Traces the life of Ima Hogg, daughter of Texas Governor James Hogg, and describes her many gifts to the state of Texas

Progressive former governor James Stephen Hogg moved his business headquarters to Houston in 1905. For seven decades, his children Will, Ima, and Mike Hogg used their political ties, social position, and family fortune to improve the lives of fellow Houstonians. As civic activists, they espoused contested causes like city planning and mental health care. As volunteers, they inspired others to support social service, educational, and cultural programs. As philanthropic entrepreneurs, they built institutions that have long outlived them: the Houston Symphony, the Museum of Fine Arts, Memorial Park, and the Hogg Foundation. The Hoggs had a vision of Houston as a great city—a place that supports access to parklands, music, and art; nurtures knowledge of the "American heritage which unites us"; and provides social service and mental health care assistance. This vision links them to generations of American idealists who advanced a moral response to change. Based on extensive archival sources, The Hogg Family and Houston explains the impact of Hogg family philanthropy for the first time. This study explores how individual ideals and actions influence community development and nurture humanitarian values. It examines how philanthropists and volunteers mold Houston's traditions and mobilize allies to meet civic goals. It argues that Houston's generous citizens have long believed that innovative cultural achievement must balance aggressive economic expansion.

Texas legend has it that James Stephen Hogg, Governor of Texas from 1890 to 1894, named his daughters Ima and Ura, but that is only half-true: there never was a Ura. Ima had three brothers, Will, Mike, and Tom. Ima Hogg, who was born in 1882 and died in 1975 at age 93, became a legend in her own right, and this book is her story. It is also the story of the extraordinary bond between a father and a daughter. James Stephen Hogg, who worked his way from a hardscrabble life in the piney woods of East Texas to the Governor's Mansion in Austin, was a giant in Texas politics, both literally (standing six feet three inches tall and weighing close to 300 pounds) and figuratively, as the champion of the "little people" against big business in the 1890s. He adored his daughter, and after his wife, Sallie Stinson Hogg, died of tuberculosis in 1895, Ima and her father drew even closer. Jim Hogg, a widower in his 40's with four children--Will, 20; Ima, 13, Mike, 10, and Tom, 8--left politics to practice law in Austin, and Ima became the "sunshine" of her father's household. While Ima attended the University of Texas and then studied music in New York City, ex-Governor Hogg pursued business interests, and was one of the early investors in the Texas oil boom after the Spindletop gusher in 1901. He was not a rich man when he died in 1906, but the old plantation he bought in Brazos County near West Columbia would eventually produce oil that would make Ima and her brothers wealthy. The Hogg children lived well, but they also devoted part of their time and money to the enrichment of the educational and cultural life of Texas. Will gave generously to the University of Texas, his alma mater, and to many other institutions, such as the Museum of Fine Arts, Houston, and the Houston YMCA. “Miss Ima,” as she was known (she never married), founded the Houston Symphony, served on the Houston School Board, established the Hogg Foundation for Mental Health, and restored several historic Texas buildings, including the house at the Varner-Hogg Historic Site, which had been her father's beloved country home. In 1966 she gave her own house, filled with the priceless Early American art and furniture she had collected, as the Bayou Bend Collection of the Museum of Fine Arts, Houston. Thousands of people visit Bayou Bend every year, and this book describes its history, as well as that of an extraordinary Texas woman. Ima Hogg: The Goverrnor's Daughter is number 20 in the Fred Rider Cotten Popular History Series.

Circuit Riders for Mental Health explores for the first time the transformation of popular understandings of mental health, the reform of scandal-ridden hospitals and institutions, the emergence of community mental health services, and the extension of mental health services to minority populations around the state of Texas. Author William S. Bush focuses especially on the years between 1940 and 1980 to demonstrate the dramatic, though sometimes halting and conflicted, progress made in Texas to provide mental health services to its people over the second half of the twentieth century. At the story’s center is the Hogg Foundation for Mental Health, a private-public philanthropic organization housed at the University of Texas. For the first three decades of its existence, the Hogg Foundation was the state’s leading source of public information, policy reform, and professional education in mental health. Its staff and allies throughout the state described themselves as “circuit riders” as they traveled around Texas to introduce urban and rural audiences to the concept of mental health, provide consultation for all manner of social services, and sometimes intervene in thorny issues surrounding race, ethnicity, gender, class, region, and social and cultural change.

In 1892 on a Texas ranch, ten-year-old Ima Hogg rides her pet ostrich in a race against her brothers who are on horsback. Includes facts about the real Ima, daughter of Texas Governor James Stephen Hogg.

Traces the life of Ima Hogg, daughter of Texas Governor James Hogg, and describes her many gifts to the state of Texas

Circuit Riders for Mental Health explores for the first time the transformation of popular understandings of mental health, the reform of scandal-ridden hospitals and institutions, the emergence of community mental health services, and the extension of mental health services to minority populations around the state of Texas. Author William S. Bush focuses especially on the years between 1940 and 1980 to demonstrate the dramatic, though sometimes halting and conflicted, progress made in Texas to provide mental health services to its people over the second half of the twentieth century. At the story’s center is the Hogg Foundation for Mental Health, a private-public philanthropic organization housed at the University of Texas. For the first three decades of its existence, the Hogg Foundation was the state’s leading source of public information, policy reform, and professional education in mental health. Its staff and allies throughout the state described themselves as “circuit riders” as they traveled around Texas to introduce urban and rural audiences to the concept of mental health, provide consultation for all manner of social services, and sometimes intervene in thorny issues surrounding race, ethnicity, gender, class, region, and social and cultural change.