This collection of over 250 contemporary retro-style cheesecake, glamour, and hot rod pinup photographs by Northern California artist Marilee Caruso takes women from all backgrounds and transforms them into the classy yet stimulating bombshells of our parents' and grandparents' day. Inspired by icons such as Marilyn Monroe, Bettie Page, or Sophia Loren, each portrait provides a nostalgic glance into the mood, style, and sex appeal of the 1930s, '40s, '50s, and '60s era pin-up girl. From black and white Hollywood starlets to greasy hot rod honeys, this bevy of gorgeous gals has been revamped with vintage hair and makeup, wardrobe, and posing. Shot with high-quality digital technology of the 21st century, each image is reminiscent of the drawings of Gil Elvgrin and Alberto Vargas.

Indulge yourself with this stunning collection of pin-ups! The art of pin-up glorifies the female form, and John Gladman celebrates beautiful girls from all walks of life. He has a refreshing, timeless style, bringing back the art of the tease at a time when innocence has been lost. Glamour and art meet photography to create John's recognizable and unique look. His imagery is tasteful yet sexy, stirring up sensuality and allure. He has revered and admired the female form throughout his life span, learning posing from the great artists of the past, paying attention to every detail during posing from the hand placement, the arch of the back, to the expressions and nuances, creating an art piece that appears as natural happenstance. John has a modern flair mixed with vintage themes honoring the classic era of the mid-twentieth century.

In late 2008, artist and creative director Christian Kieffer began his retro revival, when he brought WWII nose-art pinups to life. He began shooting some of his handpicked beauties with a P-51 Mustang and the sky was the limit from there. With the successful release of his 2011 Warbird Pinup Girls calendar, featuring all flight worthy WWII fighter planes and authentic classy pinup girls, they took the retro world by storm. With the help of his wife and creative partner, Gili Kieffer, they became renowned fro recreating the most authentic pinup girls. Now in their 5th year of production comes the release of this special edition book featuring many unseen works by the creative duo.

David Perry, Foreword by Robt. Williams. For as long as young men have been channeling, chopping, and hopping up rods and customs, women - whether loyal girlfriends or trouble-seeking "bad girls" - have been an integral to their scene. In this unique portfolio evoking great 1950s pin-up artists like Vargas and Elvgren, talented photographer David Perry depicts models in and out of cherry-picked rods and customs wearing painstakingly chosen period dress and hairstyles. More than 100 photos present these modern-day pin-ups under three themes: Garage, Cruising, and Race. In addition, essays explore each topic and are also accompanied by pulp novel covers, period mags, and ads that place the photography in a historical context. Captions identify the car owners, photo location, and, where appropriate, interesting car specs and histories.

Blending the style of the past with the women of the present, this book is a first-of-its-kind celebration of modern black pin-up beauty. Black pin-ups existed during the "Golden Age of Pin-ups," but like other black artists of the time, they often did not receive the same attention as their white contemporaries. Although still rare, modern black pin-up models are getting more attention thanks to models and photographers who understand that pin-up has evolved to include all backgrounds and ethnicities. This new book shines the spotlight on ten of today's best pin-up photographers and their work with over 50 of today's most beautiful black pin-up models. With images ranging from classic pin-up glamour to retro-inspired fetish photography, this collection of works shows the diversity of flavors found in contemporary black pin-up culture.

This book explores the meanings and practices of vintage lives. It focuses on the non-mainstream subculture of vintage clothes and lifestyle, specifically that of the 1940s, 1950s and 1960s, and asks how those engaged in the culture place themselves within the gendered and classed contexts of these eras. As a result, it also identifies the tensions involved in these identities connected to a past that offered little gain for women and narrow gender roles for both women and men. Modern Vintage Homes & Leisure Lives is based on original empirical international data about a group of people who wear vintage clothing all of the time and whose homes are styled entirely, or almost entirely, vintage. It aims to understand the meanings of vintage for them through their daily practices and accrued knowledge. Through interviews and direct observations of vintage events it also explores questions about the acquisition, display and curation of vintage clothes, homes and objects, about glamour and wardrobes, about the history of second-hand markets, and emotional durability and ideas about ghosts, hauntings and spectral remains. It will be of particular interest to students and academics of gender and women’s studies, fashion and design, fashion history, cultural studies, the body and embodiment.