The Gospels continue to defy efforts to fix 'generic' boundaries for determining their meanings. This volume discloses new stirrings and sightings of broader, more heuristically promising literary, rhetorical, and cultural registers which intersect in ancient narrative . The contributors seek to build upon or vigorously critique current generic hypotheses (biography, history, tragedy); to introduce recent insights and developments in genre theory; to probe ancient reception of the Gospels as works of literature; and to illuminate the relations between the literary characteristics of the Gospels and methodological advances in narratology, social memory, intertextuality, and performance.

The study of the Bible has long included a literary aspect with great attention paid not only to what was written but also to how it was expressed. The detailed analysis of biblical books and passages as written texts has benefited from the study of literature in classical philology, ancient rhetoric, and modern literary criticism. This volume of the Lexham Methods Series introduces the various ways the study of literature has been used in biblical studies. Most literary approaches emphasize the study of the text alone—its structure, its message, and its use of literary devices—rather than its social or historical background. The methods described in Literary Approaches to the Bible are focused on different ways of analyzing the text within its literary context. Some of the techniques have been around for centuries, but the theories of literary critics from the early 20th century to today had a profound impact on biblical interpretation. In this book, you will learn about those literary approaches, how they were adapted for biblical studies, and what their strengths and weaknesses are.

"For many years scholars have concentrated on the literary sources used by the author/editors of the books of the New Testament, and regarded these books as self-consciously created. William A. Beardslee turns literary criticism in a new direction by looking at the New Testament as unselfconscious popular literature and attempting to understand its aesthetic structure and force. After a survey of literary criticism, both ancient and modern, the author examines selected literary forms found in the New Testament--gospel, proverb, history (as seen in the canonical book of Acts), and apocalypse. In each case he shows how the form reflects the faith of those who worked with it. Also included are chapters on the literary history of the Synoptic Gospels and on the relationship of literary criticism to contemporary theological concerns."--Back cover.

This publication presents the rich variety of critical methodologies in contemporary literary study of the New Testament. The tradition of study represented in the essays lies at the conjunction of developments in biblical studies and literary criticism: (1) the exhaustion of New Testament historical criticism in general and redaction criticism in particular; (2) the waning of Formalist-New Critical approaches in literary study; and (3) the emphasis upon the text in terms of language and discourse as the 'free play of signifiers'. The essays deal with theory, exegesis, and their interdependence in this new literary context. However, contributions of earlier epochs in the history of literary criticism and New Testament study are integrated into current approaches. For example, the issue of reference originating in the mimetic theories of classical antiquity is raised implicitly and explicitly. Implications of literary study for theology are suggested. The relationship between redaction-critical and literary approaches is examined. Theoretical and exegetical essays growing out of feminist literary study are offered. Orality, allegory, deconstruction, ideology, sociological criticism, rhetorical criticism, narrative criticism, as well as other themes and methods are discussed in the essays' treatment of writings of the New Testament. A rich variety of critical methodologies in contemporary literary study of the New Testament

This last of Amos Wilder's published works in the field of religion and literature collects twelve previously published or unpublished essays written, with a single exception, in the 1980s. Found here is the record of his views of postmodernism and the work of such contemporary figures as Paul Ricoeur, George Steiner, Frank Kermode, and the late Norman Perrin. As background, Wilder also includes two pieces that fill in the story of his own encounter with biblical scholarship dating back to meeting Albert Schweitzer at Oxford in 1922. In 1961 John Dominic Crossan authored Wilder's intellectual biography for the Society of Biblical Literature's series on biblical scholarship in North America (A Fragile Craft: The Work of Amos Niven Wilder). The chapter "Wilder on Crossan on Wilder" offers an enticing dividend of this overview of New Testament studies in the twentieth century by a scholar whose active career spanned more than six decades.

A comprehensive case for a fresh literary approach to the New Testament For at least a half century, scholars have been adopting literary approaches to the New Testament inspired by certain branches of literary criticism and theory. In this important and illuminating work, Michal Beth Dinkler uses contemporary literary theory to enhance our understanding and interpretation of the New Testament texts. Dinkler provides an integrated approach to the relation between literary theory and biblical interpretation, employing a wide range of practical theories and methods. This indispensable work engages foundational concepts and figures, the historical contexts of various theoretical approaches, and ongoing literary scholarship into the twenty-first century. In Literary Theory and the New Testament, Dinkler assesses previous literary treatments of the New Testament and calls for a new phase of nuanced thinking about New Testament texts as both ancient and literary.

Lords of the Scrolls analyzes ancient literary sources to show how biblical and gospel scribes borrowed and imitated themes from earlier literature to create heroic legends around Hebrew figures and Jesus. Comparisons between the Epic of Gilgamesh; Enuma Elish; Canaanite, Egyptian, and Greek legends; Homeric epics; the histories of Herodotus; and selected biblical and gospel passages reveal thematic and literary similarities. Tracing literary classics from the birth of writing to the first millennium of the modern era, this book demonstrates that Hebrew scribes used previous literature to establish a national identity, and that gospel scribes borrowed heavily from Homer to create epic legends around the person of Jesus.