Thompson (communication, Southwestern U.) looks at 30 years of public debate, analyzing the role that rhetoric plays in the formation of negative attitudes about lesbian motherhood. She considers the differences in how lesbian mothers are portrayed in mainstream and alternative publications. An analysis of child custody disputes reveals the ambivalence of the courts towards lesbian mothers. Finally, Thompson addresses contemporary issues in feminist psychology. Annotation copyrighted by Book News, Inc., Portland, OR

Mothers, Sex, and Sexuality talks about things not normally dared spoken out loud—the interconnectedness and conflict between our parental and sexual selves, the taboo of the sexual mother, and why it matters so much to shatter it. What is it about the sexual mother that is incompatible, and at times even disturbing? Why are we threatened by maternal sexuality? And what does this tell us about the structures of gender and power that govern our bodies? Mothers, Sex, and Sexuality presents a rigorous academic analysis of the myriad ways in which the sexual/maternal divide affects women, birthing people, and those of us who assume or are ascribed the title "mother". We examine the way we as mothers talk to our daughters about sex, the way we talk about sex in a cultural context, and the deafening silence around sex in a medical system that overlooks maternal sexuality. We return repeatedly to the impact of both Christianity and Hinduism on the mother as someone to be revered but tightly controlled. We embrace the lost eroticism of mothering and hail breastfeeding as a sexual maternal practice, arguing for a new, broader, feminist understanding of sexuality. We discuss the way fat mothers destabalise the heteronormative maternal model, the way kinky queers are reconfiguring the sexual/maternal divide through erotic role-play, and we explore the strange, intense, and romantic domestic relationship that springs up between mothers and nannies—two heterosexual women trapped together in a homoerotic triangulation of need and desire. In a titillating climax we revel in the sexual maternal as embodied through performance art, poetry, installations, and comedy, disrupting queer readings of bodies as we are invited to both fuck, and fuck with, the maternal. This book boldly provides both a challenge to the patriarchal constraints of motherhood and a racy road-map escape route out of the sexual-maternal dichotomy.

Queer parenthood: It's multifaceted. It's complex. And it is constantly changing, as laws and culture shift around us. What's in a Name? reflects on this complexity through the voices of nonbiological/non-gestational queer mothers/parents who explore our experiences parenting across our different social and familial locations. The authors have all taken different routes to parenting, live in different countries, and understand our relationships to parenting through our own personal experiences. What we share is a commitment to parenting beyond the limits of biology, and of building families that are drawn together and maintained by the love and labour of parenting. The fifteen essays in this book address three key moments in our parenting journeys. First, we examine the routes we took to parenting, with many of us specifically focusing on the experience of being the "other" mother while our partners were pregnant, and the particular fears, anxieties, and triumphs that come with it. Second, we locate ourselves "in the thick of it" as parents, where the experiences shared among parents are colored by our particular experiences as nonbiological/non-gestational mothers/parents. Finally, we reflect on our identities, including the identity of "mother," and how those grow, shift, and develop throughout our parenting journeys.

NATIONAL BESTSELLER SHORTLISTED for the 2021 Kobo Emerging Writer Prize SHORTLISTED for the 2021 Vine Award in Non-Fiction "A comedy for catastrophic times." --CBC "A hilarious memoir of effervescent misadventures." --Toronto Star "How am I laughing at someone's mother's cancer? How? We think we can't laugh about death, about cancer, about our mothers and their suffering . . . and we can't, but we can. And there's so much relief in that." --Carolyn Taylor, BARONESS VON SKETCH SHOW A whip-smart and darkly funny memoir about an unconventional family, the limits of wellness fads, and the mother of all catastrophes. Rachel Matlow’s eccentric mom, Elaine, never quite followed the script handed down to her. Her bold out-there-ness made it okay for Rachel to be their genderqueer self and live life on their own terms. But when Elaine decides to try to heal her cancer naturally, Rachel has to draw the line. What ensues is a tug of war between logical and magical thinking, an odyssey through New Age remedies ranging from herbal tinctures and juice cleanses to a countryside ayahuasca trip, and a portrait of a mother and child who’ve never been physically closer or ideologically further apart. In facing their inimitable mother’s death, Rachel has written a book bursting with life—the epic adventures and epic fails, the broken limbs and belly laughs. As hilarious as it is poignant, Dead Mom Walking is about writing the story of your life only to find out that life has other plans.

it is a multidisciplinary collection of essays, it is the first book-length engagement with the subject of queer Wales, it covers period from the 18th century to the present, it considers literature, art history, film, television, drama, crime, motherhood, education, and a range of other questions across these categories.

This book studies the growing number of lesbian women embarking on parenthood after coming out. Theoretical debates about lesbian motherhood often consider its assimilative or transgressive dimensions. This book offers a different approach, contextualising lesbian motherhood in relation to sexual citizenship and hegemonic discourses of kinship

Chilean writer Gabriela Mistral (1889-1957), the first Latin American to win the Nobel Prize for Literature, was a poetic idol for generations of Latin Americans who viewed her as Womanhood incarnate, the national schoolteacher-mother. How this distinctly masculine woman who never gave birth came to occupy this role, and what Mistral's image, poetry, and life have to say about the relations-and realities-of race, gender, and sexual politics in her time, are the questions Licia Fiol-Matta pursues in this book, recreating the story of a woman whose misrepresentation is at least as intriguing, and as instructive, as her fame. A Queer Mother for the Nation weaves a nuanced understanding of how Mistral cooperated with authority and fashioned herself as the figure of Motherhood in collaboration with the state. Drawing on Mistral's little-known political and social essays, her correspondence and photographs, Fiol-Matta reconstructs Mistral's relationship to state politics. Her work questions the notion of queer bodies as outlaws, and insists on the many ways in which queer subjects have participated in and sustained the normative discourses they seem to rebel against. Licia Fiol-Matta is assistant professor in the Department of Spanish and Latin American Cultures at Barnard College.