In the city of Bhopal, where Gayatri lives with her Papa and Ma, mistresses are a common sight and her household is no exception. When Papa suffers a second cardiac arrest, he invites his young mistress, Anita to live with him. Ma retreats inside her room and Anita takes over: dancing in the lawn and attending to their guests. Gayatri is pulled in. After Papa sinks into a coma, Gayatri and Anita become friends. Meanwhile, Ma bonds with Sakshi, their neighbour’s youngest daughter who persuades her to take to spiritualism. With a dying patriarch, the women find solace in each other’s company.

Italian tycoon ditches brand-new bride! On their wedding day, Molly and Sholto had separated. The split made newspaper headlines, though no one ever guessed why their marriage wasn't consummated. Molly had vowed that no pressure or price would persuade her to share Sholto's bed, but she knew her brother owed him a lot of money…. Sholto struck a deal: he would settle the debt if Molly moved in with him—and he would get to enjoy his wedding night after all. Then Molly found herself with a new dilemma: she was Sholto's ex-wife and mistress…and soon she would be the mother of his child!

Anna was working at the hotel bar when she spotted an attractive, but lonely-looking, patron. She asked him if he wanted someone to talk to and ultimately accepted when he invited her to his suite. Even though her evening with Dan was a one-night thing, she didn’t regret it. After all, she was blessed with a beautiful angel that night… Five years later, Anna is the assistant manager of the hotel and Dan has suddenly appeared in front of her again?this time as an investor.

Mistress, Mother, Muse: An Exploration of the Female in Modern and Contemporary Mediterranean Literature fills a vacuum in comparative literary studies in that it lays the foundations for Mediterraneanism to develop as an area in literary studies. The book is an exploration of aspects of female liminality, including motherhood, sexuality and creativity, in three distinctive Mediterranean cultures, namely Spanish, Greek and Arabic. It adopts myth as an approach to literary analysis, and, thus, introduces a new, ground-breaking method of analysis in literary studies. Mistress, Mother, Muse: An Exploration of the Female in Modern and Contemporary Mediterranean Literature represents a useful reference to students, scholars and academics in the fields of comparative literature, modern Greek literature, Spanish literature, Arabic literature, myth studies, classical Greek literature, and womens studies.

A woman who was adopted as a newborn recounts her experience of meeting her birth parents, describing how adoption affected her sense of identity, her efforts to learn about her late birth mother's personal life, and her discouragement with her birth father's unwillingness to invite her into his family.

First published in 1990, Royal Mistresses provides an innovative way of looking at the development of British monarchy, and at the same time investigates the relationship between sex and power. Charles Carlton focuses not so much on the amorous activities of the mistresses of British monarchs as on their influences on those monarchs and on society at large. Ranging from the early medieval period to the late 1990s, he shows that a monarch’s illicit sexual life sheds light on his character and reign. It is no coincidence that Henry I, Charles II, and Edward VII, who were successful with their mistresses were also successful in their reigns, while the divorced John and the lovelorn Edward VIII failed Not surprisingly, the affairs of the sovereign’s heart have very often become the affairs of state. This book will be of interest to students of history and literature.

DigiCat presents to you this unique collection of the greatest classics of French literature, including novels, short stories, dramas and philosophical essays: Table of Contents: A History of French Literature François Rabelais: Gargantua and Pantagruel Molière: Tartuffe or the Hypocrite The Misanthrope The Miser The Imaginary Invalid... Jean Racine: Phaedra Pierre Corneille: The Cid Voltaire: Candide Zadig The Huron A Philosophical Dictionary Letters on England Jean-Jacques Rousseau: Confessions Stendhal‎: The Charterhouse of Parma Honoré de Balzac: Father Goriot Eugénie Grandet Lost Illusions The Lily of the Valley A Woman of Thirty Cousin Bette Cousin Pons Colonel Chabert The Magic Skin The Unknown Masterpiece Victor Hugo: Les Misérables The Man Who Laughs The Hunchback of Notre-Dame Toilers of the Sea The Last Day of a Condemned Man Claude Gueux George Sand: Mauprat Alexandre Dumas pere: The Three Musketeers Twenty Years After The Vicomte de Bragelonne Ten Years After Louise de la Valliere The Man in the Iron Mask The Count of Monte Cristo Marguerite de Valois The Black Tulip Alexandre Dumas fils: The Lady with the Camellias Gustave Flaubert: Madame Bovary Émile Zola: Thérèse Raquin The Fortune of the Rougons The Kill The Fat and the Thin The Conquest of Plassans Abbe Mouret's Transgression His Excellency Eugene Rougon The Dram Shop A Love Episode Nana Piping Hot The Ladies' Paradise The Joy of Life Germinal His Masterpiece The Earth The Dream The Human Beast Money Doctor Pascal Jules Verne: Twenty Thousand Leagues Under the Sea Around the World in Eighty Days The Mysterious Island Journey to the Centre of the Earth From the Earth to the Moon Around the Moon In Search of the Castaways Guy de Maupassant: A Life Bel-Ami Mont Oriol Notre Coeur Pierre and Jean Strong as Death The Necklace The Horla Boul de Suif Two Friends Madame Tellier's Establishment Mademoiselle Fifi Miss Harriet... Gaston Leroux: The Phantom of the Opera The Mystery of the Yellow Room The Secret of the Night The Man with the Black Feather Marcel Proust: Swann's Way