This guide -- the first to cover a wide range of 20th-century North American and British ceramics factories in detail -- explores over 200 factories, covering pre-war designers, the innovative designs of the 1950s and 1960s and collectables of the future. Ellen Paul Denker is a museum consultant and researches, plans, and coordinates exhibitions all over the USA.

Judith Miller takes on the 20th century with this new, expansive handbook for both beginning and established collectors. Modern design is beautiful, functional, idiosyncratic, increasing in value, and still relatively affordable. Now, Judith Miller introduces a extensive sourcebook, written specifically for the 20th century collector. From the birth of modern design, through modernism, art deco, mid-century modern, and the post-modern and contemporary years, 20th CENTURY takes a close look all the most important design and collectible categories, including ceramics, glass, furniture, lamps and lighting, clocks, silver and metalwares, sculpture, textiles, jewelry, domestic wares and posters. Including 5,000 photographs and in-depth analysis, collectors will get the inside track on which designs are the true classics and how to make the smartest purchases for the future.

First published in 1998, Miller's Antiques Encyclopedia has gone on to sell more than 150,000 copies worldwide and been published into seven languages. This new edition includes a thoroughly updated directory, list of suppliers and up-to-date price codes for each item. Compiled by an international team of over 40 consultants and writers, and offering clear and wide-ranging coverage of antiques and collectables, this book contains valuable information for both the enthusiast and the experienced dealer. An extensive glossary explains the terms used throughout the book and clear cross-referencing leads you into related areas of interest. All the traditional areas of collecting are featured, with extensive sections on furniture, ceramics, silver and glass. More specialist subjects, such as jewellery, scientific instruments, Oriental art and sporting memorabilia are also included. Clearly and logically organised, practical and packed with absorbing and useful information, Miller's Antiques Encyclopedia is an invaluable aid to collecting and the definitive reference book on the subject.

What makes twentieth-century ceramics so appealing? They’re readily available, generally affordable, and stylistically suited to the contemporary home. This popular guide is the first to cover a wide range of these modern-day British and North American ceramics factories in detail. It explores over 200 manufacturers, covering pre-war designers, as well as the 1950s and 1960s—and it now has even been brought right up to date with revised prices and a new chapter on recent collectables.

Miller's makes sense of the dizzying array of collectable ceramics by providing a range of current sales prices and color photographs for more than 2,500 items, ranging from 16th century delftware through 19th century stoneware to post-war and modern pieces. Definitive text reveals the dimensions and creation date for each piece, along with manufacturers' histories, and tips for ceramic restoration and care. Several sections are devoted to collecting by maker, by country of origin, and even by shape. Various styles and collectiblity of items from leading producers such as Staffordshire, Doulton, Sevres, Royal Copenhagen, and Meissen, among others, are discussed in detail, along with those of smaller manufacturers from Europe, the United States, and Russia.

Published in conjunction with an exhibition of the same name held at the Yale University Art Gallery, September 4, 2015-January 3, 2016.

The first comprehensive study of the most important ceramic innovation of the 19th century Colorful, wildly imaginative, and technically innovative, majolica was functional and aesthetic ceramic ware. Its subject matter reflects a range of 19th-century preoccupations, from botany and zoology to popular humor and the macabre. Majolica Mania examines the medium’s considerable impact, from wares used in domestic settings to monumental pieces at the World’s Fairs. Essays by international experts address the extensive output of the originators and manufacturers in England—including Minton, Wedgwood, and George Jones—and the migration of English craftsmen to the U.S. New research including information on important American makers in New York, Baltimore, and Philadelphia is also featured. Fully illustrated, the book is enlivened by new photography of pieces from major museums and private collections in the U.S. and Great Britain.