"Miller/Hull's award-winning, energy-conscious designs combine with a love of local materials and structural expressiveness to define the essence of the Pacific Northwest style. Here, climate change plays a critical role and each Miller/Hull building responds with simple yet inventive forms, straightforward plans, sensible siting, and careful detailing.".

Green design is the major architectural movement of our time. Throughout the world architects are producing sustainable buildings in an attempt to preserve the environment and our globe’s natural resources. However, current strategies for forming sustainable solutions are typically too general and fail to take advantage of critical geographical, environmental, and cultural factors particular to a specific place. By focusing on the Pacific Northwest, this book provides essential lessons to architects and students on how sustainable architecture can and should be shaped by the unique conditions of a region. Pacific Northwest regionalism has consistently supported an architecture aimed at environmental needs and priorities. This book illuminates the history of a "green trail" in the work of key architects of the Northwest. It discusses environmental strategies that work in the region, organized according to nature’s most basic elements--earth, air, water, and fire--and their underlying principles and forces. The book focuses on technologies, materials, and methods, with a final section that examines thirteen exceptional Northwest buildings in detail and in light of their contributions to sustainable architecture. Critical case studies by Northwest architects illustrate some of the best environmental design work in North America. Notable architects from Seattle, Portland, and British Columbia are included. These projects feature innovative design in water and site stewardship, intelligent technologies, passive energy strategies, ecologically sound building materials, and environmentally sensitive energy management systems.

Text and illustrations provide instruction on how to build, transport, set up, and use portable stage sets, describing various theatre types, and including discussion of stage construction in churches, schools, and other spaces.

Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.

As synthetic materials and mutant and hybrid concoctions attain prominence in our daily lives—in our handheld devices, cooking utensils, vehicles, even things as simple as our shopping bags—the design and construction industries have instead re-embraced the familiar, the conventional—wood, which has regained prominence through innovations in engineering and construction methodologies. Technology is now commonly used—and often (though not always) affordably used—to cut, perforate, assemble, erect, and even fabricate materials in a manner not previously possible. Wood is one such material, and Timber in the City documents both the imaginings of those in the nascence of their education and practice and the executed work of design professionals at the leading edge of architecture. These designers, regardless of the duration of their immersion in the field, have imaginatively rethought the means by which we build and the methods by which we define space merely through differing deployments of a familiar building material.

The New Asian Homeby Kendra Langeteig profiles 23 fascinating and original American homes inspired by the ancient architectural traditions of Asia. Designed by some of today's foremost architects and designers, principles fundamental to the serene aesthetics of classic Asian design - balance, harmony, connection with nature - are reinterpreted for the Western home.

The first volume in a series, the book reviews a collection of poker hands played from the button, cutoff, and hijack positions which illustrate concepts to help improve the reader's poker game.