Debate about the authorship of the manuscript known to us as De Doctrina Christiana has bedevilled Milton studies over recent years. In this book four leading scholars give an account of the research project that demonstrated its Miltonic provenance beyond reasonable doubt. But the authors do much more besides, locating Milton's systematic theology in its broader European context, picking open the stages and processes of its composition, and analysing its Latinity.

A lively account by four leading scholars of the research project which settles what has currently been the big question in Milton studies - the authorship of De Doctrina Christiana, the 17th-century treatise rediscovered in 1823 - and goes on to say much more about a key text in the Milton oeuvre.

A close reading of Milton's De Doctrina, which reveals the personal dimension of his theology and the passion and energy of his mind.

'The Doctrina Christiana' (On the Teachings of Christianity) is one of Augustine's most important works. In particular, it spells out just how far Christians may use the legacy of their classical, pagan past. This translation, has a brief introduction that takes into account recent studies. The book includes a freshly edited complete text.

John Milton's epic poem Paradise Lost (1667) is a literary landmark. His reworking of Biblical tales of the loss of Eden constitutes not only a gripping literary work, but a significant musing on fundamental human concerns ranging from freedom and fate to conscience and consciousness. Designed for students new to Milton's complex, lengthy work, this sourcebook: * outlines the often unfamiliar contexts of seventeenth-century England which are so crucial to Paradise Lost * completes the contextual study with a chronology and reprinted documents from the period * examines and reprints a broad range of responses to the poem, from early reactions to recent criticism * reprints the most frequently studied passages of the poem, along with extensive commentary and annotation of unfamiliar or significant terms used in Milton's work * provides cross-references between the textual, contextual and critical sections of the sourcebook, to show how all the materials can be called upon in an individual reader's encounter with the text * suggests further reading for those facing the huge array of critical work on the poem. With an emphasis on enjoying as well as understanding what can be a somewhat daunting work, this sourcebook will be a welcome resource for anyone new to Paradise Lost.