It all started with the bathroom mirror, which started reflecting a subtly altered picture of Anders's reality, but now it is every reflective surface, and Anders knows that whatever is hiding in the mirror is evil--only he is having trouble getting anyone to believe that the monster he sees is real.

Revelatory memoir and cultural criticism that connects popular fantasy and our perceptions of mental illness to offer an empathetic path to compassionate care Growing up, K.J. Aiello was fascinated by magical stories of dragons, wizards, and fantasy, where monsters were not what they seemed and anything was possible. These books and films were both a balm and an escape, a safe space where Aiello’s struggle with mental illness transformed from a burden into a strength that could win battles and vanquish villains. A unique blend of memoir, research, and cultural criticism, The Monster and the Mirror charts Aiello’s life as they try to understand their own mental illness using The Lord of the Rings, Game of Thrones, and other stories as both guides to heroism and agency and cautionary tales of how mental illness is easily stereotyped as bad and violent. Aiello questions who is allowed to be “mad” versus “sane,” “good” versus “evil,” and “weak” versus “strong,” and who is allowed to tell their own stories. The Monster and the Mirror explores our perceptions of mental illness in a way that is challenging and tender, empathetic and knowledgeable, and offers a path to deeper understanding and compassionate care.

Eminently human and ultimately joyful. The Mirror of Monsters and Prodigies is a compelling novel full of humor, pathos, revulsion, and love. Mixing fact and imagination, this fictional oral history about "human oddities" includes figures such as Aesop, Catherine the Great, Tom Thumb, and Jo-Jo. The Russian Dog-Faced Boy in a provocative story that extends from Ancient Egypt to 18th Century England to 20th Century America.

Issues for 1906- include the proceedings and abstracts of papers of the American Association of Anatomists (formerly the Association of American Anatomists); 1916-60, the proceedings and abstracts of papers of the American Society of Zoologists.

Emerging from darkness, daring to take form and become something more than the Other, monsters stalk these pages, shifting form in true monstrous fashion as they inhabit literature and film, history and parallel communities modelled after our own. They become enmeshed in popular music, run rampant through cities, take androgynous form to rally for their own identities, their own futures, and their own families, and they hold up mirrors while we are caught shattering our sense of Self. Both the past and the future are rich fodder for the evil that monsters do, and from freak show to homunculus to serial killer to cyborg, they remind us that they are never far from sight - and that we cannot look away even if we wish to. Monstrosity from the Inside Out takes as the paradox that monsters are simultaneously impossible and very much a part of what it means to be human.