If Fancy Nancy got angry. Really, really angry. Millie is quiet. Millie is sweet. Millie is mild. But the kids at school don't listen to her. And she never gets a piece of birthday cake with a flower on it. And some girls from her class walk right on top of her chalk drawing and smudge it. And they don't even say they're sorry! So that's when Millie decides she wants to be fierce! She frizzes out her hair, sharpens her nails and runs around like a wild thing. But she soon realizes that being fierce isn't the best way to get noticed either, especially when it makes you turn mean. So Millie decides to be nice--but to keep a little of that fierce backbone hidden inside her. In case she ever needs it again. With bright art and an adorable character, it's easy to empathize with Millie. Because everyone has a bad day, once in a while. Praise for MILLIE FIERCE “Millie Fierce is a delightfully naughty mix between Maurice Sendak’s Where the Wild Things Are and Molly Bang’s When Sophie Gets Angry.”--School Library Journal

Students enjoy their teacher's silly misuse of words during a class field trip to Philadelphia.

“A memorable and lovely debut.”--Kirkus Reviews “Walking with Miss Millie is full of subtle wisdom. Its ending is satisfying though sobering and there are elements of this story that stay with you long after the last page has been read.”--Karen English, Coretta Scott King Honor Award Author A poignant middle grade debut about the friendship between a white girl and an elderly black woman in the 1960s South Alice is angry at having to move to Rainbow, Georgia—a too small, too hot, dried-up place she’s sure will never feel like home. Then she gets put in charge of walking her elderly neighbor’s dog. But Clarence won’t budge without Miss Millie, so Alice and Miss Millie walk him together. Strolling with Clarence and Miss Millie quickly becomes the highlight of Alice's day and opens her eyes to all sorts of new things to marvel over. During their walks, they meet a mix of people, and Alice sees that although there are some bullies and phonies, there are plenty of kind folks, too. Miss Millie shares her family’s story with Alice, showing her the painful impact segregation has had on their town. And with Miss Millie, Alice is finally able to express her own heartache over why her family had to move there in the first place. Tamara Bundy’s beautifully written debut celebrates the wonder and power of friendship: how it can be found when we least expect it and make any place a home.

The #1 international bestselling debut novel about the wisdom of the very young, the mischief of the very old, and the magic that happens along the way Millie Bird, seven years old and ever hopeful, always wears red gumboots to match her curly hair. Her struggling mother, grieving the death of Millie's father, leaves her in the big ladies' underwear department of a local store and never returns. United at this fateful moment with two octogenarians seekers, she embarks with them upon a road trip to find Millie's mother. Together they will discover that old age is not the same as death, that the young can be wise, and that letting yourself feel sad once in a while just might be the key to a happy life.

If Kit Kittredge could write her own story about how the Depression affected her family, she'd make sure it had a happy ending. But the reality is that she and her family are living through the Depression one grim day at a time. The Kittredges' boarding house brings in some money, but it may not be enough to keep them from losing their house. Kit struggles with an endless list of chores that keeps her constantly busy at home. But she knows that there are people who have lost even more than her family has because of the Depression, and she looks for ways to help. To her great surprise, Kit discovers that along with hard times come good times, too. Book jacket.

Based on the Turner Classic Movies series, TCM Underground is the movie-lover's guide to 50 of the most campy, kitschy, shocking, and weirdly wonderful cult films you need to see. In the pages of this book, you'll explore this unique order of films—primarily from the 1960s, '70s, and '80s—with insightful reviews, behind-the-scenes stories, subgenre sidebars, and full-color and black-and-white photography throughout. Go along for the ride with new takes on crime films, including The Honeymoon Killers and The Harder They Come. Witness one-of-a-kind horror in Bill Gunn's landmark vampire film Ganja and Hess and Nobuhiko Obayashi’s infamous and indescribable Hausu. Absorb the boundary-pushing documentary-style trilogy The Decline of Western Civilization, which throws you into indelible moments in the punk and metal music scenes. And marvel at pure '80s oddities like Mac and Me and The Garbage Pail Kids. From Possession to Polyester and Beyond the Valley of the Dolls to Xanadu, no two films are alike in this compendium. Just sit back and prepare to be surprised, amused, and entertained by this celebration of the stars, filmmakers, and stories behind fifty of the most beguiling and unforgettable movies ever to hit the screen.

NATIONAL BESTSELLER • The triumphant true story of a woman who rode her horse across America in the 1950s, fulfilling her dying wish to see the Pacific Ocean, from the #1 New York Times bestselling author of The Perfect Horse and The Eighty-Dollar Champion “The gift Elizabeth Letts has is that she makes you feel you are the one taking this trip. This is a book we can enjoy always but especially need now.”—Elizabeth Berg, author of The Story of Arthur Truluv In 1954, sixty-three-year-old Maine farmer Annie Wilkins embarked on an impossible journey. She had no money and no family, she had just lost her farm, and her doctor had given her only two years to live. But Annie wanted to see the Pacific Ocean before she died. She ignored her doctor’s advice to move into the county charity home. Instead, she bought a cast-off brown gelding named Tarzan, donned men’s dungarees, and headed south in mid-November, hoping to beat the snow. Annie had little idea what to expect beyond her rural crossroads; she didn’t even have a map. But she did have her ex-racehorse, her faithful mutt, and her own unfailing belief that Americans would treat a stranger with kindness. Annie, Tarzan, and her dog, Depeche Toi, rode straight into a world transformed by the rapid construction of modern highways. Between 1954 and 1956, the three travelers pushed through blizzards, forded rivers, climbed mountains, and clung to the narrow shoulder as cars whipped by them at terrifying speeds. Annie rode more than four thousand miles, through America’s big cities and small towns. Along the way, she met ordinary people and celebrities—from Andrew Wyeth (who sketched Tarzan) to Art Linkletter and Groucho Marx. She received many offers—a permanent home at a riding stable in New Jersey, a job at a gas station in rural Kentucky, even a marriage proposal from a Wyoming rancher. In a decade when car ownership nearly tripled, when television’s influence was expanding fast, when homeowners began locking their doors, Annie and her four-footed companions inspired an outpouring of neighborliness in a rapidly changing world.