During his correspondence with erotic folklore collector Gershon Legman, famed chantey singer and collector Stan Hugill (1906–1992) shared unexpurgated versions of the songs in his repertoire. These bawdy songs were meant to be a part of Legman’s larger project concerning erotic folksong. Upon Legman’s death in 1999, the unfinished and unpublished manuscript sank into obscurity and was believed by many to be permanently lost. Thankfully this “holy grail” of chantey texts had been safe in the private collection of Legman’s widow, Judith Legman, all along. Cabin Boys, Milkmaids, and Rough Seas: Identity in the Unexpurgated Repertoire of Stan Hugill is the first critical investigation of this repository, reproduced here for the first time. Training an interdisciplinary lens on twenty-four unexpurgated texts, author Jessica M. Floyd interrogates the articulation of gender, sexuality, and identity as it is expressed in these cultural artifacts of the sea. Opening with both a critical explication of the chantey genre, as well as situating Hugill’s repertoire in the canon of folksong, the book introduces readers to the critical realities that attend this rich cultural tradition. Analytical chapters demonstrate the kaleidoscopic representation of gender and sexuality in this finite repertoire. Each inquiry is connected and overlapping, demonstrating an ebb and flow not unlike the waters on which the songs were sung. Words of warning, heteronormative economies, and queer undercurrents each collide to present an image of sailing life that is nuanced and complicated, provocative and evocative, transgressive and sometimes radical. The volume allows scholars to place a finger on the pulse of maritime life, feeling and experiencing one voice among the din of working-class song traditions.

When seventeen-year-old Suili is abducted by a notorious pirate and held for an unnamed ransom, she's determined to escape. She finds captive life on a pirate ship frightening and unsettling, yet her curiosity leads her into reluctant games with her captor. Most times losing, sometimes winning, she's forced to learn dangerous secrets about her affianced husband. Despite her protests, Suili's future takes an unexpected turn as she discovers more about herself, her pirate captor, and the man she's destined to marry.

Two families grow a small munitions factory into a global empire in this saga by a New York Times–bestselling author spanning from 1837 to the eve of World War I. In 1837, Joseph Barbour, an upper servant in an English village, immigrates with his family to America so he can make his fortune in the nascent artillery business. A man of vision, Joseph foresees a time when wars will not be won with courage and brave hearts but rather by the nations with superior firearms. Joseph and his family settle in a rural Pennsylvania village, but his wife, Hilda, is unhappy and longs to return to England. Their shy and sensitive younger son, Martin, is also homesick, but what troubles him most is the cruelty and violence he sees in his older brother, Ernest. Martin’s fears come to fruition when Joseph forms a gunpowder firm with Armand Bouchard, who lives with his wife and three sons down the road from the Barbours. As the years pass, Ernest proves himself invaluable to Barbour & Bouchard. Ruthless and ambitious, he takes what he wants. But beautiful Amy Drumhill continues to elude him and becomes the catalyst in a war that will estrange the two brothers and leave Ernest haunted by the blood that will be forever on his hands. Dynasty of Death is a moving saga of two families, the epic struggle between two brothers, and the legacy their guns will leave the world as mighty enemy nations gear up for battle.