Written by one of Europe's leading social theorists, this book takes up the claims of modernity and confronts them with a stark reality: the ongoing proliferation of war. How can contemporary social and political thought come to terms with this apparent failure of modernity? Throughout the 20th century the global struggle of ideologies put paid to the dream that wars were somehow the relic of a bygone, unenlightened age. But now in the aftermath of the Cold War era, how are we to account for the persistence of war and state violence? Drawing on a wide range of material, from World War I and Vietnam to the Gulf War and the conflicts in the Balkans, Joas engages with current debates in the sociology and politics of war and develops his own distinctive line of argument concerning the role of warfare in modern societies. He aligns himself with figures such as Giddens and Mann in the attempt to establish a new and non-functionalist theory of social change. This compelling and timely study confronts one of the great paradoxes of our era, and Joas's book is a substantial contribution towards a new historico-sociological perspectiveon the twentieth century. It will be of particular interest to students and scholars of sociology and politics, and will appeal to anyone who has puzzled over the persistence of modern war, and the limits of enlightenment as an historical force.

Modernity and War explores and assesses the development of war in the modern period. The book examines the contradiction between the optimistic view of social progress in the West and the actual involvement of Western states in mass violence. The author explains the violence of the modern form of war by analysing cultural trends in Western states and their connections to racism, nationalism and narcissism. The text also explains how the practice of air warfare distances Western citizens from the consequences of contemporary military violence.

DIVAn analysis of Western attitudes toward war from a subaltern perspective that brings new insights into Western philosophical paradigms. /div

"The year 1949 witnessed China divided into multiple political and cultural entities. How did this momentous shift affect Chinese literary topography? Modernity with a Cold War Face examines the competing, converging, and conflicting modes of envisioning a modern nation in mid-twentieth century Chinese literature. Bridging the 1949 divide in both literary historical periodization and political demarcation, Xiaojue Wang proposes a new framework to consider Chinese literature beyond national boundaries, as something arising out of the larger global geopolitical and cultural conflict of the Cold War.Examining a body of heretofore understudied literary and cultural production in mainland China, Taiwan, Hong Kong, and overseas during a crucial period after World War II, Wang traces how Chinese writers collected artistic fragments, blended feminist and socialist agendas, constructed ambivalent stances toward colonial modernity and an imaginary homeland, translated foreign literature to shape a new Chinese subjectivity, and revisited the classics for a new time. Reflecting historical reality in fictional terms, their work forged a path toward multiple modernities as they created alternative ways of connection, communication, and articulation to uncover and undermine Cold War dichotomous antagonism."

This volume presents the first scholarly assessment of the interconnections between war, medicine, society and modernity. Covering the period 1870 to 1945, this work emphasises the effects of warfare on the development of the modern world.

Museums, Modernity and Conflict examines the history of the relationship between museums, collections and war, revealing how museums have responded to and been shaped by war and conflicts of various sorts. Written by a mixture of museum professionals and academics and ranging across Europe, North America and the Middle East, this book examines the many ways in which museums were affected by major conflicts such as the World Wars, considers how and why they attempted to contribute to the war effort, analyses how wartime collecting shaped the nature of the objects held by a variety of museums, and demonstrates how museums of war and of the military came into existence during this period. Closely focused around conflicts which had the most wide-ranging impact on museums, this collection includes reflections on museums such as the Louvre, the Stedelijk in the Netherlands, the Canadian War Museum and the State Art Collections Dresden. Museums, Modernity and Conflict will be of interest to academics and students worldwide, particularly those engaged in the study of museums, war and history. Showing how the past continues to shape contemporary museum work in a variety of different and sometimes unexpected ways, the book will also be of interest to museum practitioners.