Patch & Tweak with Moog is the ultimate resource for Moog synthesizer enthusiasts and musicians of all skill levels interested in an immersive modular synthesis experience. Opening with a foreword from acclaimed film score composer Hans Zimmer, this hardcover book by Kim Bjørn features 200 pages full of synthesizer techniques, creative patch ideas, sound design tips, professional artist interviews, in-depth discussions with Moog engineers, and a glimpse into the company's remarkable history. The book's primary focus is Moog's well-loved line of semi-modular analog synthesizers: Mother-32, DFAM, Subharmonicon, Grandmother, and Matriarch. Patch & Tweak with Moog brings readers inside the creative minds of composers, producers, and performing artists like Suzanne Ciani, Trent Reznor, Lisa Bella Donna, Paris Strother, Hannes Bieger, Stranger Things composers Michael Stein and Kyle Dixon, and Moog synthesizer co-inventor Herb Deutsch in detailed interviews featuring patching tips and tricks for musicians of all skill levels.

Korg Volca Modular - The Expert Guide is a goldmine of patches, tutorials, information and inspiration. World-renowned Volca expert Tony Horgan unravels the mysteries of the Volca Modular with mind-blowing patches, clear concept visuals and straight-talking text. Across more than 200 pages, every patch point, module, button and feature is explored and explained in detail, with the help of over 60 patches for you to recreate and adapt yourself. Learn how to create musical sounds, sound effects, drones, rhythms, process other instruments with the Volca Modular reverb effect, pass another instrument through the Volca Modular, control the Volca Modular from other instruments, create random self-generating sounds, connect to audio devices, add swing effects, master the sequencer, transpose patterns, play in different scales and so much more. 218 Pages, 61 patches Contents 01 About this book * About the author, ways to make contact 02 About the Volca Modular * About the Volca Modular * Patch cables * Front panel patch point inputs and outputs * Front panel connecting lines * What is CV (Control Voltage)? 03 Patches and sounds * Talking Droid * Space Out Feedback Loop * Correct Answer * Low Frequency Sweep * Buzz Bass * Automatic Bassline * Automatic Player * Tuned Kick Bass * Brain 04 Quick-start guides * Tips and hacks * Make a "patch" * Select and play a pattern * Select and play a pattern chain * Keyboard notes * Record a pattern * Save a pattern * Record a motion sequence * Synchronise timing with other Volcas * Connect to audio devices 05 Source * About the Source module * Source Pitch Input * Trampoline Bounce - Source Pitch Input example * Source Ratio Input * 2-Tone Hooter - Source Ratio Input example * Source Fold Input * Throb - Source Fold Input example * Source Mod Input * Space Oboe - Source Mod Input example 1 * Simple Drone - Source Mod Input example 2 * Source Modulator Wave Output * Sub-bass - Source Modulator Wave Output example * Source Carrier Output * Throat Singing - Source Carrier Output example 06 Functions * About the Functions * Function 1: Attack, Hold, Release generator * Function 1 Gate Input * Self-generating Random Gate - Function 1 Gate Input example * Function 1 Attack Input * Function 1 Release Input * Function 1 Positive Output * Brass Bugle - Function 1 Positive Output example * Function 1 Inverted Output * Slow, Fast, Slow - Function 1 Inverted Output example * Function 1 End Trigger Output * Bounce Back - Function 1 End Trigger Output example * Function 2: Rise, Fall generator * Function 2: Rise, Fall generator "LFO" * Function 2 Trigger Input * Function 2 Shape Input * Release Shape-Shifter - Function 2 Shape Input example * Function 2 Time Input * Alien Visit - Function 2 Time Input example * Function 2 Positive Output * Metallic Bounce - Function 2 Positive Output example * Function 2 Inverted Output * Function 2 End Trigger Output * Computer Processing - Function 2 End Trigger Output example 07 Clock / Sequences * Clock and Sequences * Slow, Faster, Slower - Clock Offset Input example * Sequences 1/4, 1/3, 1/2 Gate Output * Accents and Polyrhythms - Sequences 1/4, 1/3, 1/2 Gate Output example * Sequences Gate Output * Sequences Gate Output example * Sequences Pitch Output * Reverb On High Notes - Sequences Pitch Output example * Portamento - Sequences Pitch Output example 2 08 Dual LPG * Dual LPG explained * LPG 1 Signal Input * Easy sub-bass - LPG 1 Signal Input example * LPG 1 Level Input * Amplitude Modulation - LPG 1 Level Input example * LPG 1 Signal Output * Pitch Explosion - LPG 1 Signal Output example * Play It Louder - LPG 1 Signal Output example 2 * LPG 2 Signal Input * Organ Bass - LPG 2 Signal Input example * LPG 2 Level Input * Time Machine - LPG 2 Level Input example * LPG 2 Signal Output * Fuzz Bass - LPG 2 Signal Output example * Cutoff 09 Split * About the Split module * Split Input 1 / Output 1-A, Output 1-B * Split Input 2 / Output 2-A, Output 2-B * Power Station - Split example * Split mixer * Lift Off - Split mixer example * Lift Off (Extra Bass) - Split mixer example 10 Utility a, b, c * Utility a, b, c * Signal Input a * Signal Input b * Signal Input c * c knob * Intensity Control - c knob example * Volume Fluctuation - Utility a, b, c example * a+bxc Output * Self-generating Sound - a+bxc Output example 1 * Basic Wave Mixer - a+bxc Output example 2 * a-bxc Output * Pulse Width Modulation - a-bxc Output example 1 * If I Was A Pitch Man - a-bxc Output example 2 11 Woggle * About the Woggle * Woggle Sample Input * Video Game Jump - Woggle Sample Input example * Noisy Reverb - Woggle Sample Output example * Woggle Trigger Input * Simple 4th Note Trigger - Woggle Trigger Input * Woggle Stepped Output * Random Release - Woggle Stepped Output example * Woggle Smooth Output * Space Bee - Woggle Smooth Output example 12 Space Out, Microtune * About the Space Out module * Space Out Signal Input * Add reverb to an external sound source * Carrier Wave Always Audible - Space Out Signal Input example * Space Out Amount knob * Space Out Amount Input * Dry / Wet Foghorn - Space Out Amount Input example * Space Out Signal Output * Rocket Explode - Space Out Signal Output example * Microtune 13 CV In, Gate In, Sync * CV Input, Gate Input * Using CV and Gate to play notes * Calibrating (tuning) the CV Input * CV Output 1 * CV Output 2 * CV Input mixer example * Sync In / Out * Sync connections * Receive swing from another Volca * Sync problems 14 Volume, audio out, headphones * Volume * Headphones Output (audio output) 15 Buttons * Play, Active Step * Record (live recording) * Step Record * Memory, Write * Func 16 Keyboard * About the keyboard * Scale * Tonic * Microtuning * Microtuning keys * Octave keys * Randomize keys * Gate * Sequencer mode: Bounce * Sequence mode: Stoch. * Motion sequence keys * Clear keys 17 Power * Power options 18 Global parameters * Global parameters * System update (firmware update) 19 Module circuit diagrams * Source circuit diagram * Clock / Sequences circuit diagram * Functions circuit diagram * Split circuit diagram * LGP circuit diagram * Utility a, b, c circuit diagram * Woggle circuit diagram * Space Out circuit diagram

From acid house to prog rock, there is no form of modern popular music that hasn't been propelled forwards by the synthesizer. As a result they have long been objects of fascination, desire and reverence for keyboard players, music producers and fans of electronic music alike. Whether looking at an imposing modular system or posing with a DX7 on Top of the Pops, the synth has also always had an undeniable physical presence. This book celebrates their impact on music and culture by providing a comprehensive and meticulously researched directory of every major synthesizer, drum machine and sampler made between 1963 and 1995. Each featured instrument is illustrated by hand, and shown alongside its vital statistics and some fascinatingly quirky facts. In tracing the evolution of the analogue synthesizer from its invention in the early 1960's to the digital revolution of the 1980s right up until the point that analogue circuits could be modelled using software in the mid-1990's, the book tells the story of analogue to digital - and back again. Tracing that history and showing off their visual beauty with art-book quality illustrations, this a must for any self-respecting synth fan.

This volume seeks to offer a new approach to the study of music through the lens of recent works in science and technology studies (STS), which propose that facts are neither absolute truths, nor completely relative, but emerge from an intensely collective process of construction. Applied to the study of music, this approach enables us to reconcile the human, social, factual, and technological aspects of the musical world, and opens the prospect of new areas of inquiry in musicology and sound studies. Rethinking Music through Science and Technology Studies draws together a wide range of both leading and emerging scholars to offer a critical survey of STS applications to music studies, considering topics ranging from classical music instrument-making to the ethos of DIY in punk music. The book’s four sections focus on key areas of music study that are impacted by STS: organology, sound studies, music history, and epistemology. Raising crucial methodological and epistemological questions about the study of music, this book will be relevant to scholars studying the interactions between music, culture, and technology from many disciplinary perspectives.

Here is the fundamental knowledge and information that a beginning or intermediate electronic musician must have to understand and play today's keyboard synthesizers. This basic primer, newly updated from the classic original edition, offers step-by-step explanations and practical advice on what a synthesizer is, the basic concepts and components, and the latest technical developments and applications. Written by Bob Moog, Roger Powell, Steve Porcaro (of Toto), Tom Rhea, and other well-known experts, Synthesizer Basics is the first, and still the best, introduction available today.

Modular Synthesis: Patching Machines and People brings together scholars, artists, composers, and musical instrument designers in an exploration of modular synthesis, an unusually multifaceted musical instrument that opens up many avenues for exploration and insight, particularly with respect to technological use, practice, and resistance. Through historical, technical, social, aesthetic, and other perspectives, this volume offers a collective reflection on the powerful connections between technology, creativity, culture, and personal agency. Ultimately, this collection is about creativity in a technoscientific world and speaks to issues fundamental to our everyday lives and experiences, by providing insights into the complex relationships between content creators, the technologies they use, and the individuals and communities who design and engage with them. With chapters covering VCV Rack, modular synthesis, instrument design, and the histories of synthesizer technology, as well as interviews with Dave Rossum, Corry Banks, Meng Qi, and Dani Dobkin, among others, Modular Synthesis is recommended reading for advanced undergraduates, researchers, and practitioners of electronic music and music technology. Chapter 3 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.