In 1919, Lewis E. Lawes moved his wife and young daughters into the warden's mansion at Sing Sing prison. They shared a yard with 1,096 of the toughest inmates in the world-murderers, rapists, and thieves who Lawes alone believed capable of redemption. Adamantly opposed to the death penalty, Lawes presided over 300 executions. His progressive ideas shocked many, but he taught the nation that a prison was a community. He allowed a kidnapper to care for his children and a cutthroat to shave him every morning. He organized legendary football games for his "boys," and befriended Hollywood greats such as Charlie Chaplin and Humphrey Bogart. This is "A story almost too good to be true, but too true to miss." -Mario Cuomo

From the riotous days of Prohibition and the Jazz Age to the brutal awakening of Pearl Harbor, one man ruled the fate of America's most dangerous criminals. He was Lewis E. Lawes, warden of Sing Sing prison, the Big House up the river, who believed that no man was beyond redemption. Warden Lawes couldn't banish the electric chair (though he tried) but he knew that humanitarian care and good morale provided better security than the stoutest walls. Lawes befriended the Hollywood greats, Charlie Chaplin and Humphrey Bogart and Spencer Tracy and Harry Warner, opening Sing Sing to the movies and exposing prisoners to the glamour of the silver screen. He brought Babe Ruth to Sing Sing, fielded a winning football team called The Black Sheep that brought gridiron glory to the circuit known as the Big Pen, and ran training shops, school classes and culture programs. Truly, Warden Lawes made Sing Sing sing. But Lawes was no pushover. He brought law to Sing Sing, a tale that comes alive in the hands of prize-winning New York Times reporter Ralph Blumenthal. He killed on orders from the state, consigning 303 condemned men and women to the electric chair. But he crusaded fiercely against the death penalty as useless and preached that every man deserved a second chance, even if, in the end, he faced a terrible betrayal. Lawes taught the nation that a jail was a lockup but a prison was a community. With his perfect name and flawless eye for fashion, Lawes took over as the ninth warden in eight years -- at 39, the youngest man to lead the century-old institution, then overflowing with more than a thousand hardened criminals and luckless youths. Vice was rife -- bribery, alcohol, drugs and sex. The political bosses held sway, swinging deals for favored inmates. Enemies accused him of coddling prisoners but he ridiculed the charge. No one was coddled on a food budget of 18 cents a day. Lawes lived with his wife and daughters in a Victorian mansion abutting the cellblock, where he was shaved each morning by a prison barber convicted of slashing a man's throat, the household cook was a murderer, and his youngest daughter's favorite babysitter was serving twenty-five years for kidnapping. Lawes tamed the tyrannical Charles E. Chapin who had terrorized generations of reporters as the editor of Joseph Pulitzer's Evening World before murdering his wife and winding up as Lawes's favorite horticulturist, the Rose Man of Sing Sing. Lawes championed the advent of radio and used it to inspire his prisoners and educate the public on penal reform. He wrote film scripts and radio plays and dramas and best-selling books. But in the end, his finest tribute came not from the mighty but a lowly prisoner in the yard who muttered, to no one in particular, "There was a right guy."

Based on extensive research with original sources, Brian's narrative covers every period of the prison's checkered history, from the awful conditions of the 19th century to the relative improvements of the 20th century to today.

The Believer is the weird and chilling true story of Dr. John Mack. This eminent Harvard psychiatrist and Pulitzer Prize-winning biographer risked his career to investigate the phenomenon of human encounters with aliens and to give credibility to the stupefying tales shared by people who were utterly convinced they had happened. Nothing in Mack's four decades of psychiatry had prepared him for the otherworldly accounts of a cross section of humanity including young children who reported being taken against their wills by alien beings. Over the course of his career his interest in alien abduction grew from curiosity to wonder, ultimately developing into a limitless, unwavering passion. Based on exclusive access to Mack's archives, journals, and psychiatric notes and interviews with his family and closest associates, The Believer reveals the life and work of a man who explored the deepest of scientific conundrums and further leads us to the hidden dimensions and alternate realities that captivated Mack until the end of his life.

July 12, 1979: The fearsome Bonanno family boss, Carmine Galante, is gunned down in a gruesome ambush at a Brooklyn restaurant. The hit launches an FBI investigation that soon becomes the largest in the bureau's history, as agents uncover a trail leading to a clandestine arm of the Sicilian Mafia. Evidence points to an all but unknown criminal franchise at work in the U.S. within the strife-torn Cosa Nostra. The mystery deepens. Surveillance photos snapped secretly from FBI vans and lookouts in Queens and Brooklyn show a cast of characters the bureau's mob experts cannot identify. What is in the cartons these Sicilians are loading into the trunks of their Mercedes? Who is trying to spirit $60 million out of the country and why? And where is the mountain of money coming from? The FBI has stumbled across a billion-dollar drug pipeline that is funneling tons of Turkish morphoine base to Sicilian labs and heroin into the United States through pizza parlors, cafes, and boutiques. Where the French Connection ends, the Pizza Connection begins. This is the dramatic inside story of that historic case and the struggle of the FBI, Drug Enforcement Administration, Customs Service, and New York Police Department to deal the Mafia a crippling blow. The early 1980s are a crucial time for the FBI. It is emerging from the debacles of J. Edgar Hoover's administration, which long refused to acknowledge traditional organized crime, and is about to take on a new assignment policing anti-drug laws alongside the DEA. The exploding case is assigned to an unlikely pair of agents: the intense, Sicilian-born Carmine Russo and the laid-back Charlie Rooney. Together with an expanding army of investigators in the U.S. and abroad, they follow a trail that leads from sidewalk pizzerias and pay phones in Long Island, New Jersey, and rural Illinois, to bank vaults and hideouts in Miami, the Bahamas, Zurich, Palermo, Rio, Madrid, Turkey, and Bulgaria. Thousands of hours of wiretapped conversations and surveillance photos reveal a deadly, shadowy world of coded messages, midnight dropoffs of heroin packed in paper bags and shirt boxes, and vast fortunes laundered through some of America's biggest brokerage firms. But the crimelords Russo and Rooney stalk are not their only nemesis; they must also fend off jealous and impatient bureaucrats, and more than once crooked cops come close to blowing the case.

A groundbreaking contribution to the study of nontheatrical film exhibition, Carceral Fantasies tells the little-known story of how cinema found a home in the U.S. penitentiary system and how the prison emerged as a setting and narrative trope in modern cinema. Focusing on films shown in prisons before 1935, Alison Griffiths explores the unique experience of viewing cinema while incarcerated and the complex cultural roots of cinematic renderings of prison life. Griffiths considers a diverse mix of cinematic genres, from early actualities and reenactments of notorious executions to reformist exposés of the 1920s. She connects an early fascination with cinematic images of punishment and execution, especially electrocutions, to the attractions of the nineteenth-century carnival electrical wonder show and Phantasmagoria (a ghost show using magic lantern projections and special effects). Griffiths draws upon convict writing, prison annual reports, and the popular press obsession with prison-house cinema to document the integration of film into existing reformist and educational activities and film's psychic extension of flights of fancy undertaken by inmates in their cells. Combining penal history with visual and film studies and theories surrounding media's sensual effects, Carceral Fantasies illuminates how filmic representations of the penal system enacted ideas about modernity, gender, the body, and the public, shaping both the social experience of cinema and the public's understanding of the modern prison.

No Greater Love Than God's Love New book by author Katherine Scriven is a dramatic tapestry of family, faith, love, and forgiveness Allenhurst, GA - (Release Date TBD) - Being nineteen and pregnant was not how Trina wanted to start her adult life. But that's just what happened. She married the baby's father, Anthony Stevens, a handsome, hotshot hustler whose idea of having it all is to do just that-have it all. It was the beginning of a tumultuous journey that would test her faith and prove that there is No Greater Love than God's love for His people. Trina gave birth to twin daughters, Miracle "Mimi" and Angel. Angel was sweet and humble like their mother while Mimi was tough and headstrong. Life with her husband Anthony was trying. He was away most of the time nights, his alibi being work. Little did Trina know that her husband was involved in shady business and was having an affair with another woman. What will happen when the truth comes out? Trina struggles to keep her family together as the twins are stained by their father's sins and their faith wavers. Through all of life's trials, she remains vigilant in her faith and prayers, wanting only to protect her family. In the end, there is no greater love than the love of a mother and the love of God for His people. Readers can witness the dramatic events unfold in Katherine Scriven's No Greater Love. For more information on this book, log on to www.Xlibris.com.