The essays in this volume demonstrate that on the eastern shores of the Mediterranean there were rich, variegated, and important phenomena associated with the Crusades, and that a full understanding of the significance of the movement and its impact on both the East and West must take these phenomena into account.

The city-state of Venice, with a population of less than 100,000, dominated a fragmented and fragile empire at the boundary between East and West, between Latin Christian, Greek Orthodox, and Muslim worlds. In this institutional and administrative history, Monique O’Connell explains the structures, processes, practices, and laws by which Venice maintained its vast overseas holdings. The legal, linguistic, religious, and cultural diversity within Venice’s empire made it difficult to impose any centralization or unity among its disparate territories. O’Connell has mined the vast archival resources to explain how Venice’s central government was able to administer and govern its extensive empire. O’Connell finds that successful governance depended heavily on the experience of governors, an interlocking network of noble families, who were sent overseas to negotiate the often conflicting demands of Venice’s governing council and the local populations. In this nexus of state power and personal influence, these imperial administrators played a crucial role in representing the state as a hegemonic power; creating patronage and family connections between Venetian patricians and their subjects; and using the judicial system to negotiate a balance between local and imperial interests. In explaining the institutions and individuals that permitted this type of negotiation, O’Connell offers a historical example of an early modern empire at the height of imperial expansion.

In the politically and militarily complex world of the medieval Eastern Mediterranean people and entities of different ethnic, religious and linguistic backgrounds came into close contact at many different levels, from everyday dealings in the marketplace to high diplomacy between competing states, thus providing scope for fertile cross-cultural interaction and permeation. This collective volume examines aspects of intercultural communication as reflected in Byzantine, Latin and Arabic documentary sources originating from or relating to the Eastern Mediterranean and ranging from the eleventh to the fifteenth centuries. Twenty essays examine a variety of archival sources for the Latin East, explore chancery traditions in the culturally diverse society of Frankish Cyprus, and trace modes of communication and exchange between Byzantium, Islam and the West. Contributors are: Jean Richard, David Jacoby, Benjamin Z. Kedar, Michel Balard, Peter Schreiner, Michel Balivet, Catherine Otten-Froux, Svetlana V. Bliznyuk, Brenda Bolton, Karl Borchardt, Nicholas Coureas, William O. Duba, Charalambos Gasparis, Hubert Houben, Angel Nicolaou-Konnari, Johannes Pahlitzsch, and Kostis Smyrlis.

This collection of essays by eight leading scholars is a landmark event in the study of crusading in the late middle ages. It is the outcome of an international network funded by the Leverhulme Trust whose members examined the persistence of crusading activity in the fifteenth century from three viewpoints, goals, agencies and resonances. The crusading fronts considered include the conflict with the Ottoman Turks in the Mediterranean and western Balkans, the Teutonic Order’s activities in the Baltic region, and the Hussite crusades. The authors review criticism of crusading propaganda on behalf of the crusade, the influence on crusading of demands for Church reform, the impact of printing, expanding knowledge of the world beyond the Christian lands, and new sensibilities about the sufferings of non-combatants.

The interaction between Byzantium and the Latin West was intimately connected to practically all the major events and developments which shaped the medieval world in the High and Late Middle Ages – for example, the rise of the ‘papal monarchy’, the launch of the Crusades, the expansion of international and long distance commerce, or the flowering of the Renaissance. This volume explores not only the actual avenues of interaction between the two sides (trade, political and diplomatic contacts, ecclesiastical dialogue, intellectual exchange, armed conflict), but also the image each side had of the other and the way perceptions evolved over this long period in the context of their manifold contact. Twenty-one stimulating papers offer new insights and original research on numerous aspects of this relationship, pooling the expertise of an international group of scholars working on both sides of the Byzantine-Western ‘divide’, on topics as diverse as identity formation, ideology, court ritual, literary history, military technology and the economy, among others. The particular contribution of the research presented here is the exploration of how cross-cultural relations were shaped by the interplay of the thought-world of the various historical agents and the material circumstances which circumscribed their actions. The volume is primarily aimed at scholars and students interested in the history of Byzantium, the Mediterranean world, and, more widely, intercultural contacts in the Middle Ages.

The experience of music performance is always far more than the sum of its sounds, and evidence for playing and singing techniques is not only inscribed in music notation but can also be found in many other types of primary source materials. This volume of essays presents a cross-section of new research on performance issues in music of the Middle Ages and Renaissance. The subject is approached from a broad perspective, drawing on areas such as dance history, art history, music iconography and performance traditions from beyond Western Europe. In doing so, the volume continues some of the many lines of inquiry pursued by its dedicatee, Timothy J. McGee, over a lifetime of scholarship devoted to practical questions of playing and singing early music. Expanding the bases of inquiry to include various social, political, historical or aesthetic backgrounds both broadens our knowledge of the issues pertinent to early music performance and informs our understanding of other cultural activities within which music played an important role. The book is divided into two parts: 'Viewing the Evidence' in which visually based information is used to address particular questions of music performance; and 'Reconsidering Contexts' in which diplomatic, commercial and cultural connections to specific repertories or compositions are considered in detail. This book will be of value not only to specialists in early music but to all scholars of the Middle Ages and Renaissance whose interests intersect with the visual, aural and social aspects of music performance.