Who among us still thinks the year 2000 is just an arbitrary turn of a calendar page? Why does its approach bring both fear of apocalyptic destruction and the promise of millennial salvation? Lee Quinby investigates how anxiety about the arrival of the new century casts everything from El Niño to sheep cloning in apocalyptic terms, simultaneously fueling panic and fostering unfounded hope for a perfect world. Millennial rhetoric is both pervasive and persuasive, Quinby argues, because it operates with mutually reinforcing doses of fear and hope. Religious and secular anxiety erupts over charged issues such as sex education, the regulation of cyberspace, and the Christian masculinity of the Promise Keepers. Quinby exposes the dangers of millennialist solutions, which link misogyny, homophobia, and racism with absolutist claims about truth, morality, sexuality, and technology. It is the absolutism of apocalyptic thought—not an impending apocalypse—that poses the more serious threat to our society, Quinby maintains. Millennial Seduction advocates a form of skepticism that challenges absolutism and encourages democratic participation.

This penetrating book sheds light on the psychology of fundamentalism, with a particular focus on those who become extremists and fanatics. What accounts for the violence that emerges among some fundamentalist groups? The contributors to this book identify several factors: a radical dualism, in which all aspects of life are bluntly categorized as either good or evil; a destructive inclination to interpret authoritative texts, laws, and teachings in the most literal of terms; an extreme and totalized conversion experience; paranoid thinking; and an apocalyptic world view. After examining each of these concepts in detail, and showing the ways in which they lead to violence among widely disparate groups, these engrossing essays explore such areas as fundamentalism in the American experience and among jihadists, and they illuminate aspects of the same psychology that contributed to such historical crises as the French Revolution, the Nazi movement, and post-Partition Hindu religious practice.

The thirteenth volume in this landmark series examines the Revelation of John through the categories of post-colonial thought, deconstruction, ethics, Roman social discourse, masculinization, virginity, and violence. The reach of this volume therefore goes beyond that of most feminist studies of Revelation, which frequently focus on the female imagery: the Thyatiran prophet called 'Jezebel', the 'Woman Clothed with the Sun', the 'Whore of Babylon', and the 'Bride'/the 'Heavenly Jerusalem'. The symbols of Revelation remain open and interpetations continue. Some readers will refuse to rejoice at the dismemberment of the Woman-who-is-Babylon; they will resist the (masochistic? infantile?) self-abasement before this imperial Deity who rules by patriarchal domination. Others will conclude that these descriptions are 'only' metaphors, separate form from substance, and worship the transcendent to which the metaphors imperfectly point. Some readers will understand, if not fully condone, John's rhetoric by seeking his political and social location; others will condone, if not fully understand, how the Apocalypse can provide comfort to those undergoing persecution or deprivation. Some readers may reject the coercive aspects of a choice between spending eternity in praise of the divine or being 'tortured' with fire and sulfer; others may rejoice in their own salvation while believing that those being tortured deserve every pain inflicting upon them; still others may use mimicry or parody or anachronistic analogy to challenge, defang, or replace John's message. What we find behind the veil may be beautiful, or terrifying, or both, but we cannot avert our eyes: John's vision is too influential today, in our own political climate, not to look for ourselves. The Feminist Companion to the Apocalypse of John includes contributions by David L. Barr, Mary Ann Beavis, Greg Carey, Adela Yarbro Collins, Lynn R. Huber, Catherine Keller, John Marshall, Stephen Moore, Jorunn Økland, Hanna Stenström, Pamela Thimmes, and Carolyn Vander Stichele. There is an introduction by Amy-Jill Levine and a comprehensive bibliography.

Exceptional State analyzes the nexus of culture and contemporary manifestations of U.S. imperialism. The contributors, established and emerging cultural studies scholars, define culture broadly to include a range of media, literature, and political discourse. They do not posit September 11, 2001 as the beginning of U.S. belligerence and authoritarianism at home and abroad, but they do provide context for understanding U.S. responses to and uses of that event. Taken together, the essays stress both the continuities and discontinuities embodied in a present-day U.S. imperialism constituted through expressions of millennialism, exceptionalism, technological might, and visions of world dominance. The contributors address a range of topics, paying particular attention to the dynamics of gender and race. Their essays include a surprising reading of the ostensibly liberal movies Wag the Dog and Three Kings, an exploration of the rhetoric surrounding the plan to remake the military into a high-tech force less dependent on human bodies, a look at the significance of the popular Left Behind series of novels, and an interpretation of the Abu Ghraib prison photos. They scrutinize the national narrative created to justify the U.S. invasions of Afghanistan and Iraq, the ways that women in those countries have responded to the invasions, the contradictions underlying calls for U.S. humanitarian interventions, and the role of Africa in the U.S. imperial imagination. The volume concludes on a hopeful note, with a look at an emerging anti-imperialist public sphere. Contributors. Omar Dahbour, Ashley Dawson, Cynthia Enloe, Melani McAlister, Christian Parenti, Donald E. Pease, John Carlos Rowe, Malini Johar Schueller, Harilaos Stecopoulos

The female body has been an object of oppression and control throughout history. 'Gender and Apocalyptic Desire' exposes the often-hidden links between the struggles of women and the conflict of good versus evil. The essays examine the collisions between feminist and apocalyptic thought, the ways in which apocalyptic belief functions as bodily discipline and cultural practice, and how some currents of apocalyptic desire can enable women's equality. A wide range of issues are examined, from anti-abortion terrorism to the stigmata of Christ and visions of Mary.

Since public discourse about AIDS began in 1981, it has characterized AIDS as an apocalyptic plague: a punishment for sin and a sign of the end of the world. Christian fundamentalists had already configured the gay male population most visibly affected by AIDS as apocalyptic signifiers or signs of the "end times." Their discourse grew out of a centuries-old American apocalypticism that included images of crisis, destruction, and ultimate renewal. In this book, Thomas L. Long examines the ways in which gay and AIDS activists, artists, writers, scientists, and journalists appropriated this apocalyptic rhetoric in order to mobilize attention to the medical crisis, prevent the spread of the disease, and treat the HIV infected. Using the analytical tools of literary analysis, cultural studies, performance theory, and social semiotics, AIDS and American Apocalypticism examines many kinds of discourse, including fiction, drama, performance art, demonstration graphics and brochures, biomedical publications, and journalism and shows that, while initially useful, the effects of apocalyptic rhetoric in the long term are dangerous. Among the important figures in AIDS activism and the arts discussed are David Drake, Tim Miller, Sarah Schulman, and Tony Kushner, as well as the organizations ACT UP and Lesbian Avengers.

Heffernan uses modernist and post-modernist novels as evidence of the diminished faith in the existence of an inherently meaningful end.