Presents a coherent model for understanding historical examples in Ancient Rome and their rhetorical, moral and historiographical functions.

Historical examples played a key role in ancient Roman culture, and Matthew B. Roller's book presents a coherent model for understanding the rhetorical, moral, and historiographical operations of Roman exemplarity. It examines the process of observing, evaluating, and commemorating noteworthy actors, or deeds, and then holding those performances up as norms by which to judge subsequent actors or as patterns for them to imitate. The model is fleshed out via detailed case studies of individual exemplary performers, the monuments that commemorate them, and the later contexts - the political arguments and social debates - in which these figures are invoked to support particular positions or agendas. Roller also considers the boundaries of, and ancient alternatives to, exemplary modes of argumentation, morality, and historical thinking. The book will engage anyone interested in how societies, from ancient Rome to today, invoke past performers and their deeds to address contemporary concerns and interests.

Richard Hingley here asks the questions: What is Romanization? Was Rome the first global culture? Romanization has been represented as a simple progression from barbarism to civilization. Roman forms in architecture, coinage, language and literature came to dominate the world from Britain to Syria. Hingley argues for a more complex and nuanced view in which Roman models provided the means for provincial elites to articulate their own concerns. Inhabitants of the Roman provinces were able to develop identities they never knew they had until Rome gave them the language to express them. Hingley draws together the threads of diverse and separate study, in one sophisticated theoretical framework that spans the whole Roman Empire. Students of Rome and those with an interest in classical cultural studies will find this an invaluable mine of information.

The Roman Empire had a rich and multifaceted visual culture, which was often variegated due to the sprawling geography of its provinces. In this remarkable work of scholarship, a group of international scholars has come together to find alternative ways to discuss the nature and development of the art and archaeology of the Roman provinces. The result is a collection of nineteen compelling essays—accompanied by carefully curated visual documentation, seven detailed maps, and an extensive bibliography—organized around the four major themes of provincial contexts, tradition and innovation, networks and movements, and local accents in an imperial context. Easy assumptions about provincial dependence on metropolitian models give way to more complicated stories. Similarities and divergences in local and regional responses to Rome appear, but not always in predictable places and in far from predictable patterns. The authors dismiss entrenched barriers between art and archaeology, center and provinces, even “good art” and “bad art,” extending their observations well beyond the empire’s boundaries, and examining phenomena, sites, and monuments not often found in books about Roman art history or archaeology. The book thus functions to encourage continued critical engagement with how scholars study the material past of the Roman Empire and, indeed, of imperial systems in general.

The tendency of ancient Romans to look to mythical and historical figures for role models is everywhere evident in their surviving literary and material culture. This book broadens the horizon of the long-standing scholarly interest in role models in several ways, looking beyond the more familiar famous heroes---such as Achilles and Alexander the Great---and the paternal figures, both mythological and historical, that gave inspiration to later leaders and authors. From the adoption of specific aspects of a favored role model, to the creation of new visual languages for different social groups, to the deliberate counter of common models, this collection demonstrates the importance of exemplary figures in inspiring imitation and assimilation in the creation of new identities. Featuring world-renowned scholars and essays from a broad range of fields, including literature, art, and historiography, Role Models in the Roman World is a groundbreaking collection at the cusp of the newest scholarship of the classical world. "Role Models in the Roman World is an exciting collection, striking for the interdisciplinary range of its contributors and for their vigorous debates---indeed, strong disagreements---about ideas that are currently of fundamental importance in Roman studies: identity construction, exemplarity, memory, monumentality. In framing these crucial issues, and in displaying the range and diversity of current approaches to them, this collection will be useful to every student of the Roman world." ---Matthew Roller, Professor of Classics, Johns Hopkins University "This collection covers a full range of topics, from how the Romans interpreted their origins from the ashes of Troy on through themes in Roman literature, historiography, declamation, and art, ending with how Christians may have defined their self-presentation in part through reference to earlier, non-Christian models. The editors have shown themselves wonderfully adept at their task, and the result is a uniformly fine volume that will be widely consulted." ---Anthony Corbeill, Professor and Graduate Advisor, Department of Classics, University of Kansas "Significant essays by leading archaeologists, philologists, and art historians on a theme of central importance in the Roman world." ---Barbara Kellum, Professor and Chair, Department of Art, Smith College Jacket illustration: Side view of statue of Togato Barberini © Araldo de Luca/CORBIS

Explores the impact the discovery of the New World had upon Europeans' perceptions of their identity and place in history