Published annually by Duquesne University Press as an important forum for Milton scholarship and criticism, Milton Studies focuses on various aspects of John Milton's life and writing, including biography; literary history; Milton's work in its literary, intellectual, political, or cultural contexts; Milton's influence on or relationship to other writers; and the history of critical response to his work. The eleven essays in Milton Studies 54 offer new and groundbreaking perspectives on topics of current scholarly interest. Contributors examine Milton's angelic narrators, Adam's nativity and vitalism, Miltonic authorship, gender, and music in Comus, satanic self-fashioning, Areopagitica and religion in the public sphere, Edenic worship and iconoclasm, the process of theology in De doctrina Christiana, Milton's reworking of epic hospitality, Limbo and the Lucretian swerve, and early black women writers' uses of Milton. Hardcover is un-jacketed.

While Johnson charged that Milton "unhappily perplexed his poetry with his philosophy," Stephen M. Fallon argues that the relationship between Milton's philosophy and the poetry of Paradise Lost is a happy one. The author examines Milton's thought in light of the competing philosophical systems that filled the vacuum left by the repudiation of Aristotle in the seventeenth century. In what has become the classic account of Milton's animist materialism, Fallon revises our understanding of Milton's philosophical sophistication. The book offers a new interpretation of the War in Heaven in Paradise Lost as a clash of metaphysical systems, with free will hanging in the balance.

Examines the relationship between the manuscript evidence of Milton's thinking and its representation in his printed works

Firmly grounded in literary studies but drawing on religious studies, translation studies, drama, and visual art, Milton among Spaniards is the first book-length exploration of the afterlife of John Milton in Spanish culture, illuminating underexamined Anglo-Hispanic cultural relations. This study calls attention to a series of powerful engagements by Spaniards with Milton’s works and legend, following a general chronology from the eighteenth to the early twenty-first century, tracing the overall story of Milton’s presence from indices of prohibited works during the Inquisition, through the many Spanish translations of Paradise Lost, to the author’s depiction on stage in the nineteenth-century play Milton, and finally to the representation of Paradise Lost by Spanish visual artists. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

This nine volume set presents in easily accessible format the extensive information now available about John Milton. It has grown to be a study of English civilization of Milton's time and a history of literary and political matters since then.

Milton Studies is published annually by the University of Pittsburgh Press as a forum for Milton scholarship and criticism. The journal defines the literary, intellectual, and historical contexts that impacted Milton by studying the work of his contemporaries, seventeenth century political and religious movements, his influence on other writers, and the history of critical response to his work.

With brevity, depth, and accessibility, this book helps readers to appreciate the works of John Milton, and to understand the great influence they have had on literature and other disciplines. Presents new and authoritative essays by internationally respected Milton scholars Explains how and why Milton’s works established their central place in the English literary canon Structured chronologically around Milton’s major works Also includes a select bibliography and a chronology detailing Milton’s life and works alongside relevant world events Ideal as a first critical work on Milton