By challenging masculinity, these poems speak to the rejection of traditional societal values in favor of being yourself.

The sweeping romance of Passenger meets the dark fantasy edge of This Savage Song in this stunning contemporary fantasy debut from Vanessa Len, where the line between monster and hero is razor thin. Don’t forget the rule. No one can know what you are. What we are. You must never tell anyone about monsters. Joan has just learned the truth: her family are monsters, with terrifying, hidden powers. And the cute boy at work isn’t just a boy: he’s a legendary monster slayer, who will do anything to destroy her family. To save herself and her family, Joan will have to do what she fears most: embrace her own monstrousness. Because in this story…she is not the hero. Dive deep into the world of Only a Monster: hidden worlds dwell in the shadows, beautiful monsters with untold powers walk among humans, and secrets are the most powerful weapon of all.

The Hunger Games mixes with The Walking Dead in this post-apocalyptic YA series that comes to a hair-raising conclusion in Monsters. The Changed are on the move. The Spared are out of time. The End...is now. When her parents died, Alex thought things couldn't get much worse—until the doctors found the monster in her head. She headed into the wilderness as a good-bye, to leave everything behind. But then the end of the world happened, and Alex took the first step down a treacherous road of betrayal and terror and death. Now, with no hope of rescue—on the brink of starvation in a winter that just won't quit—she discovers a new and horrifying truth. The Change isn't over. The Changed are still evolving. And...they've had help. With this final volume of The Ashes Trilogy, Ilsa J. Bick delivers a riveting, blockbuster finish, returning readers to a brutal, post-apocalyptic world where no one is safe and hope is in short supply. A world where, from these ashes, the monsters will rise.

Set against the tumultuous political backdrop of late ’60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen’s investigation takes us back to Anka’s life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge.

'Disturbingly compelling' Guardian A blackly comic tale about two children you would never want to meet - from the script writer for Killing Eve Season Two and director of Promising Young Woman Set in the Cornish town of Fowey, all is not as idyllic as the beautiful seaside town might seem. The body of a young woman is discovered in the nets of a fishing boat. It is established that the woman was murdered. Most are shocked and horrified. But there is somebody who is not - a twelve-year-old girl. She is delighted; she loves murders. Soon she is questioning the inhabitants of the town in her own personal investigation. But it is a bit boring on her own. Then Miles Giffard, a similarly odd twelve-year-old boy, arrives in Fowey with his mother, and they start investigating together. Oh, and also playing games that re-enact the murders. Just for fun, you understand... A book about two twelve-year-olds that is definitely not for kids.

Darkness is brewing under the skin of the Perrin household, birthed by a disastrous sibling rivalry between two brothers. Korin, an imaginative boy, grew up living in the shadow of his older brother. Davis wants life to be on his own terms and wishes he were an only child. After the death of their grandmother, Korin blames Davis for her demise and tries to destroy him. Sixteen years after the attempt on Davis's life, Korin comes to terms that his brother isn't the one who's the monster and suppresses his tormented feelings of guilt by ostracizing himself from his family. Yet, after a few years of being away from the family while attending college, a persistent nagging feeling of belonging somewhere haunts Korin, and he agrees to a family hunting trip to the forests of Grand Portage. The Perrin brothers, their father, and two family friends never make it to their final destination. A wake of destruction and bodies follow those who are trying to escape the forest, alive.

This book showcases stunningly realistic and wonderfully posed models and dioramas depicting various characters and scenes from science fiction and horror cinema. The models and dioramas are presented in chronological order starting with the silent films from 1910 to 1927, then the classic films from the 1930s and 1940s, including Universal Studios' Dracula, Frankenstein, and Wolf Man franchises. Next are the many radiation induced mutants and invaders from outer space of the 1950s, followed by offerings from the 1960s, 1970s, 1980s, and 1990s. Hammer Films are included as well as the Mummy movies and Universal's Gillman series. A detailed explanation of the nitty-gritty of model and diorama building is presented and particular details unique to each piece are shown in close-ups and discussed. The figures are of unprecedented artistry.