Following on from the hugely successful Big Book of Fashion Illustration, the Big Book of Contemporary Illustration covers the broadest range of illustration today from digital drawing, pixelated pictures, Photoshop fantasies to the traditional techniques of sketching and painting from over 160 international artists. With close to 1000 illustrations, the categories covered range from the technical, architectural through nature, people to fantasy, fashion and pop culture. This is an essential sourcebook for any creative professional or student and all those who appreciate the world's best illustration.

A guide for artists, illustrators, students, and hobbyists on how to use basic drawing principles and techniques to create fresh, expressive pieces of art. This isn’t a dry instruction manual; it’s a contemporary guide filled with instruction, encouragement, and tips. You’ll enjoy a dynamic, easy-to-follow exploration of drawing mediums and tools as you work through creative exercises and projects. Aspiring pencil artists and illustrators will also learn how to “see” a subject and render a personal yet modern interpretation of their observations on paper. From expressive architecture and landscapes to nature motifs, animals, and people, Modern Drawing provides a fresh, contemporary, and enjoyable approach to learning how to draw. The Modern Series of books offers a fun, contemporary method to working with traditional art media, demonstrating that with the right type of instruction, encouragement, and tips, drawing and painting success can be achieved by any artist or creative type. Also in the Modern Series: Modern Colored Pencil, Modern Acrylic, and Modern Watercolor.

Modern Fashion Illustration is a how-to book that offers step-by-step the art of fashion illustration, and how to promote it in today's world of social media. It also includes a collection of whimsical fashion illustrations by the author, featuring illustrations waiting to be colored in by novices and practiced illustrators alike. After graduating from college with a BFA in Studio Art, Holly Nichols sought a way to merge her love of fashion with art. Her sketchbook and napkin doodles of designer duds became refined drawings that she now creates with her beloved artist markers. She uses her fashion-inspired illustrations to engage her audience of more than 1 MILLION Instagram followers in both the fashion and art communities. Holly has created fashionable illustrations and artful campaigns for TRESemmé, Saks Fifth Avenue, Barney's New York, Neiman Marcus, Disney, Living Proof, and many more. She creates her work both in her studio, and straight from the seats of fashion week and more. Her work is sold internationally and she works with corporate clients to create fashion and beauty illustrations for campaigns, live-sketch events, and more. Today, she uses artist-quality illustration markers to hand-sketch garments with love from her studio just south of Boston, MA. (www.hnicholsillustration.com)

The primary skill needed by anyone who works in fashion is the ability to convey—to clients and the general public alike—images of the designs. The impression given to the viewer depends on whether the fashion design drawings are good. Contemporary Fashion Illustration Techniques thoroughly describes the basics of fashion illustration, and covers the latest trends such as vivid images, sprightly movement, and garment material texture. After all, fashion drawing is not simply about sketching a body and face; only when you accurately reproduce the garments and their colors can the designs truly come to life.

Rich collisions and fresh perspectives illuminate the profound continuities of thought and practice that have marked Western art through the ages This groundbreaking study offers a radical new reading of art since the Middle Ages. Moving across the familiar period lines set out in conventional histories, Alexander Nagel explores the deep connections between modern and premodern art to reveal the underlying patterns and ideas traversing centuries of artistic practice. In a series of episodic chapters, he reconsiders from an innovative double perspective a number of key issues in the history of art, from iconoclasm and idolatry to installation and the museum as institution. He shows how the central tenets of modernism – serial production, site-specificity, collage, the readymade, and the questioning of the nature of art and authorship – were all features of earlier times before modernity, revived by recent generations. Nagel examines, among other things, the importance of medieval cathedrals to the 1920s Bauhaus movement, the parallels between Renaissance altarpieces and modern preoccupations with surface and structure; the relevance of Byzantine models to Minimalist artists; the affinities between ancient holy sites and early earthworks; and the similarities between the sacred relic and the modern readymade. Alongside the work of leading 20th-century medievalist writes such as Walter Benjamin, Marshall McLuhan, Leo Steinberg, and Duchamp, Kurt Schwitters, Robert Smithson, and Damien Hirst. The effect of these encounters goes in two directions at once: each age offers new insights into the other, deepening our understanding of both past and present, and providing a new set of reference points that reframe the history of art itself.