Four boys. One band. No Chance. Chris and George are best friends, and they want to be rockstars. Unfortunately, a childhood spent playing in the school orchestra and listening to Jimmy Nail has left them a little fluffy around the edges, and at the age of 23, their acoustic duo Satellite doesn’t resemble Bon Jovi nearly as much as they’d planned. So how do two ordinary boys from a sleepy village go about taking on the cut-throat world of rock ’n’ roll? They’re just going to have to fake it. True to life, funny and uplifting, Mockstars is a coming-of-age story about friendship and chasing the rock ’n’ roll dream. Inspired by the real-life tour diaries of the author’s band The Lightyears, Mockstars is a refreshingly different musical odyssey. Praise for Mockstars: ‘Very funny... Induced three inner chuckles and one belly laugh in just over four minutes.’ Kevin Sampson, author of Powder ‘Finally, a rock ’n’ roll novel that people can properly relate to.’ Ciaran Jeremiah, The Feeling ‘Hilarious – it’s The Inbetweeners meets Spinal Tap!’ Alex Marsh, author of Sex & Bowls & Rock and Roll What readers are saying about Mockstars: ‘...for all the folk I annoyed the hell out of with explosive laughter and giggling – I recommend that you read this in public and get your own back.’ ‘A really honest and amusing account of the camaraderie between the band members. A great read, funny yet poignant.’ ‘The new Bridget Jones brought to life in a male, aspiring rock star from the home counties. Littered in equal measure with laugh out loud and hide under the covers, did he really write that?, moments.’ ‘Very, very funny book. I had to stop reading it on the train as I was in a quiet compartment.’ ‘If Richard Curtis and Douglas Adams got together and wrote a book about a struggling rock-band you’d get this. Fast paced, brimming with charm and frankly hilarious. I laughed so hard I coughed tea through my nose and nearly ruined my iPad.’

MOCK STARS TWO-DRINK MINIMUMS AND POTATO SKINS; bad Clinton jokes on late night-these used to be the hallmarks of comedy, an art relegated to the controlled environs of comedy clubs and network TV. In the late nineties, a daring breed of comedians...

A History of Hollywood’s Outsourcing Debate: Runaway Production provides a critical history of runaway production from its origins in postwar Hollywood to its present uses in describing a global network of diverse television and film production communities. Through extensive archival research, Camille Johnson-Yale chronicles Hollywood’s postwar push for investment in European production markets as a means for supporting the economy of America’s wartime allies while also opening industry access to lucrative trade relationships, exotic locations, and inexpensive skilled labor. For Hollywood’s studio production labor, however, the story of runaway production documents the gradual loss of power over the means of television and motion picture production. Though the phrase has taken on several meanings over its expansive history, it is argued that runaway production has ultimately served as a powerful, metaphorical rallying cry for a labor community coming to terms with a globalizing Hollywood industry that increasingly functions as an exportable process and less as a defined, industrial place.