In 1955 two Russian MiGs attacked a US Navy Neptune patrol bomber with its crew of eleven which was flying on the US side of the International Date Line. For years, Russia had endured multiple US violations of its airspace. Finally, they attacked a completely innocent patrol plane flying over international waters. The attack set one engine on fire, destroyed the hydraulics, the electronics, and electrical power, and wounded six crew members. The pilot gently crash-landed the critically damaged, flaming airplane, thereby saving the lives of his crew. The position of the bomber at the time of attack was verified by its own radar and navigator and multiple radar sites on the Alaskan coast. Even though the evidence was not conclusive to the Russians, they admitted to a share of the responsibility and paid half the cost of the plane, an unprecedented move. The role of the Russian submarine and the USAF fighter response is the author's invention.

How does the horror in film relate to the horror we experience in everyday life? This is one of the questions addressed in this examination of the genre of horror film. The author argues that horror films today have broken with the tradition of the genre to embrace far more violent imagery, images that are in keeping with the escalating violence in society. By examining the horror film, its history and its current trends, the author hopes to further our understanding of the meaning of the genre in today's culture and our fascination with violence.

With a foreword by Geoffrey Robertson, QC. The issues of terror and terrorism confront us every day- every time we board a flight, pick up a newspaper or watch television. Concerns about terrorism now dictate domestic and foreign policies around the world. In a very real sense, one way or another we find ourselves in the grip of terror. But what is terror? How is it described, measured and experienced? Is the current terrorist threat unprecedented? The answers to many of these questions, and the lessons therein, are to be found in history; and nowhere more so than in Europe. In fact, Europe has been home to some of the most terrifying and horrific events in recorded human history. This collection takes a broad-ranging yet detailed look at the landmark events and epochs of terror across Europe, from the Gunpowder Plot of 1605 to the terrorist bombings on the London Underground in July 2005. Drawing on leading authorities from across the globe, this volume explores the historical mutation of political violence and concepts of terror. Terror will be of interest to scholars of history, international relations and political science; to policy makers; and to the educated layperson.

Literary Nonfiction. Art. THE LITTLE BOOK OF TERROR is a treasure that defies easy classification: more than a collection of paintings, more than a compilation of piquant, compelling essays, it can be thought of as a secular missal, offering a new liturgy for observing the Rite of The Contrary. THE LITTLE BOOK OF TERROR is a literary missile, as well—Daisy Rockwell's searing images and carefully-crafted prose aim directly at the bloated heart of Imperial pretension. On impact, Rockwell's work makes rubble of propaganda passing as conventional wisdom, leaving in its place a new vista from which to consider the "Global War on Terror" and its complicated combatants. For Rockwell's legions of readers and admirers, THE LITTLE BOOK OF TERROR is a blast of a different kind: a stirring read, a poignant comment, and a collection of sights not soon forgotten.

The Afterlives of the Terror explores how those who experienced the mass violence of the French Revolution struggled to come to terms with it. Focusing on the Reign of Terror, Ronen Steinberg challenges the presumption that its aftermath was characterized by silence and enforced collective amnesia. Instead, he shows that there were painful, complex, and sometimes surprisingly honest debates about how to deal with its legacies. As The Afterlives of the Terror shows, revolutionary leaders, victims' families, and ordinary citizens argued about accountability, retribution, redress, and commemoration. Drawing on the concept of transitional justice and the scholarship on the major traumas of the twentieth century, Steinberg explores how the French tried, but ultimately failed, to leave this difficult past behind. He argues that it was the same democratizing, radicalizing dynamic that led to the violence of the Terror, which also gave rise to an unprecedented interrogation of how society is affected by events of enormous brutality. In this sense, the modern question of what to do with difficult pasts is one of the unanticipated consequences of the eighteenth century's age of democratic revolutions. Thanks to generous funding from Michigan State University and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access (OA) volumes, available on the Cornell University Press website and other Open Access repositories.

The "masterfully chilling" novel that inspired the hit AMC series (Entertainment Weekly). The men on board the HMS Terror — part of the 1845 Franklin Expedition, the first steam-powered vessels ever to search for the legendary Northwest Passage — are entering a second summer in the Arctic Circle without a thaw, stranded in a nightmarish landscape of encroaching ice and darkness. Endlessly cold, they struggle to survive with poisonous rations, a dwindling coal supply, and ships buckling in the grip of crushing ice. But their real enemy is even more terrifying. There is something out there in the frigid darkness: an unseen predator stalking their ship, a monstrous terror clawing to get in. “The best and most unusual historical novel I have read in years.” —Katherine A. Powers, Boston Globe