A comprehensive portrait of the controversial self-taught archaeologist C. C. Abbott. In the late nineteenth century, Charles Conrad Abbott, a medical doctor and self-taught archaeologist, gained notoriety for his theories on early humans. He believed in an American Paleolithic, represented by an early Ice Age occupation of the New World that paralleled that of Europe, a popular scientific topic at the time. He attempted to prove that the Trenton gravels—glacial outwash deposits near the Delaware River—contained evidence of an early, primitive population that pre-dated Native Americans. His theories were ultimately overturned in acrimonious public debate with government scientists, most notably William Henry Holmes of the Smithsonian Institution. His experience—and the rise and fall of his scientific reputation—paralleled a major shift in the field toward an increasing professionalization of archaeology (and science as a whole). This is the first biography of Charles Conrad Abbott to address his archaeological research beyond the Paleolithic debate, including his early attempts at historical archaeology on Burlington Island in the Delaware River, and prehistoric Middle Woodland collections made throughout his lifetime at Three Beeches in New Jersey, now the Abbott Farm National Historic Landmark. It also delves into his modestly successful career as a nature writer. As an archaeologist, he held a position with the Peabody Museum at Harvard University and was the first curator of the American Section at the Penn Museum. He also attempted to create a museum of American archaeology at Princeton University. Through various sources including archival letters and diaries, this book provides the most complete picture of the quirky and curmudgeonly, C. C. Abbott.

Documentation, analysis, and explanation of culture change have long been goals of archaeology. Scientific graphs facilitate the visual thinking that allow archaeologists to determine the relationship between variables, and, if well designed, comprehend the processes implied by the relationship. Different graph types suggest different ontologies and theories of change, and particular techniques of parsing temporally continuous morphological variation of artefacts into types influence graph form. North American archaeologists have grappled with finding a graph that effectively and efficiently displays culture change over time. Line graphs, bar graphs, and numerous one-off graph types were used between 1910 and 1950, after which spindle graphs displaying temporal frequency distributions of specimens within each of multiple artefact types emerged as the most readily deciphered diagram. The variety of graph types used over the twentieth century indicate archaeologists often mixed elements of both Darwinian variational evolutionary change and Midas-touch like transformational change. Today, there is minimal discussion of graph theory or graph grammar in introductory archaeology textbooks or advanced texts, and elements of the two theories of evolution are still mixed. Culture has changed, and archaeology provides unique access to the totality of humankind's cultural past. It is therefore crucial that graph theory, construction, and decipherment are revived in archaeological discussion.

The book provides a pre-settlement historical account of the Cocos (Keeling) Islands and Christmas Island in their Indian Ocean context. The project began as a search for clues to locations of two 18th century Dutch shipwrecks, and was expanded into a general account of the early island histories and associated mythological Indian Ocean islands and creatures.

Drawing on one of the earliest literary travel accounts known to man, travel writer Rolf Potts and illustrator Cedar Van Tassel recreate the comic tale of Wenamun, an ancient Egyptian priest whose overseas voyage in search of Lebanese timber resulted in an ongoing series of fiascos. Based on a source papyrus that was lost to history until the late 19th century, the protagonist's misadventure is delightfully entertaining, and has a confessional, self-deprecating feel that makes it stand out from other ancient narratives. Unlike the characters in more mythic tales of adventure, Wenamun is not on a hero's journey. He is, in his hapless progression of mistakes and misdirections, an anti-hero of sorts, as clueless and arrogant as any culturally oblivious tourist.

This new edition provides a summary of these new archival discoveries and assesses their impact on our understanding of the decisions Ellingson and Robinson made.

Glory, Trouble, and Renaissance at the Robert S. Peabody Museum of Archaeology chronicles the seminal contributions, tumultuous history, and recent renaissance of the Robert S. Peabody Museum of Archaeology (RSPM). The only archaeology museum that is part of an American high school, it also did cutting-edge research from the 1930s through the 1970s, ultimately returning to its core mission of teaching and learning in the twenty-first century. Essays explore the early history and notable contributions of the museum’s directors and curators, including a tour de force chapter by James Richardson and J. M. Adovasio that interweaves the history of research at the museum with the intriguing story of the peopling of the Americas. Other chapters tackle the challenges of the 1990s, including shrinking financial resources, the Native American Graves Protection and Repatriation Act and relationships with American Indian tribes, and the need to revisit the original mission of the museum, namely, to educate high school students. Like many cultural institutions, the RSPM has faced a host of challenges throughout its history. The contributors to this book describe the creative responses to those challenges and the reinvention of a museum with an unusual past, present, and future.