Sebastian Madinger, the Earl of Wriothesly, thought he'd married the perfect woman-until a fatal accident revealed her betrayal with his best friend. After their deaths, Sebastian is determined to avoid a scandal for the sake of his son. But his best friend's widow is just as determined to cast her mourning veil aside by hosting a party that will surely destroy both their reputations and expose all of his carefully kept secrets... Leah George has carried the painful knowledge of her husband's affair for almost a year. All she wants now is to enjoy her independence and make a new life for herself-even if that means being ostracized by the Society whose rules she was raised to obey. Now that the rumors are flying, there's only one thing left for Sebastian to do: silence the scandal by enticing the improper widow into becoming a proper wife. But when it comes to matters of the heart, neither Sebastian nor Leah is prepared for the passion they discover in each other's arms....

The perfect companion to "Chords for Kids" and "My First Recorder Music", this is the ideal guide for those who may enjoy playing instruments, but have not yet mastered how to read music from the page. It is ideal for any age, but especially for children between 8 and 10 years old. This guide provides the essentials you need to know, explaining pitch, the treble clef, the bass clef, rhythm, accidentals, key signatures and time signatures. You can then practise what you have learnt with the 'Play Along' sections containing simple, well-known examples of music. It comes with helpful diagrams, clear accessible text and a practical spiral-bound format.

A Victorian woman defies convention and follows her heart to freedom in this conclusion to the Barforth Trilogy from the author of Flint and Roses. Grace Agbrigg has ambitions beyond merely ornamenting the home of a rich husband. But Victorian England is still almost wholly a man’s world in which women—rich or poor—must do the bidding of the father, husband or employer. Attracted against her will to the ambitious and ruthless Gideon Chard, Grace instead makes the marriage that is expected of her. But eventually she breaks free of a relationship that is a sham to become the only divorcee in Cullingford. Cast out by society, Grace is faced with a future she never expected—one in which she holds the keys to her own happiness. Set against a background of change and unrest, of dazzling wealth cheek by jowl with bitter poverty, this conclusion to the Barforth Trilogy is perfect for fans of Sandy Taylor, Katie Flynn and Josephine Cox.

"Few taboos are left to incorporate into the literature of the gay world. Nearly everything has been said, sensationalized, exploited, done and redone, sometimes well, sometimes self-indulgently. But one taboo, sex between adults and children, has received little attention from serious writers for a very good reason: most people, gay or otherwise, find it morally repugnant. Incredibly, Jean-Paul Daoust has turned a relationship of this kind into hypnotic poetry. The book is unique in its sensitivity to a universe of forbidden love and sex between a man in his early twenties and a boy of six and a half years. The boy's age is used like a leitmotif, recurring on nearly every page of the poem, as though to remind the reader of how unique the experience is, whether between straight persons or gay. Because of the critical age difference between manhood and childhood, it is not 'just another love story.' It is an epic melodrama of passion, love, betrayal and cruelty that is related here in obsessive, often hallucinatory poetry, but more importantly, it is all seen through the eyes of a child who is not only a victim as we might readily suppose, but an aggressor as well. Gay literature will never be the same after this book" - Daniel Sloate.