Houses Divided provides new insights into the significance of the nineteenth-century evangelical schisms that arose initially over the moral question of African American bondage. Volkman examines such fractures in the Baptist, Methodist, and Presbyterian churches of the slaveholding border state of Missouri. He maintains that congregational and local denominational ruptures before, during, and after the Civil War were central to the crisis of the Union in that state from 1837 to 1876. The schisms were interlinked religious, legal, constitutional, and political developments rife with implications for the transformation of evangelicalism and the United States from the late 1830s to the end of Reconstruction. The evangelical disruptions in Missouri were grounded in divergent moral and political understandings of slavery, abolitionism, secession, and disloyalty. Publicly articulated by factional litigation over church property and a combative evangelical print culture, the schisms were complicated by the race, class, and gender dynamics that marked the contending interests of white middle-class women and men, rural church-goers, and African American congregants. These ruptures forged antagonistic northern and southern evangelical worldviews that increased antebellum sectarian strife and violence, energized the notorious guerilla conflict that gripped Missouri through the Civil War, and fueled post-war vigilantism between opponents and proponents of emancipation. The schisms produced the interrelated religious, legal and constitutional controversies that shaped pro-and anti-slavery evangelical contention before 1861, wartime Radical rule, and the rise and fall of Reconstruction.

The conversion of African-born slaves and their descendants to Protestant Christianity marked one of the most important social and intellectual transformations in American history. Come Shouting to Zion is the first comprehensive exploration of the processes by which this remarkable transition occurred. Using an extraordinary array of archival sources, Sylvia Frey and Betty Wood chart the course of religious conversion from the transference of traditional African religions to the New World through the growth of Protestant Christianity in the American South and British Caribbean up to 1830. Come Shouting to Zion depicts religious transformation as a complex reciprocal movement involving black and white Christians. It highlights the role of African American preachers in the conversion process and demonstrates the extent to which African American women were responsible for developing distinctive ritual patterns of worship and divergent moral values within the black spiritual community. Finally, the book sheds light on the ways in which, by serving as a channel for the assimilation of Western culture into the slave quarters, Protestant Christianity helped transform Africans into African Americans.

A master storyteller presents a riveting drama of America's first "crime of the century"--from murder investigation to a church sex scandal to celebrity trial--and its aftermath. In December 1832 a farmer found the body of a young, pregnant woman hanging near a haystack outside a New England mill town. When news spread that Methodist preacher Ephraim Avery was accused of murdering Sarah Maria Cornell, a factory worker, the case gave the public everything they found irresistible: sexually charged violence, adultery, the hypocrisy of a church leader, secrecy and mystery, and suspicions of insanity. Murder in a Mill Town tells the story of how a local crime quickly turned into a national scandal that became America's first "trial of the century." After her death--after she became the country's most notorious "factory girl"--Cornell's choices about work, survival, and personal freedom became enmeshed in stories that Americans told themselves about their new world of industry and women's labor and the power of religion in the early republic. Writers penned seduction tales, true-crime narratives, detective stories, political screeds, songs, poems, and melodramatic plays about the lurid scandal. As trial witnesses, ordinary people gave testimony that revealed rapidly changing times. As the controversy of Cornell's murder spread beyond the courtroom, the public eagerly devoured narratives of moral deviance, abortion, suicide, mobs, "fake news," and conspiracy politics. Long after the jury's verdict, the nation refused to let the scandal go. A meticulously reconstructed historical whodunit, Murder in a Mill Town exposes the troublesome workings of criminal justice in the young democracy and the rise of a sensational popular culture.