Un grand cahier d'activités idéal pour occuper les enfants à la maison de façon utile et ludique ✔️ Toutes les pages sont en couleurs avec des illustrations tout au long du livre.✔️ Apprendre à écrire les lettres de A à Z.✔️ Apprendre à écrire les chiffres.✔️ Apprendre à tracer des lignes et des formes.✔️ Des jeux et des labyrinthes pour se divertir.✔️ Activité de découpage avec des puzzles à reconstruire.✔️ Apprendre à tracer et colorier de jolies licornes.✔️ Approche progressive et ludique.✔️ Idéal pour stimuler la créativité et l'imagination des enfants sans écran.✔️ Couverture et papier de haute qualité.✔️ Une bonne idée de cadeau !

Acclaimed, when it first appeared, as a seminal work – a groundbreaking book that was both informative and highly readable – Translators through History is being released in a new edition, substantially revised and expanded by Judith Woodsworth. Translators have played a key role in intellectual exchange through the ages and across borders. This account of how they have contributed to the development of languages, the emergence of literatures, the dissemination of knowledge and the spread of values tells the story of world culture itself. Content has been updated, new elements introduced and recent directions in translation scholarship incorporated, providing fresh insights and a more nuanced view of past events. The bibliography contains over 100 new titles and illustrations have been refreshed and enhanced. An invaluable tool for students, scholars and professionals in the field of translation, the latest version of Translators through History remains a vital resource for researchers in other disciplines and a fascinating read for the wider public.

Publisher Description

In this work, begun during the German occupation, the eminent French poet and philosopher began to turn away from the small, perfect poem toward a much more open form, a kind of prose poem that recounted its own process of coming into being along with the final result.

“We got to talking”—so David Antin begins the introduction to Radical Coherency, embarking on the pursuit that has marked much of his breathless, brilliantly conversational work. For the past forty years, whether spoken under the guise of performance artist or poet, cultural explorer or literary critic, Antin’s innovative observations have helped us to better understand everything from Pop to Postmodernism. Intimately wedded to the worlds of conceptual art and poetics, Radical Coherency collects Antin’s influential critical essays and spontaneous, performed lectures (or “talk pieces”) for the very first time, capturing one of the most distinctive perspectives in contemporary literature. The essays presented here range from the first serious assessment of Andy Warhol published in a major art journal, as well as Antin’s provocative take on Clement Greenberg’s theory of Modernism, to frontline interventions in present debates on poetics and fugitive pieces from the ’60s and ’70s that still sparkle today—and represent a gold mine for art historians of the period. From John Cage to Allan Kaprow, Mark Rothko to Ludwig Wittgenstein, Antin takes the reader on an idiosyncratic, personal journey through twentieth-century culture with his trademark antiformalist panache—one thatwill be welcomed by any fan of this consummate trailblazer.

What might the end of the world look like, to people who inhabit high mountains, whose lives are governed by the dependable revolution of the seasons? Perhaps the sun might slip beneath a western ridge one evening, and not return in the morning. In the first half of the 20th century, that terrifying prospect represented a mild version of hell. Real hell would be knowing in advance that it was going to happen. And so, revisiting a theme that Charles Ferdinand Ramuz had explored many times before in his fiction-notably in a short story that he wrote in 1912, on the eve of another war-he bestowed upon the villagers of Upper Saint-Martin the dreadful knowledge that the sun was sick and would soon expire, leaving them to die alone in the cold and the dark. The prophecy falls from the lips of the village sage and healer, Antoine Anzevui. The weather seems to bear him out. But the sun abandons those parts for a few months every year, so to accept the prophecy means to have faith in the prophet-to believe him when he says that the life-giving star won't return as expected in the spring. What holds for Upper Saint-Martin holds for the rest of the world, because in Ramuz's novels the village is the world and the world is the village Written in Fench as Si le soleil ne revenait pas and translated into English for the first time by Michelle Bailt-Jones, here are both the 1912 short story and the 1937 novel - What if the sun..."