No previous century has shown such widespread interest in the identification and conservation of wildlife. This book examines the various forms that wildlife art takes and is represented by the work of 90 artists.

A group of internationally acclaimed wildlife painters share their ideas and insights. Included in this illustrated book are the works and teachings of Robert Bateman, Allen Blagden, Ken Carlson, Raymond Ching, Guy Coheleach, Don R. Eckelberry, Lars Jonsson, Bob Kuhn, Roger Tory Peterson, Thomas Quinn, and John Serrey-Lester. Wildlife Painting features sections on solving such painting problems as how to achieve a feeling of depth in fur, or detail in plumage; how to convey action; how to paint effective camouflage; and how to capture the essence of grasses or trees or reflection in water. With styles ranging from realism to impressionism. Wildlife Painting includes finished works in oil, watercolour, acrylic, tempera, gouache, colored pencil, pastel and mixed media. Also included are sketches, studies, step-by-step demonstrations, and tips from the artists on animal behaviour.

This book invites readers to enter a two-floor virtual "gallery” where 60-plus images of birds reflecting the accomplishments of human pictorial history are on display. These are works in a genre the authors term Science Art--that is, art that says something about the natural world and how it works. Darryl Wheye and Donald Kennedy show how these works of art can advance our understanding of the ways nature has been perceived over time, its current vulnerability, and our responsibility to preserve its wealth. Each room in the gallery is dedicated to a single topic. The rooms on the first floor show birds as icons, birds as resources, birds as teaching tools, and more. On the second floor, the images and their captions clarify what Science Art is and how the intertwining of art and science can change the way we look at each. The authors also provide a timeline linking scientific innovations with the production of images of birds, and they offer a checklist of steps to promote the creation and accessibility of Science Art. Readers who tour this unique and fascinating gallery will never look at art depicting nature in the same way again. Published with assistance from the Alfred P. Sloan Foundation's Public Understanding of Science and Technology Program.

“For those of us who portray wildlife . . . our decision to persist in our quest for excellence is almost always based on a love affair, a fascination with the creatures of our planet, and a need to share this feeling the best way we know how.” So said wildlife artist Robert Kuhn (1920–2007), who spent a lifetime sketching and painting animals, and generously mentoring other artists. Bob Kuhn: Drawing on Instinct presents a generous sampling of his rarely seen sketches alongside the vibrant paintings for which he is best known. Appearing in conjunction with a traveling exhibit mounted by the National Museum of Wildlife Art, in Jackson, Wyoming, this book allows readers to observe the artistic process of one of the greatest wildlife artists of our time. Curator Adam Duncan Harris provides an introduction and a biography of Kuhn, along with an examination of his working method. In addition, Bob Kuhn features four substantive essays by leading authorities on American art: James H. Nottage of the Eiteljorg Museum of American Indians and Western Art, Amy Scott of the Autry National Center, Lisa M. Strong of the Corcoran Gallery of Art, and Todd Wilkinson of Wildlife Art Journal and other publications. These contributions, written from a variety of art historical perspectives, set Kuhn’s oeuvre within the cultural context in which he worked and deepen our understanding of his achievements. Complementing the essays are brief appreciations by six of Kuhn’s contemporaries and three samples of the artist’s own writing. Bob Kuhn: Drawing on Instinct offers a compelling blend of the artist’s finished paintings and finest sketches—works of art in their own right. This lavishly illustrated book is a fitting tribute that will further establish Bob Kuhn’s place in the pantheon of late-twentieth-century American artists.

People of all ages are fascinated by dinosaurs. Though their huge skeletons are an impressive sight, much of our sense of childlike wonder comes from artistic depictions of them in books, museum murals and popular culture. This book is about how such 'paleoart' is created, and the process of integrating scientific findings with artistic principles to produce accurate, expressive and arresting artworks of dinosaurs and the world they lived in. Drawing and Painting Dinosaurs explores the anatomy and ecology of different types of dinosaurs including Deinonychus, Apatosaurus and Tyrannosaurus rex. It demonstrates how to interpret paleontological research through the lens of an artistic depiction with examples. There are over 250 illustrations feature pencil drawings, gouache, oil paint, and digital media. Step-by-step projects demonstrate the use of both traditional and digital media, the use of unique techniques and sources of reference, and building up dinosaur anatomy from basic shapes. Finally, it gives insight into how paleoart can be a means to advance knowledge through scientific analysis and prediction. With explorations of dinosaur anatomy, unique techniques for reference and a series of how-to instructions, this book will guide an aspiring paleoartist in learning how to breathe life into the past through art.