This book calls attention to the public space of cities. It proposes that the environmental performance of public space is underdeveloped, and is primed to play a more integrated role in combatting the urgency of climate change, while also creating a more meaningful experience of the city. The approach is influenced by recent insights from neuroscience that are generating a growing body of evidence for the underlying bodily basis of mind and meaning imply a reformulation of urban design theory. Minding the City is an effort to refocus the subject of urban design on the tangible and visceral experience of public space, to remind urban designers that our concept of the city is grounded in bodily experience. It discusses emerging insights from neuroscience and their potential impact on urban design in detail, not as a formula for design, but to bring awareness, a new sensibility to the design process. It uses a set of case studies to illustrate how the insights from neuroscience are operative in how we experience and value the built environment. It finishes with an exploration of the sensory and aesthetic potential of sustainable systems and then illustrates, through a series of urban design studies, how they might be used to create better environmental performance while creating more meaningful, even poetic urban spaces.

Penelope Lively is one of England's greatest living writers. In City of the Mind, Matthew Halland is an architect intimately involved with the new face of London, while haunted by the destruction and loss in its history. Matthew has a rich and moving relationship with his daughter Jane, and becomes entangled with an array of fascinating characters, from Rutter, a corrupt real estate developer whose Mafia-like ways disgust him, to Sarah, a romantic ray of hope who enters his life. In Lively's most ambitious novel, she has created a wonderfully rich and audacious confrontation with the mystery of London.

This title takes an in-depth look at the history, development and state of architectural and societal success of cities, including London, Rome, Berlin, Paris and Mexico City.

“I really enjoyed this book. In fact, I could go for a second helping!”—Amy Sedaris “Entrepreneurs will learn a thing or two about translating a dream into thoughtful business growth, and everyone will laugh, cry, and nod along with a woman who has chosen to live an extraordinary life amidst many piles of dishes.” —Danny Meyer, CEO of Union Square Hospitality Group, founder of Shake Shack, author of the New York Times bestseller Setting the Table In this charming graphic memoir, the founder of an iconic housewares shop recounts the ups and downs—and ups again—of starting a family business, starting a family, and staying true to one’s path while trying to make it in the Big City. Whether it’s a set of vintage plates from a 1920s steamship, a mug with a New Yorker cartoon on it, a tin of sprinkles designed by Amy Sedaris, or a juice glass from a Jazz Age hotel, Fishs Eddy products are distinctly recognizable. A New York institution, Fishs Eddy also remains a family business whose owners endured the same challenges as many family businesses—and lived to write about it in this tale filled with humorous characterizations of opinionated relatives, nosy neighbors, quirky employees, and above all the eccentric foibles of the founders themselves. Readers come to know author Julie Gaines and her husband, with whom she founded the store, and because this is a family business, the illustrations are all in the family, too: their son Ben Lenovitz’s drawings bring Fishs Eddy to life with a witty style a la Roz Chast and Ben Katchor. Over the years the store has collaborated with artists and celebrities such as Charley Harper and Todd Oldham, Alan Cumming, and many others to produce original designs that are now found in thousands of stores throughout the country, and Fishs Eddy has garnered a huge amount of media coverage. A great gift for anyone who has ever dreamed of opening a little business—or anyone with any kind of dream—Minding the Store offers wisdom, inspiration, and an exceedingly entertaining story.

Curious about the images of the city that have been evolving in the different social sciences, we did what academics often do in such a situa 1 tion: we set up a seminar on "Images of the City in the Social Sciences." From the start, we counted on the help of specialists in other fields to pursue their interests. Of the persons who agreed to participate, all but two came from the United States, and their analyses, in the main, reflect the experience of Western countries and the United States. In our formal instructions to our collaborators, we took fi>r granted that a variety of images of the city could be found or inferred in their fields of expertise. We asked them to identify these images and their functions, to explain how and why they have changed over time, and to relate these images to the distinct intellectual traditions and techniques-analytical or otherwise-in their respective fields. The definition of image was left to the judgment of the participants.