This volumepresents acollection of essays on different aspects of Roman sarcophagi. These varied approaches will produce fresh insights into a subject which is receiving increased interest in English-language scholarship, with a new awareness of the important contribution that sarcophagi can make to the study of the social use and production of Roman art. The book will therefore be a timely addition to existing literature. Metropolitan sarcophagi are the main focus of the volume, which will cover a wide time range from the first century AD to post classical periods (including early Christian sarcophagi and post-classical reception). Other papers will look at aspects of viewing and representation, iconography, and marble analysis. There will be an Introduction written by the co-editors.

This magisterial reflection on the history and destiny of the West compares Greco-Roman civilization and the Judeo-Christian tradition in order to understand what both unites and divides them. Mediation, understood as a collective, symbolic experience, gives society unity and meaning, putting human beings in contact with a universal object known as the world or reality. But unity has a price: the very force that enables peaceful coexistence also makes us prone to conflict. As a result, in order to find a common point of convergence—of at-one-ment—someone must be sacrificed. Sacrifice, then, is the historical pillar of mediation. It was endorsed in a cosmic-religious sense in antiquity and rejected for ethical reasons in modernity, where the Judeo-Christian tradition plays an intermediate role in condemning sacrificial violence as such, while accepting sacrifice as a voluntary act offered to save other human beings. Today, as we face the collapse of all shared mediations, this intermediating solution offers a way out of our moral and cultural plight.

Images of episodes from Greek mythology are widespread in Roman art, appearing in sculptural groups, mosaics, paintings and reliefs. They attest to Rome's enduring fascination with Greek culture, and its desire to absorb and reframe that culture for new ends. This book provides a comprehensive account of the meanings of Greek myth across the spectrum of Roman art, including public, domestic and funerary contexts. It argues that myths, in addition to functioning as signifiers of a patron's education or paideia, played an important role as rhetorical and didactic exempla. The changing use of mythological imagery in domestic and funerary art in particular reveals an important shift in Roman values and senses of identity across the period of the first two centuries AD, and in the ways that Greek culture was turned to serve Roman values.

Discover (or rediscover!) history’s greatest myths and legends From Grendel and Beowulf to Poseidon, Medusa, and Hercules, the gods, monsters, and heroes of mythology are endlessly weird and fascinating. And if you’re looking for a helpful companion to this wild collection of creatures, humans, and deities, you’ve found it! Mythology For Dummies delivers the straight goods on history’s most popular myths, helping you make sense of even the most complicated ancient stories. You’ll learn about the origins of your favorite myths, their cultural impact, and more. Discover: The coolest mythological characters, including intrepid Odysseus, the volatile gods of Mount Olympus, and Thor and Loki How ancient mythology intersects with our daily lives in pop culture, high culture, and everything in between Mythological destinations, like Atlantis, and famous sites from Greek, Roman, and Norse mythology An engrossing guide to some of the most enduring and interesting tales from throughout history, Mythology For Dummies serves up the inside scoop on almost every myth or legend you’d care to learn more about.

La mitología y el origen de la civilización - La verdad acerca de los mitos - Esta es nuestra historia y estamos adheridos a ella : el legado - Los mitos de creación y los dioses realmente antiguos de la mitología griega - Los dioses del Olimpo : más jóvenes, altos y bellos que usted - Las diosas griegas : las más hermosas y resueltas deidades del Olimpo - Los héroes : semidioses y excelentes personas - La llíada, el fin de la guerra de Troya y la Odisea - La tragedia griega : los días de sus vidas - La religión romana : solicitada, prestada y robada - La Eneida de Virgilio y la fundación de Roma - La nieve, el hielo y las poco sociables deidades escandinavas - Matadores de dragones : las grandes sagas del norte de Europa - El rey Arturo y su corte : un puesto en la Mesa Redonda - Diluvios, barro y dioses : las mitologías hebrea y mesopotámica - Tres vivas por Egipto : ¡ra, ra, ra! - India : tierra de los mil dioses - El tao chino - Japón : mitos del país del Sol naciente.

This magisterial reflection on the history and destiny of the West compares Greco-Roman civilization and the Judeo-Christian tradition in order to understand what both unites and divides them. Mediation, understood as a collective, symbolic experience, gives society unity and meaning, putting human beings in contact with a universal object known as the world or reality. But unity has a price: the very force that enables peaceful coexistence also makes us prone to conflict. As a result, in order to find a common point of convergence—of at-one-ment—someone must be sacrificed. Sacrifice, then, is the historical pillar of mediation. It was endorsed in a cosmic-religious sense in antiquity and rejected for ethical reasons in modernity, where the Judeo-Christian tradition plays an intermediate role in condemning sacrificial violence as such, while accepting sacrifice as a voluntary act offered to save other human beings. Today, as we face the collapse of all shared mediations, this intermediating solution offers a way out of our moral and cultural plight.