Sometimes described as the definitive play about the young people of the 1960s , a generation that no longer believes in traditional values but has not yet found values of its own.

Clyde E. Keeler spent five summers studying the Cuna Indians on the San Blas islands off the coast of Panama as part of his genetics research—specifically research into certain genetic traits of albino populations. Published in 1956, this book is Keeler's account of his personal experiences with the Cuna people. Keeler describes a people who still adhered to many of their traditional tribal customs while also embracing modern ways of life. He witnessed ceremonial chants, procedures for harnessing evil spirits, and elaborate celebrations of puberty and fertility. Keeler examines the history of Caribe-Cuna ranging from details about their religious beliefs and customs, firsthand accounts of Cuna stories and chants, and developments caused by Christian missions and modern education.

“It’s hard to think of a writer who knows his generation better than Michael Weller.” —Frank Rich, New York Times Michael Weller’s early work chronicled American culture as it was taken apart and reformed in the turbulent ’60s. This volume collects his best-known plays of the ’70s and ’80s, including the now-classic Moonchildren, Fishing, At Home, Abroad and Loose Ends. Also includes a new introduction by the author.

This definitive history brings Chicago’s celebrated theater and comedy scenes to life with stories from some of its biggest stars spanning sixty-five years. Chicago is a bona fide theater town, bursting with vitality that thrills local fans and produces generation after generation of world-renowned actors, directors, playwrights, and designers. Now Mark Larson shares the rich theatrical history of Chicago through first-person accounts from the people who made it. Drawing from more than three hundred interviews, Larson weaves a narrative that expresses the spirit of Chicago’s ensemble ethos: the voices of celebrities such as Julia Louis-Dreyfus, Ed Asner, George Wendt, Michael Shannon, and Tracy Letts comingle with stories from designers, composers, and others who have played a crucial role in making Chicago theater so powerful, influential, and unique. Among many other topics, this book explores the early days of the fabled Compass Players and the legendary Second City in the ‘50s and ‘60s; the rise of acclaimed ensembles like Steppenwolf in the ‘70s; the explosion of storefront and neighborhood companies in the ‘80s; and the enduring global influence of the city as the center of improv training and performance.

(Applause Books). Compiled by Mel Gussow, this collection of sideshow American and international theatre includes: Deeply American Roots (Sam Shepard) * The Man Who Made Theatre Ridiculous (Charles Ludlam) * From the City Streets, a Poet of the Stage (Miguel Pinero) * The Clark Kent of Modern Theatre (Robert Wilson) * Speaks the Language of Illusion (Martha Clarke) * The Lonely World of Displaced Persons (Lanford Wilson) * A Virtuoso Who Specializes in Everything (Michael Gambon) * Actress, Clown, and Social Critic (Whoopi Goldberg) * Comedy, Tragedy and Mystical Fantasy (Peter Brook) * Celebrating the Fallen World (Richard Foreman).

An overview of the 2009-2010 theatre season includes photos, a complete cast listing, producers, directors, authors, composers, opening and closing dates, song titles and plot synopses for more than 1,000 Broadway, off-Broadway, off-off-Broadway and regional shows, as well as the past year's obituaries, a listing of all award nominees and winners and an index.