The seventh-most spoken language in the world, Bengali is home to some of the most distinctive poetry ever written anywhere. Starting with the later poems of Nobel Laureate Rabindranath Tagore, there has been a long and continuous line of modern poetry in the language, its span ranging from lyrical love poems to passionate political verse, from expressions of existential anguish to psychological explorations. This volume celebrates over one hundred years of this poetry from the two Bengals--the eastern Indian state and the country of Bangladesh-- represented by over fifty different poets and a multitude of forms and styles.

Tagore's supressed book now available in an English-Bengali edition For the first time in English, here is the sequence of poems Nobel laureate Rabindranath Tagore (1861–1941) worked on his entire life—the erotic and emotionally powerful dialogue about Lord Krishna and his young lover Radha. These "song offerings" are the first poems Tagore ever published, though he passed them off as those of an unknown Bengali religious poet. As the first and last poems Tagore wrote and revised, they represent the entrance and exit to one of the most prolific literary lives of our contemporary world. The translation rights to Tagore’s poetry were tightly guarded until 2001, when they entered the public domain, making publication of this book possible. These English versions are the result of a five-year collaboration between Bengali scholar Tony K. Stewart, who provided richly associative literal translations, and the celebrated poet Chase Twichell, who shaped the poems into English. This bilingual Bengali-English edition also includes the "biography" Tagore wrote of the unknown religious poet who supposedly authored these poems. Rabindranath Tagore was born in Bengal, the youngest son of a religious reformer and scholar. He wrote successfully in all literary genres and is the author of the national anthems for both India and Bangladesh. In his mature years he managed the family estates, which brought him into close touch with common humanity and increased his interest in social reforms. He participated in the Indian nationalist movement, and was a devoted friend of Mahatma Gandhi. Tagore received the Nobel Prize in Literature in 1913; he was knighted in 1915 by the British Government, but later resigned the honor as a protest against British policies in India.

In the Shade of the Golden Palace explores the work of the prolific Bengali poet Alaol (fl. 1651-71), who translated five narrative poems and one versified treatise from medieval Hindi and Persian into Bengali. The book maps the genres, structures, and themes of Alaol's works, paying special attention to his discourse on poetics and his literary genealogy, which included Sanskrit, Avadhi, Maithili, Persian, and Bengali authors. D'Hubert focuses on courtly speech in Alaol's poetry, his revisiting of classical categories in a vernacular context, and the prominent role of performing arts in his conceptualization of the poetics of the written word. The foregrounding of this audacious theory of meaning in Alaol's poetry is a crucial contribution of the book, both in terms of general conceptual analysis and for its significance in the history of Bengali poetry. This book shows how multilingual literacy fostered a variety of literary experiments in the remote kingdom of Arakan, which lay between present-day southeastern Bangladesh and Myanmar, in the mid-17th century. D'Hubert also presents a detailed analysis of Middle Bengali narrative poems, as well as translations of Old Maithili, Brajabuli, and Middle Bengali lyric poems that illustrate the major poetic styles in the regional courts of eastern South Asia. In the Shade of the Golden Palace therefore fulfills three functions: it is a unique guide for readers of Middle Bengali poetry, a detailed study of the cultural history of the frontier region of Arakan, and an original contribution to the poetics of South Asian literatures.

A deeply humane new collection by a luminary of Bengali literature A radiant collection of poetry about womanhood, intimacy, and the body politic that together evokes the arc of an ordinary life. Nabaneeta Dev Sen's rhythmic lines explore the joys and agonies of first love, childbirth, and decay with a restless, tactile imagination, both picking apart and celebrating the rituals that make us human. When she warns, "know that blood can be easily drawn by lips," her words tune to the fierce and biting depths of language, to the "treachery that lingers on tongue tips." At once compassionate and unsparing, conversational and symphonic, these poems tell of a rope shivering beneath an acrobat's nimble feet or of a twisted, blood-soaked umbilical cord -- they pluck the invisible threads that bind us together.

Study on 'Canḍịmaṅgala', 16th century narrative verse by Mukunda Rām Cakravartī and contemporary Bengal, India.