This is really two books in one: a valuable reference resource, and a groundbreaking case study that represents a new approach to constructional semantics. It presents a detailed descriptive survey, using extensive examples collected from the Internet, of German verb constructions in which the expressions durch ('through'), über ('over'), unter ('under'), and um ('around') occur either as inseparable verb prefixes or as separable verb particles. Based on that evidence, the author argues that the prefixed verb constructions and particle verb constructions themselves have meaning, and that this meaning involves subjective construal processes rather than objective information. The constructions prompt us to distribute focal attention according to patterns that can be articulated in terms of Talmy's notion of “perspectival modes”. Among the other topics that play an important role in the analysis are incremental themes, reflexive trajectors, fictive motion, “multi-directional paths”, and “accusative landmarks”.

“Fascinating footnote to Holocaust history . . . a Jewish hospital in the heart of Berlin that treated patients to the very end of Hitler’s reign” (Kirkus Reviews, starred review) “One of the most incredible stories of World War II.” —Dallas Morning News How did Berlin’s Jewish Hospital, in the middle of the Nazi capital, survive as an institution where Jewish doctors and nurses cared for Jewish patients throughout World War II? How could it happen that when Soviet troops liberated the hospital in April 1945, they found some eight hundred Jews still on the premises? Daniel Silver carefully uncovers the often surprising answers to these questions and, through the skillful use of primary source materials and the vivid voices of survivors, reveals the underlying complexities of human conscience. The story centers on the intricate machinations of the hospital’s director, Herr Dr. Lustig, a German-born Jew whose life-and-death power over medical staff and patients and finely honed relationship with his own boss, the infamous Adolf Eichmann, provide vital pieces to the puzzle—some have said the miracle—of the hospital’s survival. Silver illuminates how the tortured shifts in Nazi policy toward intermarriage and so-called racial segregation provided a further, if hugely counterintuitive, shelter from the storm for the hospital’s resident Jews. Scenes of daily life in the hospital paint an often heroic and always provocative picture of triage at its most chillingly existential. Not since Schindler’s List have we had such a haunting story of the costs and mysteries of individual survival in the midst of a human-created hell. “Gripping . . . one physician’s actions are depicted in all their fascinating complexity.” —The Washington Post Book World

After Hitler seeks to explain the breathtaking transformation of the Germans from the defeated National Socialist accomplices and Holocaust perpetrators of 1945 to the civilized, democratic, and prosperous people of today, living in a reunited country that plays a leading role in the integration of Europe.

This major study reassesses Adalbert Stifter's work within the context of the tradition of nineteenth-century European fictional prose.

The Munich/Germany born artist Claudia Chaseling (maiden name: Pötzsch) studied at the Art Academies in Munich and Vienna as well as at the University of Arts in Berlin, where she graduated in 2000 in Prof. Marwan?s master class. In 2003 she graduated as Master of Visual Arts at the School of Arts of the Australian National University in Canberra, made possible by a scholarship of DAAD. There she is earning a doctorate since 2013.

In 1977, two extraodinary spacecraft called Voyager were launched to the stars. Affixed to each Voyager craft was a gold-coated copped phonograph record as a message to possible extra-terrestrial civilizations that might encounter the spacecraft in some distant space and time. Each record contained 118 photographs of our planet; almost 90 minutes of the world's greatest music; an evolutionary audio essay on "The Sounds of Earth"; and greetings in almost sixty human languages (and one whale language). This book is an account, written by those chiefly responsible for the contents of the Voyager Record, of why they did it, how they selected the repertoire, and precisely what the record contains.