involved in such cases including some interviews with them. The treatment of Brady and Hindley by the media also raises profound questions about the nature of punishment including the links between mental illness and crime and whether there is ever the prospect of redemption. This book draws on cultural studies, criminology, sociology and socio-legal studies to offers a multi-dimensional analysis of the impact of this case and then uses this as a basis for the analysis of more recent cases such as the crimes of Peter Sutcliffe and Harold Shipman.

In the half-light of early morning on October 7, 1965, 17-year-old David Smith called Hyde police from a telephone box on Hattersley overspill estate in Manchester. The story that he had to tell--of the brutal murder he had witnessed the previous evening--set in motion the detection of Britain's most infamous serial killings: the Moors Murders. Despite standing as chief prosecution witness at the subsequent trial, David Smith was vilified and hated by a public who knew nothing of the facts behind the accusations thrown at Smith by the killers themselves in an attempt to gain lesser sentences. Myra Hindley's own confession, 20 years later, that she and Ian Brady had lied about Smith's involvement in their crimes, did little to diminish the slurs against his name. For almost 45 years, David Smith has been asked by writers and filmmakers to tell his story. With the exception of no more than a handful of very brief interviews, he has refused. Carol Ann Lee met Smith during her research for One of Your Own, her critically acclaimed biography of Hindley, following which he finally agreed to reveal all regarding the case and his involvement in it. In Witness, interviews, archival research, and, most significantly, David Smith's own vivid memories are fused to create an unforgettable, often harrowing account of his life before, during, and after the Moors Murders.

Ian Brady and Myra Hindley's spree of torture, sexual abuse, and murder of children in the 1960s was one of the most appalling series of crimes ever committed in England, and remains almost daily fixated upon by the tabloid press. In The Gates of Janus, Ian Brady himself allows us a glimpse into the mind of a murderer as he analyzes a dozen other serial crimes and killers. Criminal profiling by a criminal was not invented by the dramatists of Dexter. Novelist and true-crime writer Colin Wilson, author of the famous and influential book The Outsider, remarks in his introduction to Brady's book that one must first explore the depraved reaches of human consciousness to truly understand human character. When first released in 2001, The Gates of Janus sparked controversy attended by a huge media splash. The new edition, the first in paperback, provides the reader with a decade and a half of updates, including Brady's letters to the publisher, both providing information regarding his own demented history along with demands that Feral House remove its unflattering afterword written by author Peter Sotos.