With a unique approach to the 'linguistic turn' in twentieth-century philosophy, this fascinating work addresses both analytic and continental philosophy, therefore ensuring its appeal to scholars from both fields.

This book explores the influential currents in the philosophy of language and linguistics of the first half of the twentieth century, from the perspective of the English scholar C. K. Ogden (1889 - 1957). It reveals links between early analytic philosophy, semiotics and linguistics in a crucial period of their respective histories.

Philosophy and Literary Modernism probes the relationship of authors with the thought of their time. The authors studied here include Conrad, Eliot, Faulkner, Forster, Hemingway, Hesse, Kafka, Joyce, Lawrence, Williams, and Woolf, among others. Literary modernism engaged with explorations of literary form, language, ways of knowing the world, identity, commitment, chance, truth, and beauty. The book considers how writers participated in the intellectual spirit of their time and with the thought of philosophers like Henri Bergson, G.E. Moore, Bertrand Russell, Alfred North Whitehead, and Ludwig Wittgenstein.

Modernist Fiction and Vagueness examines the development of the modernist novel in relation to changing approaches to philosophy. It argues that the puzzle of vagueness challenged the great thinkers of the early twentieth century and led to dramatic changes in both fiction and philosophy. Building on recent interest in the connections among analytic philosophy, pragmatism, and modern literature, this book posits that literary vagueness should be read as a defining quality of modernist fiction.

In this book, the author addresses the relationship between art and society, from the emergence of bourgeois culture in the eighteenth century to the decline of modernism in the twentieth century.

Modernism as a Philosophical Problem, 2e presents a new interpretation of the negative and critical self-understanding characteristic of much European high culture since romanticism and especially since Nietzsche, and answers the question of why the issue of modernity became a philosophical problem in European tradition.

In this work David C. Durst explores the development of modernism in the philosophy, politics, and culture of the first German Republic between 1918 and 1933. Through a reasoned critique of various Weimar intellectual figures such as Ernst Bloch, Martin Heidegger, and Theodor Adorno, Durst offers clarity and insight into the various aesthetic postures of the interwar period. From the cultural vibrancy of the early Weimar period to the eventual decay towards fascism and Nazi rule, Weimar Modernism provides a new and coherent way to examine this important era, which has often been presented in a fragmented manner